Wolf Instruments

Wolf Instruments Instrument makers in The Plains, VA specializing in early keyboards, violones, and the double bass.

Tom and Jacob have been busy making blocks and re-sawing rib stock for a number of new basses currently underway. Repair...
06/19/2026

Tom and Jacob have been busy making blocks and re-sawing rib stock for a number of new basses currently underway. Repair and restoration work continues as well, with a myriad of small jobs alongside a fairly extensive overhaul of an early 20th-century German bass whose edges have seen better days!

As always, Zippi has been hard at work managing both the office and the shop floor, making sure everything runs smoothly.

Meanwhile, Anni has been enjoying the beautiful weather and is thrilled that none of this is her responsibility!

Wolf Instrument Wednesdays: Celebrating 50 Years!📆2007After its initial trip to the shop in 2006, the huge Italian harps...
06/17/2026

Wolf Instrument Wednesdays: Celebrating 50 Years!

📆2007

After its initial trip to the shop in 2006, the huge Italian harpsichord from the Flint collection returned for a more thorough restoration. This gave them four musically solid antiques with which to celebrate the opening of an elaborately re-purposed 19th-century bank barn on their property. The rustic building looked much the same from outside, other than some very modern windows and doors, but was completely renovated inside. The central big room seated 100, with an adjacent recording booth and a museum-quality ventilation system.

The decision to perform (and record) all of Bach’s harpsichord concerti meant maximum usage for all four instruments and five players. It also meant ten days of tuning and maintenance; John Phillips was on hand to help with the latter, but Barbara did the tuning. To get four instruments in tune with each other on a schedule is a time management operation that she had learned all too well with the Labèques.

By mid-summer our Cristofori piano, owner Ted Good, and both of us were en route to the 50th convention of the Piano Technicians Guild. These events attract thousands of people involved with pianos in myriad ways, and this was a landmark occasion. In the previous year we had developed a Power Point presentation about the 1722 antique and delivered it in conjunction with Ted playing the piano and making some observations of his own. It consisted of two 1½-hour sessions, and was the primary “Historical” offering among hundreds of other entries at the week-long extravaganza.

At the final weekend banquet our little piano was placed up on the speakers’ platform in a huge ballroom. After opening remarks, Ted played a few minutes of Bach to the post-cocktail crowd. The room was dead silent, everyone could hear it, and all the “modern” people were moved.

Sadly, toward the end of the year we lost “Uncle” Albert Fuller. A friend, mentor, client and “influencer” for us and so many others, his passing was noted in prominent lengthy obits. He reminded all of us that everything we did was part of “our lives in music”.

Basses everywhere! We’ve been busy with glue-ups, neck breaks, and top-off repairs, keeping both benches and clamps full...
06/12/2026

Basses everywhere! We’ve been busy with glue-ups, neck breaks, and top-off repairs, keeping both benches and clamps fully occupied.

Zippi is so exhausted from supervising that she’s resorted to sleeping on Boalch in her down time.

And to end the week, a favorite line from Barbara’s current reading.

Wolf Instrument Wednesdays: Celebrating 50 Years!📆2006The second MozartJahr was in full swing by 2006, so the Canadian o...
06/10/2026

Wolf Instrument Wednesdays: Celebrating 50 Years!

📆2006

The second MozartJahr was in full swing by 2006, so the Canadian orchestra Tafelmusik made it the focus of its season. The Mozart scholar and pianist Robert Levin (who had done so much with our Schantz piano in the early ‘90s) was invited for a week of concerts using our instrument at the University of Toronto. That meant Barbara had to go service the piano and tune for all the rehearsals and concerts. Everybody happy: UT got free piano maintenance, Tafel got a free fortepiano, Bob was sold out with great reviews, audiences and Barbara got terrific concerts with Bob’s usual brilliant performances and improvisations.

Back in the shop, another French double received very untraditional decoration for a client with a taste for art nouveau. We turned to Kerry Witmer, the faux finish artist who had done such wonderful marbling on our Flemish harpsichord. He came up with a wonderful free-form soundboard painting and Tom designed an appropriate nouveau-style stand.

Kerry’s versatility found another outlet on the outer case for an Italian harpsichord based on an antique instrument in our possession. The client’s wife was a violinist, and they were in awe of the photos in a new volume featuring the decorated instruments of Antonio Stradivari. We decided to use the patterns on the side bouts of a famous violin to embellish the case. And then the lid interior received a stippled treatment that looked very textured.

A very different sort of Italian harpsichord was in the shop for restoration. Karen and Peter Flint were expanding their collection of antique harpsichords, and a very large instrument with an elaborate outer case and extraordinary tall stand came into their hands. After an initial treatment in 2006 to make it musically useable, it came back the following year for a more complete restoration. We had done some maintenance and performance-related service for the Flints in the previous few years, but as their acquisitions increased there would be more serious restoration and involvement with the collection that continues today.

A little bit of everything in the shop this week.Jacob ( ) got started on a second form for his next build, while we're ...
06/05/2026

A little bit of everything in the shop this week.

Jacob ( ) got started on a second form for his next build, while we're in the middle of a major neck and mortise repair on a German bass.

You never quite know what's going to come through the door. This week it was a Hawaiian xylophone in for a general check-up for a local resident of The Plains.

And as always, Zippi's been keeping a close eye on things and making sure the work orders don't wander off!

Wolf Instrument Wednesdays: Celebrating 50 Years!📆2005The first Cristofori reproduction was finally finished at the turn...
06/03/2026

Wolf Instrument Wednesdays: Celebrating 50 Years!

📆2005

The first Cristofori reproduction was finally finished at the turn of the new year, and went immediately to Oregon, where Edwin Good now lived. Ted had been one of the curators of the Smithsonian’s Piano 300 exhibit, and was fascinated by the 1722 original. He decided to commission a copy from us as a souvenir of the event. We were just ready to wade into this new territory in the summer of 2001, but Tom’s accident put construction on hold. So it was a long wait until the piano got shipped in January 2005. A first appearance for Ted and the piano at the big Steinway studio in Portland had long been scheduled for only days after it arrived. He flew Barbara out as well to take care of them. The piano case exterior received one coat of Venetian red paint to give it more presence on stage.

A more complex decorative project was underway on a Flemish harpsichord: marbling of the case exterior was turned over to a faux finish artist, while Sheridan Germann did her usual soundboard painting and we papered the interior with traditional Flemish designs.

Meanwhile, the 2005-06 season saw another MozartJahr – this time marking his birth. A fine time for the Labèques to make a North American tour with the Venice Baroque Orchestra and Andrea Marcon. They played a Mozart duo-piano sonata and concerto for half the program; the Italians provided half a program of Vivaldi works. The tour started in Quebec and ended in Florida after more than a dozen concerts. They rented two Walter pianos from our colleague Rod Regier, and Barbara went along again as piano nanny.

Another important harpsichord delayed by Tom’s accident was commissioned by the University of Maryland for its new performing arts center. As an institutional instrument that would be used in a variety of ways in different halls, it had to cover a range of musical and visual requirements. It turned out so well that we occasionally borrowed it for special concerts and recordings (more to come on its Grammy-worthiness!).

✨Bass Feature ✨2005 Andreas Eastman VB605, in excellent condition and ready to play.Don't be fooled, it's a big bass wit...
06/01/2026

✨Bass Feature ✨

2005 Andreas Eastman VB605, in excellent condition and ready to play.

Don't be fooled, it's a big bass with a sound to match! Would be a great choice for a player looking to do section work or anyone looking for that big bass sound at an approachable price.

Professionally set up here in the shop. Includes bass bag.

Check it out on our website, link in bio! 🎻

Tom hard at work… meanwhile, Zippi presents: “Cat-pen” in three acts. 📸🐾                                                ...
05/29/2026

Tom hard at work… meanwhile, Zippi presents: “Cat-pen” in three acts. 📸🐾

Wolf Instrument Wednesdays: Celebrating 50 Years!📆2004The instrument Tom was working on at the time of his accident was ...
05/27/2026

Wolf Instrument Wednesdays: Celebrating 50 Years!

📆2004

The instrument Tom was working on at the time of his accident was a fortepiano (Schantz) for what was then known as The Shrine to Music Museum in Vermillion, SD. This extraordinary collection of all sorts of musical instruments and related materials, now an international leader, had been a regular client for our restoration and maintenance services since the late ‘80s. It was originally called simply the Shrine to Music by its founder Arnie Larson (a down-to-earth, un-academic band director), who felt that name expressed his feelings for the accumulation he had amassed. His son Andrė, who developed the institution into the powerhouse it is today, acquired the National Music Museum nomenclature.

Although they had been waiting for years by 2001, Andrė sent a wonderful note and continued to be patient. When the piano was finally finished in 2004 we wrote him that our most-delayed instrument in thirty years “will always be a watershed – Before and After the Accident.” It was a psychological barrier as well as a physical one to put behind us.

As an unexpected extension of all the recent European trips, Barbara finished the year with about ten days in Rio de Janeiro! Work, of course… Rosana Lanzelotte, whom she met at the National Music Museum (!), had acquired a piano made by Rod Regier. It needed some work and she wanted to record with it in Sao Paulo. Her house in Rio was about as far up the side of the mountain as possible below the iconic Cristo statue. One could lie in the swimming pool and gaze upwards at the Cristo. But eventually the piano did have to be moved to Sao Paulo and the recording got done.

Meanwhile, harpsichordist Joe Gascho, who came to the shop on an almost weekly basis while getting has Master’s at Peabody, and has continued to have an extended relationship for nearly a quarter century, sent a very low-key email with a big announcement. He and Elena have made a huge difference to the musical scene in Ann Arbor for much of the last two decades.


✨Bass Feature ✨Shen SB-150, 2018Immaculately maintained pre-owned Shen SB-150, set up and ready to go. A hybrid bass wit...
05/25/2026

✨Bass Feature ✨

Shen SB-150, 2018

Immaculately maintained pre-owned Shen SB-150, set up and ready to go. A hybrid bass with laminated back and ribs. Would be a great fit for advancing students or working players alike. Professionally set up here in the shop for easy response and playability. Pre-owned Shens don't hang around long!

Includes bass bag.

Check it out on our website, link in bio! 🎻

Address

6562 Main Street
The Plains, VA
20198

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