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"Murder Without Tears." Leonard Lupton (Chester Warwick). Graphic Publishing Co.  #149, 1957. Cover art by Roy Lance (Sa...
09/07/2020

"Murder Without Tears." Leonard Lupton (Chester Warwick). Graphic Publishing Co. #149, 1957. Cover art by Roy Lance (Saul Levine). Very Good - Crease along spine edge, loss to head and heel of spine. $10.

"Death is Like That. John Spain (Cleve F. Adams). Popular Library  #178, 1949. Cover art by Rudolph Berlarski. Very Good...
09/07/2020

"Death is Like That. John Spain (Cleve F. Adams). Popular Library #178, 1949. Cover art by Rudolph Berlarski. Very Good + Super bright. Slight crease along spine, minor rubbing to spine ends. $25.

"Love has No Alibi." Octavus Roy Cohen. Popular Library  #162, 1945. Cover art by Rudolph Berlarski. Very Good - Misboun...
09/07/2020

"Love has No Alibi." Octavus Roy Cohen. Popular Library #162, 1945. Cover art by Rudolph Berlarski. Very Good - Misbound, lamination peeling, pages toned. $10.

"Die by Night." Margaret S. Marble. Graphic Publishing Co.  #102, 1955. (first published by Rinehart & Co., 1947). Cover...
09/07/2020

"Die by Night." Margaret S. Marble. Graphic Publishing Co. #102, 1955. (first published by Rinehart & Co., 1947). Cover art by Walter Popp. Very Good + Slight Spine crease. $15.

"Murder Me for Nickels." Peter Rabe. Gold Medal  #996, 1960. Cover art by Robert McGinnis. Fine, unread condition. $25. ...
09/07/2020

"Murder Me for Nickels." Peter Rabe. Gold Medal #996, 1960. Cover art by Robert McGinnis. Fine, unread condition. $25.

"Dressed to Kill." Milton Ozaki. Graphic Publishing Co.  #141, 1956 (Reprints Graphic  #79, 1954). AMAZING cover by Walt...
09/07/2020

"Dressed to Kill." Milton Ozaki. Graphic Publishing Co. #141, 1956 (Reprints Graphic #79, 1954). AMAZING cover by Walter Popp. Very Good + Slight crease along spine. $20.

"Killer Take All." James O. Causey. Graphic Publishing Co.  #147, 1957. Cover art by Roy Lance. Near fine, unread condit...
09/07/2020

"Killer Take All." James O. Causey. Graphic Publishing Co. #147, 1957. Cover art by Roy Lance. Near fine, unread condition, Slight lean. $15.

"A Halo for Nobody." Henry Kane. Dell Books  #231, 1947. A Dell Mapback. Cover art by Gerald Gregg. "Peter Chambers, tal...
09/07/2020

"A Halo for Nobody." Henry Kane. Dell Books #231, 1947. A Dell Mapback. Cover art by Gerald Gregg. "Peter Chambers, tall, single, and handsome, is the roughneck of Scoffol and Chambers, Investigators. But when it comes to rye, classy dames, and murder, Pete seldom misses." Very Good. Some rubbing to spine ends and tips, lamination peeling on back cover and spine. $20.

"Morals Squad." Samuel A. Krasney. Ace D-336, 1959. Cover art by Robert Maguire. Fine, unread condition. $20.
09/07/2020

"Morals Squad." Samuel A. Krasney. Ace D-336, 1959. Cover art by Robert Maguire. Fine, unread condition. $20.

"The Third Class at Mrs Kaye's." Angela Brazil. Blackie & Son, ND. Four monochrome illustrations by Arthur A. Dixon. Ver...
09/06/2020

"The Third Class at Mrs Kaye's." Angela Brazil. Blackie & Son, ND. Four monochrome illustrations by Arthur A. Dixon. Very Good. Boards slightly bowed; some foxing to prelims and page edges. Lovely bookplate from 1936 on front pastedown; gift inscription and ghosting on FFEP, dated 1922. $25. British writer Angela Brazil (1868-1947), was largely responsible for modernizing girls' fiction during the early 20th century. She published 49 novels and dozens of short stories, mostly about life in girls' boarding schools. Unlike the didactive and moralistic juvenile literature of the 
Victorian era, Brazil's stories were written from a girls' point of view. She treated adolescence not as a problem, but as a time of adventure and growth. Her characters were active, independent, and self-aware, capable of forming alliances and overcoming challenges. Brazil's boarding schools were somewhat idealized: they are usually situated in dramatic locales, and the educational style is progressive, with exciting activities and plenty of free expression. Her plot-lines focus on relationships between the girls; deep friendships especially, but also the inevitable jealousy and exclusion. Not everyone approved of Brazil's ideas, though, and her books were often banned. In 1936, one London headmistress gathered all of Brazil's books from her students and set them on fire! Many readers and scholars see le***an themes in Brazil's work. There is plenty of kissing between pupils, and a lot of intense feeling all around. Passionate friendship between adolescent girls does not necessarily have erotic implications, however, and "romantic friendship" in general was more common in Brazil's time. Still, the author did give the rather uncommon name "Lesbia" to some prominent characters, who may be based on the author herself. Brazil never married, but she had two bosom friends; one from her own school-days; the other a schoolgirl she met in her 30s. Brazil was a great entertainer, and loved to throw parties for children, or parties for adults featuring children's food and games. Her ideas continue to inspire contemporary writers, notably J.K. Rowling, author of the Harry Potter series.

"The Nicest Girl in the School." Angela Brazil. Blackie & Son, ND. Color frontis and four monochrome illustrations by Ar...
09/06/2020

"The Nicest Girl in the School." Angela Brazil. Blackie & Son, ND. Color frontis and four monochrome illustrations by Arthur A. Dixon. Very Good. Minimal rubbing and bumping. Gift inscription on front pastedown dated 1922. $25.
British writer Angela Brazil (1868-1947), was largely responsible for modernizing girls' fiction during the early 20th century. She published 49 novels and dozens of short stories, mostly about life in girls' boarding schools. Unlike the didactive and moralistic juvenile literature of the 
Victorian era, Brazil's stories were written from a girls' point of view. She treated adolescence not as a problem, but as a time of adventure and growth. Her characters were active, independent, and self-aware, capable of forming alliances and overcoming challenges. Brazil's boarding schools were somewhat idealized: they are usually situated in dramatic locales, and the educational style is progressive, with exciting activities and plenty of free expression. Her plot-lines focus on relationships between the girls; deep friendships especially, but also the inevitable jealousy and exclusion. Not everyone approved of Brazil's ideas, though, and her books were often banned. In 1936, one London headmistress gathered all of Brazil's books from her students and set them on fire! Many readers and scholars see le***an themes in Brazil's work. There is plenty of kissing between pupils, and a lot of intense feeling all around. Passionate friendship between adolescent girls does not necessarily have erotic implications, however, and "romantic friendship" in general was more common in Brazil's time. Still, the author did give the rather uncommon name "Lesbia" to some prominent characters, who may be based on the author herself. Brazil never married, but she had two bosom friends; one from her own school-days; the other a schoolgirl she met in her 30s. Brazil was a great entertainer, and loved to throw parties for children, or parties for adults featuring children's food and games. Her ideas continue to inspire contemporary writers, notably J.K. Rowling, author of the Harry Potter series.

"A Pair of Schoolgirls." Angela Brazil. Blackie & Son, ND. Color frontis and four monochrome illustrations by John Campb...
09/06/2020

"A Pair of Schoolgirls." Angela Brazil. Blackie & Son, ND. Color frontis and four monochrome illustrations by John Campbell. First published in 1912, this is circa 1922. Very Good. Bright binding with scant bumping. Ghosting to endpapers; some foxing of prelims. $25. British writer Angela Brazil (1868-1947), was largely responsible for modernizing girls' fiction during the early 20th century. She published 49 novels and dozens of short stories, mostly about life in girls' boarding schools. Unlike the didactive and moralistic juvenile literature of the 
Victorian era, Brazil's stories were written from a girls' point of view. She treated adolescence not as a problem, but as a time of adventure and growth. Her characters were active, independent, and self-aware, capable of forming alliances and overcoming challenges. Brazil's boarding schools were somewhat idealized: they are usually situated in dramatic locales, and the educational style is progressive, with exciting activities and plenty of free expression. Her plot-lines focus on relationships between the girls; deep friendships especially, but also the inevitable jealousy and exclusion. Not everyone approved of Brazil's ideas, though, and her books were often banned. In 1936, one London headmistress gathered all of Brazil's books from her students and set them on fire! Many readers and scholars see le***an themes in Brazil's work. There is plenty of kissing between pupils, and a lot of intense feeling all around. Passionate friendship between adolescent girls does not necessarily have erotic implications, however, and "romantic friendship" in general was more common in Brazil's time. Still, the author did give the rather uncommon name "Lesbia" to some prominent characters, who may be based on the author herself. Brazil never married, but she had two bosom friends; one from her own school-days; the other a schoolgirl she met in her 30s. Brazil was a great entertainer, and loved to throw parties for children, or parties for adults featuring children's food and games. Her ideas continue to inspire contemporary writers, notably J.K. Rowling, author of the Harry Potter series.

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