02/25/2024
Dostoevsky is regarded as one of the greatest and most influential novelists of the Golden Age of Russian literature. Leo Tolstoy admired Dostoevsky's works and Albert Einstein called Dostoevsky a "great religious writer" who explored "the mystery of spiritual existence". Sigmund Freud ranked Dostoevsky second only to Shakespeare as a creative writer and called The Brothers Karamazov "the most magnificent novel ever written".
Friedrich Nietzsche called Dostoevsky "the only psychologist from whom I had something to learn" and described him as being "among the most beautiful strokes of fortune in my life."
In his posthumous collection of sketches A Moveable Feast, Ernest Hemingway stated that in Dostoevsky "there were things believable and not to be believed, but some so true that they changed you as you read them; frailty and madness, wickedness and saintliness, and the insanity of gambling were there to know". James Joyce praised Dostoevsky's prose: "... he is the man more than any other who has created modern prose and intensified it to its present-day pitch. It was his explosive power which shattered the Victorian novel with its simpering maidens and ordered commonplaces; books which were without imagination or violence." In her essay The Russian Point of View, Virginia Woolf said, "Out of Shakespeare there is no more exciting reading". Franz Kafka called Dostoevsky his "blood-relative" and was heavily influenced by his works, particularly The Brothers Karamazov and Crime and Punishment, both of which profoundly influenced The Trial. Hermann Hesse enjoyed Dostoevsky's work and said reading him is like a "glimpse into the havoc". The Norwegian novelist Knut Hamsun wrote that "no one has analyzed the complicated human structure as Dostoyevsky. His psychologic sense is overwhelming and visionary." Writers associated with cultural movements such as surrealism, existentialism, and The Beats cite Dostoevsky as an influence, and he is regarded as a forerunner to Russian symbolism, expressionism, and psychoanalysis.
Rowan Williams on the faith of Dostoevsky