BLIND HORSE BOOKS Building Collections One Fine Book at a Time

BLIND HORSE BOOKS Building Collections One Fine Book at a Time Blind-Horse-Books: Building Great Collections; One Fine Book at a TIme. Building Great Collections, One Fine Book at a Time

Blind-Horse-Books is operated by Richard and Dottie Oates, retired educators who live in DeLand in Central Florida. Though we specialize in Travel, Exploration and geography books from the mid-19th Century to World War II; our site has books of note for all interests. Let us know if you have specific interests and we will contact you when we find material you might enjoy.

Paul Theroux is an American travel writer and novelist, whose best-known work is perhaps The Great Railway Bazaar. He ha...
04/10/2026

Paul Theroux is an American travel writer and novelist, whose best-known work is perhaps The Great Railway Bazaar.

He has published numerous works of fiction, some of which were adapted as feature films. He was awarded the 1981 James Tait Black Memorial Prize for his novel The Mosquito Coast, which was adapted for the 1986 movie of the same name.

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# PaulTheroux

Born in rural Pennsylvania she learned to read and draw at an early age. Her favorite story as a child was Little Red Ri...
04/08/2026

Born in rural Pennsylvania she learned to read and draw at an early age. Her favorite story as a child was Little Red Riding Hood, and she spent an entire year of her childhood wearing a red cape.

Trina Schart Hyman (1939 – 2004) was an American illustrator of children's books. She illustrated over 150 books, including fairy tales and Arthurian legends. She won the 1985 Caldecott Medal for U.S. picture book illustration, recognizing Saint George and the Dragon, retold by Margaret Hodges.

She was a Caldecott runner-up three times, for her own retelling of Little Red Riding Hood in 1984, Hershel and the Hanukkah Goblins by Eric Kimmel in 1990, and A Child's Calendar by John Updike in 2000. And she was a Boston Globe–Horn Book picture book runner-up twice, for All in Free but Janey by Elizabeth Johnson in 1968 and On to Widecombe Fair by Patricia Gauch in 1978.

Many of her illustrations can be quite complex. For example, in one scene in Saint George and the Dragon, the dragon's tail stretches into the border artwork of the next page.

She was the first art director of Cricket Magazine, from 1973 to 1979, and contributed illustrations regularly until her death.

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History As Mirror — The Power That Was OfferedIn the early centuries of the Roman Empire, Christianity lived on the marg...
04/05/2026

History As Mirror — The Power That Was Offered

In the early centuries of the Roman Empire, Christianity lived on the margins. Its adherents gathered quietly, often under suspicion, sometimes under threat. Power and influence were held elsewhere—by emperors, by armies, by institutions that had little interest in accommodating a new and growing faith. That began to change in the early fourth century.

Under the Roman Emperor Constantine the Great, Christianity moved from the edge toward the center. On the eve of the Battle of the Milvian Bridge in 312 AD, Constantine is said to have seen a sign in the heavens—“In this sign, conquer.” Whether vision, dream, or a later retelling, the history is clear. He emerged victorious from the battle, and in time, Christianity would find not only tolerance, but favor. The shift was not immediate, and it was not simple.

The Empire was in crisis and needed unity. Rome had endured decades of instability—competing rulers, economic strain, and external pressure at its borders. A single, unifying belief held a certain appeal. Christianity, with its structure and growing reach, offered something that could bind where other forces had failed. A new relationship began.

Church leaders were brought into closer proximity with authority. Bishops were consulted. Councils were convened. Resources were provided. The excluded became included. The faith that had once existed apart from power now found itself supported by it. At the same time, Roman rulers began to adopt Christianity—at least in name—bringing belief and authority into closer alignment. And, in time, Christian leaders themselves moved nearer to the structures of power from which they had once been excluded. At first, this may have felt like relief—perhaps even a sense that something long hoped for had arrived.

But something more subtle was taking place.

The Church was no longer simply speaking to power; it was beginning to exist alongside it, and at times to exercise it. And in time, to reflect it. Structures became more defined. Authority more centralized. Disputes once handled within communities of faith were now settled in councils shaped, and at times directed, by imperial influence.

The question is not whether this was intended. It is what it became—and the results that followed. What may be called unintended consequences are still consequences. When power is offered, it rarely arrives without cost. It brings with it influence, expectation, and direction. Over time, what is taught can be adjusted, what is emphasized can shift, and what was once resisted can become accommodated. To accept that power is not only to gain influence—it is to enter into a relationship that changes both sides, though not always evenly.

History has seen moments like this before. Times when a movement, once outside the center, is invited in. When what was once distinct begins to align. Not all at once, and not always by design, but gradually—through proximity, through participation, through the quiet adjustments that come with being near power.

And in those moments, the question is often not asked directly. What happens to a message when it no longer stands apart from power—but stands within it?

There are moments when belief and power move toward one another again—not always with the same forms, but with familiar patterns. And when they do, it can be difficult to tell whether power is being guided by belief… or belief shaped by power.

April 4 — Maya Angelou (1928–2014) American author, poet, and civil rights activist.Best known for I Know Why the Caged ...
04/04/2026

April 4 — Maya Angelou (1928–2014) American author, poet, and civil rights activist.

Best known for I Know Why the Caged Bird Sings (1969), Angelou transformed personal experience into powerful literature, helping redefine autobiography and giving voice to themes of identity, resilience, and dignity.

Across a remarkable life, she was not only a writer but a performer, journalist, and activist—working with both Martin Luther King Jr. and Malcolm X, and later becoming one of the most sought-after speakers in America.

Her body of work includes seven autobiographies, multiple poetry collections, essays, plays, and screenwriting, earning her dozens of awards and more than 50 honorary degrees.

In 1993, she recited On the Pulse of Morning at President Clinton’s inauguration—the first inaugural poet since Robert Frost in 1961.

Her writing, often challenged and sometimes banned, remains widely taught and continues to shape conversations around race, identity, and the human experience.

Did You Know?
Maya Angelou spoke six languages, including French, Spanish, Italian, Hebrew, and Fante, which she learned during her time living in Africa.

Fun Fact:
Before becoming a literary icon, Angelou worked a wide range of jobs—including streetcar conductor, nightclub performer, and even chef—and later published two cookbooks celebrating food and community.

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In the seventeenth century, under Louis XIV, France built something extraordinary at the Palace of Versailles. What had ...
03/30/2026

In the seventeenth century, under Louis XIV, France built something extraordinary at the Palace of Versailles. What had once been a modest hunting lodge became a vast expression of symmetry, control, and design. The gardens stretched outward in careful lines, nature shaped into order. Fountains rose where water did not naturally flow, fed by complex systems that carried it across distance and elevation.

It was not simply a residence. It was a statement.

To walk those grounds was to see power made visible. Every path aligned, every tree placed, every movement within the court observed and understood. The king did not just rule—he arranged. And in that arrangement, a message was quietly reinforced: that order existed because it had been imposed, and that such splendor belonged at its center.

But such order required constant effort—and considerable resources of labor and wealth. Water had to be moved. Labor had to be sustained. What appeared effortless was anything but.

And beyond those gardens, life followed a different pattern. These spaces were not meant for the people at large. They were set apart, carefully maintained, and experienced by only a few.

The contrast was not always spoken, but it was there. What was seen at the center did not always match what was lived beyond it. The beauty and abundance on display were sustained by resources drawn from elsewhere, where life was less controlled, and often less certain.

History has seen moments like this before. Times when what is built begins to say something beyond its function, not just how people live, but what matters, and who it is meant to serve.

In those moments, the question is rarely asked directly. What does a society choose to build—and who is it for?

There was a time when the answer was spoken plainly—that a nation might be “of the people, by the people, for the people.” Such words are easy to remember. The question is how they are carried forward.

The 'Christian Cicero' in His Best Dress (1692)Lactantius, Lucius Caecilius Firmianus (c. 250–c. 325)De Mortibus Persecu...
03/30/2026

The 'Christian Cicero' in His Best Dress (1692)
Lactantius, Lucius Caecilius Firmianus (c. 250–c. 325)
De Mortibus Persecutorum
Utrecht, 1692

A landmark 17th-century Variorum edition of Lactantius, the ‘Christian Cicero,’ presenting one of the earliest historical accounts of Roman persecution and the rise of Constantine.

This copy carries the working marginalia of modern Latinist Kevin Guinagh, transforming it into a living document of classical scholarship across centuries. Illustrated with engraved plates by Gilliam van der Gouwen and preserved in early vellum with gilt labels.

$1,250 Additional Details via link https://bit.ly/4tgYESn

Sewell’s life was shaped by hardship. After a serious ankle injury at fourteen, she was unable to walk without assistanc...
03/30/2026

Sewell’s life was shaped by hardship. After a serious ankle injury at fourteen, she was unable to walk without assistance and relied heavily on horse-drawn carriages—an experience that deepened her sympathy for horses and their treatment.

Her only book, Black Beauty (1877), was written during the final years of her life, often dictated to her mother when she was too weak to write. Though now considered a children’s classic, Sewell intended it for those who worked with horses, hoping to inspire kindness and humane treatment.

The novel’s powerful choice to tell the story from the horse’s perspective was groundbreaking, helping readers see the world through the eyes of an animal—and changing attitudes toward animal welfare.

Sewell died just five months after publication, but she lived long enough to know the book was a success. Today, Black Beauty has sold over 50 million copies and remains one of the most enduring works in English literature.

Did You Know?
Anna Sewell’s mother, Mary Wright Sewell, was herself a bestselling author of children’s books—and Anna often assisted in editing her work before writing her own.

Fun Fact:
Black Beauty helped bring about real changes in how horses were treated in Victorian England, including discouraging the use of painful equipment like the “bearing rein.”

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Maxim Gorky considered a founder of the socialist realism literary method and a political activist. He was a five-time n...
03/28/2026

Maxim Gorky considered a founder of the socialist realism literary method and a political activist. He was a five-time nominee Nobel Prize in Literature.

Gorky's reputation grew as a unique literary voice from the bottom strata of society and as a fervent advocate of Russia's social, political, and cultural transformation.

Gorky was active with the emerging Marxist social-democratic movement. He publicly opposed the Tsarist regime, and for a time closely associated himself with Vladimir Lenin and the Bolshevik wing of the party.

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After college, he moved to New Orleans, a city that would inspire much of his writing. On March 31, 1945, his play, The ...
03/26/2026

After college, he moved to New Orleans, a city that would inspire much of his writing. On March 31, 1945, his play, The Glass Menagerie, opened on Broadway and two years later A Streetcar Named Desire earned Williams his first Pulitzer Prize. Many of Williams' plays have been adapted to film starring screen greats like Marlon Brando and Elizabeth Taylor. Williams died in 1983.

-When he was 28, Williams moved to New Orleans, where he changed his name (he landed on Tennessee because his father hailed from there) and revamped his lifestyle, soaking up the city life that would inspire his work, most notably the later play, A Streetcar Named Desire.

The city would inspire much of his writing. On March 31, 1945, his play, The Glass Menagerie, opened on Broadway and two years later A Streetcar Named Desire earned Williams his first Pulitzer Prize. Many of Williams' plays have been adapted to film starring screen greats like Marlon Brando and Elizabeth Taylor.

A Few “Fun Facts”
Despite his most famous works being rooted in realism and taking place in the United States, Williams’ first ever short story revolved around an ancient Egyptian queen named Nitocris. The story, titled The Vengeance of Nitocris, follows the queen going on a rampage to avenge her dead brother (let’s just say, a lot of Egyptians drowned in the story).

The story was purchased by the pulp magazine Weird Tales when Williams was just 16 years old, and it was published in August 1928. Williams made the equivalent of around $500 in modern currency

When Williams was just 16, he wrote an essay which was chosen to be published in the literary magazine Smart Set. Titled “Can a Good Wife Be a Good Sport?” the essay won Williams a whopping prize of… five dollars (to be fair, in 2017, that prize would have been worth around $70).

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WHY TODAY?……… The 25th of March is the date of the downfall of the Lord of the Rings (Sauron) and the fall of Barad-dûr;...
03/25/2026

WHY TODAY?……… The 25th of March is the date of the downfall of the Lord of the Rings (Sauron) and the fall of Barad-dûr; the Ring was destroyed, completing Frodo’s quest. It’s as simple as that!

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Building Great Collections, One Fine Book at a Time

In 1095, Pope Urban II stood before a gathering at Clermont and issued a call that would echo across Europe. The Byzanti...
03/25/2026

In 1095, Pope Urban II stood before a gathering at Clermont and issued a call that would echo across Europe. The Byzantine Empire had appealed for help against advancing Seljuk forces, and Urban responded by framing that conflict in terms that went beyond politics or strategy. What followed was not simply a request for aid, but an invitation into something larger.

Urban spoke of reclaiming Jerusalem, of protecting fellow Christians, and of restoring access to sacred places. But alongside those aims, he offered something else—something that transformed the nature of the call itself. Participation in this campaign, he said, would carry spiritual weight and serve as penance, bringing remission of sins.

War, in that moment, was no longer described only as necessity. It was given meaning. For many who heard it, the implications were profound, reshaping how they understood both the conflict and their place within it.

To take up arms was not merely to fight—it was to answer. It was to step into a role that carried not just risk, but purpose. The language surrounding the conflict elevated it beyond the ordinary calculations of cost and consequence.

And yet, beneath that language, other motivations moved as they always have. European nobles heard something else—land, wealth, influence. Their ambitions were given a new field in which to operate, as authority was strengthened and opportunities expanded. The promise of gain traveled quietly alongside the promise of salvation.

But it was not wealth or power that stirred the crowds. It was the belief that God was calling. Urban’s words did not sound like strategy, they sounded like purpose. Those who took up the cross did so believing they were answering something higher than themselves, that their actions carried not only consequence, but meaning. And in that belief, the deeper complexities of the moment—who would benefit, who would gain, and what would follow—became less visible, or less important.

These were not the ideas that carried the movement forward. It was the people themselves—those who supplied the numbers, and their lives, drawn by the sense that something sacred was at stake. They believed they were not just joining a cause, but answering a calling. The language didn’t just describe the moment; it gave it meaning. And while they answered that call, others were already counting the wealth it might bring.

History has encountered this before and since. There are moments when conflict is no longer something to avoid or work through, but something to step into with conviction. The words begin to change, and with them, how people understand what they are doing. Actions start to feel not just necessary, but right.

And when that happens, the conversation shifts. Questions that might have been asked grow quieter. Doubt becomes harder to voice. The line between belief and justification doesn’t disappear—but it becomes harder to see.

The structures of power may not change at all. Those who stand to gain are often not the ones who bear the cost. The realities on the ground remain as complicated as ever, but the language surrounding them gives the appearance of clarity and purpose. In those moments, language is no longer just describing events—it is guiding them, and it is often others who are asked to carry that direction forward.

History suggests that when conflict is wrapped in certainty, and participation is tied to the belief that “God is on our side,” the questions grow quieter—even when the consequences do not.

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