JELLY Books

JELLY Books online collection of art ephemera, artists' editions, rare and out-of-print items and other in-print titles by noted publishers and artists.

Collectif Carrier/Dody/Unal original 1970 screen print: “Carotte” signed, dated, and numbered from an edition of 150 🥕! ...
05/20/2022

Collectif Carrier/Dody/Unal original 1970 screen print: “Carotte” signed, dated, and numbered from an edition of 150 🥕! This piece really brightens up a room— Now listed on jelly-books.com

FRANCKY BOY, FRANCKY PLANE, 1992 silkscreen print on Arches paper, edition of 150, 1 available. 🦒🌵
05/15/2022

FRANCKY BOY, FRANCKY PLANE, 1992 silkscreen print on Arches paper, edition of 150, 1 available. 🦒🌵

“Angel Hair” screen print, signed and numbered edition of 193 by 6-color screenprint on 100lb French paper."Angel Hair"...
05/05/2022

“Angel Hair” screen print, signed and numbered edition of 193 by

6-color screenprint on 100lb French paper.

"Angel Hair" is part of a series relating hierarchy of care and the extreme intimacy and absurdity of taking care of another person. Madeline focuses on motherhood and how humorously complicated basic activities like eating and dressing become with a child. Each of her works begins with a drawing. This print was created from a series of marker and litho-crayon drawings. The layers were printed with overlapping transparent inks.

Madeline Donahue (b. 1983, Houston, TX) works with drawing materials, paint and ceramics. She received an MFA from Brooklyn College and a BFA from Tufts and The School of the Museum of Fine Arts, Boston. Her work has been exhibited in New York area, across the US and in London, UK. She lives and works in Brooklyn with her family and dog, Llewella.

Printed by Kayrock Screenprinting in Brooklyn, NY.

Lynette Yiadom-Boakye, "A Passion Like No Other" 2021 exhibition poster made on the occasion of Lynette Yiadom-Boakye's ...
05/05/2022

Lynette Yiadom-Boakye, "A Passion Like No Other" 2021 exhibition poster made on the occasion of Lynette Yiadom-Boakye's exhibition at the Moderna Museet.

27.55 x 39.37 in
70 x 100 cm

The figures in Yiadom-Boakye’s paintings have a timeless quality. They are deliberately difficult to place. She rarely includes anything that hints at the style, fashion or culture of a specific period. Her figures are mostly portrayed without shoes, for instance, and few objects tie them to a particular era. This uncertainty is important to the way Yiadom-Boakye works, and requires the viewer to use their curiosity, invention and imagination to interpret the artist's paintings.

My relationship to time is perhaps that of anyone who’s never felt particularly fixed anywhere.
-- Lynette Yiadom-Boakye

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