Turkowiak Guitars

Turkowiak Guitars Highest-quality finest classical and acoustic guitars. Luthier-constructor. More details at www.turkowiakguitars.com
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The back and sides of Luthier’s Classical Contrabass Guitar No. 559 “Galina” are constructed from Caribbean rosewood wit...
04/03/2026

The back and sides of Luthier’s Classical Contrabass Guitar No. 559 “Galina” are constructed from Caribbean rosewood with sapwood in Master Grade quality, a dense, acoustically rich tonewood that supports deep, powerful lows and a responsive overall voice. This choice of wood gives the instrument both visual character and a warm, resonant foundation that enhances its contrabass register.



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7 string luthier’s classical contrabass-body guitar no. 559 – GalynaThe rosette is a custom-made detail crafted from nat...
01/03/2026

7 string luthier’s classical contrabass-body guitar no. 559 – Galyna

The rosette is a custom-made detail crafted from natural Baltic amber, shaped like a Pectoral (Scythian collar) and engraved to complement the instrument’s design. It surrounds the soundhole with a rich, organic warmth that pairs visually with the deep tones of the contrabass guitar and highlights the premium materials used throughout the build.



luthier, handmade, craftsmanship, tonewood, resonance, projection, sustain, soundboard, doubletop, rosette, inlay, fingerboard, headstock, bridge, nut, saddle, scale, balance, clarity, warmth, ebony, rosewood, spruce, cedar

Luthier’s Classical Contrabass Guitar No. 559 – GalinaThis contrabass-body guitar combines master-grade tonewoods for a ...
25/02/2026

Luthier’s Classical Contrabass Guitar No. 559 – Galina

This contrabass-body guitar combines master-grade tonewoods for a rich, powerful voice. Its double top is built from Alpine Spruce from Tirol over Western Red Cedar, giving both clarity and warmth, while the back and sides are crafted from Caribbean Rosewood with sapwood for depth and sustain. The custom rosette around the soundhole is made from natural Baltic amber shaped like a Pectoral (Scythian collar), adding visual elegance and a unique aesthetic detail



luthier, handmade, craftsmanship, tonewood, resonance, projection, sustain, soundboard, doubletop, rosette, inlay, fingerboard, headstock, bridge, nut, saddle, scale, balance, clarity, warmth, ebony, rosewood, spruce, cedar

Luthier’s 9-string classical guitar No. 533 — extended range with capos. • Back of the guitar: made from carefully selec...
22/02/2026

Luthier’s 9-string classical guitar No. 533 — extended range with capos.

• Back of the guitar: made from carefully selected tonewood in a layered construction, combining strength, low weight, and strong sound projection.

• Headstock: specially designed for the 9-string layout, providing stable tuning, correct string tension, and a clean, elegant look.



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9 string luthier’s classical guitar no. 533 – extended range 2xcapo 3xfretboard-extensionThe headstock is designed speci...
18/02/2026

9 string luthier’s classical guitar no. 533 – extended range 2xcapo 3xfretboard-extension

The headstock is designed specifically for the 9-string setup, allowing the extra string to run cleanly over it with proper tension and stability. Its sculpted shape balances functionality and elegance, while the precise string layout ensures smooth tuning and reliable response across the extended range.



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Luthier’s 9-string classical guitar No. 533 - extended range with capos. • Extended range design: an extra 9th string r...
15/02/2026

Luthier’s 9-string classical guitar No. 533 - extended range with capos. 

• Extended range design: an extra 9th string runs over the headstock (729.6 mm scale) and comes with two ebony capos (0 and -1 fret) to change the scale length instantly. 

• Concert-grade build: double top (Western Red Cedar / Alpine Spruce from Tirol) paired with Cocobolo (with sapwood) back & sides, plus an elevated African ebony fingerboard. 

• Innovation package: Acoustic Tubes in the neck, WAVE resonator, High-Tech Press back & sides with an internal chemical-ceramic coating for projection, and a custom impedance bridge with amber/bone inlay—plus interchangeable fingerboard extensions (21–27 frets).



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Luthier’s classical guitar no. 531• Top (front): A double-top made from Alpine spruce on the outside and cedar inside, b...
11/02/2026

Luthier’s classical guitar no. 531

• Top (front): A double-top made from Alpine spruce on the outside and cedar inside, built for a quick, powerful response.

• Rosette: Ebony details with two small Baltic amber “crown” accents that give the front a very refined, handmade look.

• Bridge: A modern ebony bridge design with subtle bone and Baltic amber inlays, matching the rosette and keeping the whole front coherent.







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Luthier’s classical guitar no. 531The fingerboard is made of ebony and features tree-shaped position markers inlaid with...
08/02/2026

Luthier’s classical guitar no. 531

The fingerboard is made of ebony and features tree-shaped position markers inlaid with natural Baltic amber, placed at the 3rd, 5th, 7th, 9th, and double at the 12th fret.







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Luthier’s classical guitar no. 531• Headstock: Classic slotted headstock with ebony plates, a Baltic amber logo, and eng...
05/02/2026

Luthier’s classical guitar no. 531

• Headstock: Classic slotted headstock with ebony plates, a Baltic amber logo, and engraved AR Turkowiak Gold tuners for a very smooth, precise feel.

• Front (top): A double-top made from Alpine spruce and cedar, built for quick response and strong projection.

• Front details: Elegant rosette accents with Baltic amber, plus a modern bridge design with small amber/bone details for both looks and performance.







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Luthier’s classical guitar no. 530 – Tori• Back: Master-grade Amboyna Burl with striking sapwood “landscapes” and a bold...
01/02/2026

Luthier’s classical guitar no. 530 – Tori

• Back: Master-grade Amboyna Burl with striking sapwood “landscapes” and a bold, sculptural look.

• Headstock: Hand-shaped Baltic amber + African ebony in layered, wave-like architecture with a blue-amber core accent.

• Details: Natural white Baltic amber logo and a subtle engraved Japanese motif to finish the concept.



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👉 SWIPE —>•Japanese 🇯🇵 Tori Classical Guitar No. 530 blends clean design with a strong “tori” motif that gives it a uniq...
28/01/2026

👉 SWIPE —>

•Japanese 🇯🇵 Tori Classical Guitar No. 530 blends clean design with a strong “tori” motif that gives it a unique character.

• It’s built for real playing: quick response, rich tone, and good balance across the strings.

• A one-of-a-kind instrument - both a guitar and a piece of art.



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Luthier’s classical guitar No. 530 “Tori” is less an instrument and more a sculpted idea: a Torii-gate silhouette turned...
25/01/2026

Luthier’s classical guitar No. 530 “Tori” is less an instrument and more a sculpted idea: a Torii-gate silhouette turned into a playable object.

Bearclaw Alpine spruce from Tirol on top, Amboyna Burl with sapwood on the back and sides, and a quiet storm of details - Baltic amber “water waves” on the head plates, engraved Japanese poetry, and a tiger & butterfly in natural and modified blue amber. Under the art, the engineering is just as deliberate: Acoustic Tubes inside the neck, a WAVE resonator top, and an Impedance Bridge in African ebony, inlaid with mammoth bone and amber—built to make beauty audible.



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Adres

Ulica Lipowa 2
Gołanice
64-117

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About me

Rafal Turkowiak was born on 9 January 1966 in Golanice near Leszno, Poland. His father, a carpenter, and grandfather, a wheel-wright, had a great influence on the boy in the field of carpentry and wood technology.

At the age of 15, he graduated from a primary musical school having successfully completed a 3-year-course in less than half a year in classical guitar. Two years later, inspired by dismantling of an old guitar, he made his first classical instrument with a sound hole and unique soundboard construction with suspended bracing, which was innovative at the time. (see the picture).

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His passion for the guitar encouraged him to play these amazing instruments even more eagerly. In 1983, singing and playing his own guitar among 5000 other contestants, he qualified for the semis of the National Young Talent Show in Poznan, Poland. The jury including Aleksander Maliszewski, a well-known composer, and conductor, and Urszula Sipinska, a popular singer at that time, hailed him the Polish Paul McCartney.