Louis Barthélemy

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22/05/2026
Launching this collaboration with  at the brand’s flagship store on the Champs-Élysées in Paris has felt both joyful and...
21/05/2026

Launching this collaboration with at the brand’s flagship store on the Champs-Élysées in Paris has felt both joyful and quite overwhelming in the most beautiful sense. I feel deeply grateful to the entire Monoprix team for embracing this adventure with such enthusiasm, and who accompanied and supported me throughout the process.

What moves me most, perhaps, is how many geographies, hands and stories quietly converged within this project. Working with photographer on the campaign images we created near the pyramids of Dahshur brought a dreamlike and cinematic dimension to the collection. There was something timeless in those moments, suspended between memory and fiction.

I am equally grateful to the women artisans and the teams of in Mumbai, with whom we produced the garments and much of the textile work. I was deeply touched by the human and social dimension of this enterprise. Sampling the garments with them gave the project another depth entirely, one rooted in transmission, dignity and collective creation.

What touched me throughout this journey was the possibility of translating my artistic language into objects that remain accessible, joyful and alive in everyday life. The narrative of Zarafa, that extraordinary giraffe offered as a diplomatic gift from Egypt to France in 1927 became for me much more than a motif. It felt like a poetic and political symbol of exchange, displacement, fascination and encounter between cultures.

In many ways, the collection became a reflection of the life I have long shared between France and Egypt: a space of circulation, friendship and dialogue, where images, crafts and histories continue to travel from one shore to another.

Delighted to see one of my tapestries featured in the beautiful Barcelona home of Robert Wright and Patrick Kelly, an in...
16/05/2026

Delighted to see one of my tapestries featured in the beautiful Barcelona home of Robert Wright and Patrick Kelly, an interior shaped by travel, craftsmanship and layered memories across continents.

Photography by for

Last weekend, Positano celebrated a monument disguised as a hotel: the 75th anniversary of  , that impossibly elegant fa...
12/05/2026

Last weekend, Positano celebrated a monument disguised as a hotel: the 75th anniversary of , that impossibly elegant family institution suspended between bougainvillea, sea salt and perfectly chilled martinis.

The festivities also marked the launch of the newest jewel of the Sersale constellation: , a beachfront club and restaurant in Nerano, already drifting into legend with the ease of an old Italian love affair. Irresistibly glamorous, naturally.

I’ve had the joy of working with the Sersale family since 2020, and together for we have spent seasons dreaming up prints and collections infused with the languid charm of Positano and the mythology of its surrounding coast : lemons, sirens, sunburnt facades, striped parasols and all the beautiful theatricality of southern Italy.

To be part of this adventure, and of this milestone anniversary carved into the cliffs of the Tyrrhenian Sea, felt less like work than a delicious act of devotion.

Grateful to Antonio and Carla Sersale for their elegance, generosity and for continuing to prove that true luxury is not spectacle, but atmosphere, the rare art of making beauty feel entirely effortless.

Between Positano and West Africa, rooted in the storytelling language of Asafo flags, in collaboration with .Here, the m...
22/04/2026

Between Positano and West Africa, rooted in the storytelling language of Asafo flags, in collaboration with .

Here, the motifs take on a new life across shirts, scarves and garments, imagined in a palette of green, cream, red and black. Familiar elements, seen differently reflecting the charm of a place.

Between Positano and West Africa, inspired by the bold storytelling of Asafo flags, a collaboration with  .Symbols, land...
20/04/2026

Between Positano and West Africa, inspired by the bold storytelling of Asafo flags, a collaboration with .

Symbols, landscapes, fragments of stories printed into a playful visual language. Not the campaign, just glimpses of what shaped it.

A place you can wear : sun-soaked, layered, alive.

Paint on papyrus, study of a cute artisan shearing wool, where thread begins.
16/04/2026

Paint on papyrus, study of a cute artisan shearing wool, where thread begins.

Some works at rest at home : drawings on paper, textile pieces living alongside objects gathered along the way.
15/04/2026

Some works at rest at home : drawings on paper, textile pieces living alongside objects gathered along the way.

Hybrid figure inspired by Bes, the ancient Egyptian god of protection, reimagined as a djinn and drawing from both Phara...
14/04/2026

Hybrid figure inspired by Bes, the ancient Egyptian god of protection, reimagined as a djinn and drawing from both Pharaonic iconography and medieval Arabic manuscripts.
Set within a Saharan landscape, the figure becomes a vessel for a collective mythology stretching from the Nile to Morocco.
Acrylic and pencil on papyrus.

Working on a new series of drawings on papyrus.This one depicts Taweret, reimagined as a hybrid, genie-like figure. The ...
13/04/2026

Working on a new series of drawings on papyrus.

This one depicts Taweret, reimagined as a hybrid, genie-like figure. The series explores mythological forms by blending references from ancient Egypt with broader North African traditions.

These figures exist somewhere between protective deities and wandering djinn, fluid, composite beings shaped by multiple cultural influences. The idea is to create a shared, cross-cultural imaginary where mythologies meet, overlap, and evolve.

From La Fontaine’s fable to a monumental hand-appliquéd panel, a full menagerie stitched into life by the tentmakers of ...
07/04/2026

From La Fontaine’s fable to a monumental hand-appliquéd panel, a full menagerie stitched into life by the tentmakers of Cairo.
Every animal cut and sewn by hand, every shape carrying the weight of a fourteen-century-old craft.
It’s a quiet pride for all of us to bring this ambitious Khayamiya piece into the world, keeping the tradition alive, bold, and breathing.

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