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Handloom Design Center

Name: Handloom Design Center
Address: oposit to Shrujan, near GEB, ON Anjar Buj Highvey, Vill. Bhujodi/Bhuj/Kutch, Bhuj, 370020, IN
Telephone: +919510081909

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HDC Bhujodi

13/10/2026

Our Workshop

06/09/2026

HDC Bhujodi

26/08/2026

Exploring a new palette in Kala Cotton fabric dyeing.

After receiving such a lovely response to my earlier colour series, I experimented with new shades—bringing together earthy, natural and contemporary tones.

We started with a simple white Kala Cotton fabric, woven with both white warp and white weft, and added white extra-weft motifs to create a subtle, textured surface. Instead of leaving the fabric white, we then dyed the entire piece, allowing the extra-weft motifs to reveal themselves beautifully through the interaction of colour, texture and weave.

The result is a unique fabric where the motifs are not printed or embroidered—they are an integral part of the weave, creating depth, texture and character that can be appreciated closely in the photographs.

Each shade brings a different character to the handwoven Kala Cotton fabric while preserving the beauty and natural texture of the cloth.

Which colour is your favourite?

10/08/2026

New Colours, Same Organic Kala Cotton!
We’ve been experimenting with our organic Kala Cotton to explore a fresh palette of colours while keeping the fabric’s natural character and handwoven essence intact.

These new shades — Z Black, Chocolate Brown, Macha, Hazelnut, Grey and Silver — are created through our dyeing experiments, bringing a contemporary colour language to the traditional Kala Cotton fabric.

Every piece is handwoven, made with care, patience and the knowledge passed down through generations of Bhujodi weaving.

All fabrics are available in 10-metre lengths, making them suitable for garments, design projects, collections and creative experiments.

If you are a designer, brand, student, or textile enthusiast and would like to purchase any of these colours or want more information about availability, pricing or custom requirements, please DM us.

📩 DM us for enquiries & orders

05/08/2026

The Kolori – A Silent Companion of Every Kutch Weaver

Before a fabric begins to take shape on the loom, every thread must be prepared with care. This traditional tool, known as Kolori in the Kutch weaving community, has been an essential part of the starching ( Sizing) process for generations. Just as a comb gently untangles human hair, the Kolori carefully separates, aligns, and smooths starched yarns, ensuring they are ready for weaving.

Many of these tools are over 40 years old, yet they continue to serve their purpose every single day. Almost every weaving family in Kutch still keeps a Kolori in their home—a beautiful reminder that true craftsmanship is built on simple, time-tested tools.

The Kolori is more than a wooden instrument; it is a symbol of patience, tradition, and the unseen steps behind every handwoven textile. Every woven masterpiece begins with threads carefully guided by this humble companion.

29/07/2026

Experience the Journey of Indigo – Handloom Design Center, Bhujodi

Natural Indigo Dyeing has been part of the heritage of Handloom Design Center, Bhujodi for many years. This year, we have created a dedicated Indigo Dyeing Studio to offer visitors a deeper and more immersive experience of the world of indigo.

Along the pathway leading to our studio, we have planted indigo plants so that every visitor can see the plant in its natural form, touch its leaves, and connect with the origin of this beautiful natural dye.

For the past four years, we have been cultivating indigo at Handloom Design Center. Our goal is not to extract indigo or produce dye commercially. Instead, we grow these plants so that indigo lovers, students, designers, and researchers can experience the living plant and understand where the journey of natural indigo truly begins.

An indigo plant takes around 90 days to grow to maturity. With the arrival of the monsoon in Kutch, this is the perfect season to sow fresh seeds and begin a new cycle of cultivation. Every year, we plant new indigo so that our visitors can witness this remarkable journey from seed to plant.

Come and experience more than natural indigo dyeing—discover the complete journey of indigo, from the living plant to the timeless blue that inspires artisans around the world.

19/07/2026

: Hands That Carry a Legacy

Caption:
The loom doesn't weave on its own.
Behind every Bhujodi textile are skilled artisans whose knowledge has been passed from one generation to the next. Every movement of their hands reflects years of practice, patience, and tradition.
For these families, weaving is more than a livelihood—it's an identity, a legacy, and a story woven into every fabric they create.
When you choose handwoven textiles, you're not just buying cloth. You're helping keep a centuries-old tradition alive.

This is the story of Bhujodi—one thread, one artisan, and one generation at a time.

11/07/2026

Behind every masterpiece on the loom is the quiet dedication that keeps the threads moving.

Meet Bheem Ji. Since 10th grade, his life has been intertwined with the art of textiles. For years, he sat at the loom as a weaver, but everything changed in 2001. Following the devastating Kutch earthquake, Bheem Ji found a new home and a new purpose at the handloom design center.

While he hasn’t woven a fabric in over two decades, his hands remain central to the craft. Bheem Ji transitioned to bobbin winding, the foundational, meticulous process that feeds the looms. Without perfectly wound bobbins, there is no tension; without tension, there is no cloth.

Mastery isn't always about who sits at the front of the stage; it’s about the backbone that keeps the entire tradition upright. Even though his name isn't on the final weave, Bheem Ji’s hard work, resilience, and unwavering commitment for the last 25 years are just as worthy of our deepest appreciation.

08/07/2026

With immense gratitude and excitement, we are honored to return to the International Folk Art Market (IFAM), Santa Fe, USA after a long time. This marks our third participation at this incredible global celebration of traditional craftsmanship, and it feels just as special as the first.

Being back on this prestigious platform is a proud moment for our family, our village of Bhujodi, Kutch, and the generations of artisans who have kept our weaving tradition alive.

We warmly invite you to visit us at Sustainable Booth No. 52 -

Chaman Siju, Bhujodi, India.

At our booth, you will discover: Organic Kala Cotton

Natural Indigo & Natural Dyeing

Hand-Spun Yarn

Handwoven Textiles

Hand-Stitched Sustainable Garments

Textile Creations Every piece is handmade with care, carrying the story of our heritage, sustainability, and the skilled hands behind it.

If you're visiting IFAM, we would be truly delighted to welcome you. Your support, encouragement, and presence mean everything to us. Please stop by Sustainable Booth No. 05 to meet us, experience our craft, and celebrate the beauty of handmade textiles together.

A heartfelt thank you to the International Folk Art Market for continuing to create a platform where traditional artisans from around the world can share their stories and connect through craft.

We can't wait to welcome you. See you at Booth No. 05

11/06/2026

My Indigo Journey
Vankar Chetan
My journey with indigo is not just my own story; it is part of a family tradition. The indigo dyeing practice in our workshop was first started by my elder uncle, Devjibhai. He established three 60-liter indigo vats, and during those early years, I worked alongside him as a helper.

My responsibilities included adding ingredients to the vats, maintaining the pH levels, monitoring the condition of the vats, and assisting with the dyeing process. Through these daily tasks, I gradually began to understand the living nature of indigo. I spent nearly three to four years working with the 60-liter vats, learning the fundamentals of vat maintenance, dye preparation, and the subtle behavior of indigo.

After gaining this experience, I took a major step forward and began working with a 500-liter indigo vat. The transition was a significant challenge. At that time, the vat was located outdoors, without protective walls or a roof. Managing such a large vat while dealing with changing weather conditions, temperature fluctuations, and environmental factors required constant attention and patience.

I spent nearly six to seven years learning how to maintain and manage large-scale indigo vats effectively. There were many challenges along the way. Sometimes the vat would weaken, and sometimes the dyeing results were not as expected. Each challenge became a lesson, helping me better understand the complex relationship between indigo, environment, and craftsmanship.

Today, I maintain three 500-liter indigo vats in a dedicated indigo dyeing studio. The studio is protected by walls on all sides and has a proper roof, creating a stable environment for the vats and the dyeing process. This setup allows me to work with greater consistency and confidence.
Whenever I sit in my studio and work with indigo, I often remember those early days spent learning beside my uncle, standing next to the vats as a helper and absorbing knowledge through observation and practice. The journey from assisting with 60-liter vats to managing three 500-liter vats has been a long process of learning, perseverance, and dedication.

Address

Oposit To Shrujan, Near GEB, ON Anjar Buj Highvey, Vill. Bhujodi/Bhuj/Kutch
Bhuj
370020

Telephone

+919510081909

Website

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