15/06/2026
In the soft light of a tea room, illumination passes through the openwork Chinese characters, casting delicate shadows across the table. This luminous effect is the hallmark of Linglong white porcelain, an extraordinary technique developed more than five centuries ago in Jingdezhen. We are pleased to present a new series that marries this historic artistry with contemporary mindfulness: four rotatable teacups resting on a polished black walnut base, each cup featuring one of four poetic phrases rendered as pierced openwork—得閒飲茶 (Time for Tea), 茶禪一味 (Tea and Zen as one), 一期一會 (One Moment, One Meeting), and 浮生半日 (Leisure in fleeting day).
Linglong porcelain, meaning “exquisitely transparent,” first appeared in the late Ming dynasty. Craftsmen carved minute apertures into the unfired clay body before applying glaze and firing at temperatures above 1,280 °C. The resulting vessels are so thin and light that they allow light to shine through like fine silk. During the Kangxi and Yongzheng reigns of the Qing dynasty, Linglong reached its artistic peak in the imperial kilns, where the openwork technique was often combined with underglaze blue decoration. These ethereal pieces became treasured diplomatic gifts and inspired European porcelain manufacturers to experiment with pierced wares.
The philosophical depth of the series draws from both Chinese tea culture and Japanese concepts of presence. The expression 茶禪一味 (Tea and Zen as one), rooted in Song-dynasty Buddhist practice, teaches that the taste of tea embodies the essence of Zen. 一期一會 (One Moment, One Meeting) encourages cherishing each unique encounter, perfectly suited to the deliberate ritual of tea drinking. 得閒飲茶 (Time for Tea) celebrates the quiet joy of pausing amid daily life, while 浮生半日 (Leisure in fleeting day) invites reflection on the fleeting nature of existence. By rendering these phrases as openwork characters, the design transforms each cup into a vessel of light and meaning.
