Viewcon Systems

29/05/2026

15 iPhones 17 Pro Max with Blackmagic Camera ProDock!

28/05/2026

Today we released public beta 4 of DaVinci Resolve 21 which adds improvements and bug fixes for Resolve effects on still images, AI CineFocus visual quality, AI beauty tools, keyframe editor workflows and immersive video support.

For the photo page, Resolve FX now behave more reliably when transforming still images. If you resize or reposition a photo with an effect applied, overlays and on screen controls now remain correctly aligned, making it easier to fine tune adjustments without interruption. The update also improves transparency handling for effects on stills, remembers effect favorites between app launches and fixes warper tool behavior on photos so you can more accurately reshape and manipulate images.

There is also more accurate highlight representation for Canon CR2 and CR3 images. This means bright areas in photos retain a more natural appearance and no longer look darker than expected when grading or compositing.

On the Edit and Cut pages, the keyframe editor now supports Fusion motion paths and other modifiers. This allows animation curves, motion paths and linked parameters from Fusion titles, effects and macros to be adjusted directly alongside timeline keyframes. This means editors can now adjust animated graphics and Fusion effects directly in the keyframe editor, making complex animations faster and easier to refine.

For DaVinci Resolve Studio users, AI CineFocus has been improved to produce more realistic shallow depth of field effects. Better and Faster modes now handle subtle blur more cleanly, while reductions in edge shimmer, stair stepping and halos help foreground subjects separate more naturally from backgrounds. This is especially useful when simulating lens focus effects on interviews, close ups or archival footage.

AI beauty tools have also been refined with the blemish removal tool allowing greater precision for facial area so corrections stay focused only where needed, and better support for alpha layer workflows with the face refinement tool. This makes it easier to isolate and track facial adjustments automatically, reducing the need for manual masking when working on beauty, fashion or interview shots.

In addition, this update adds support for Insta360 native colorspace along with improved DNG decode handling with color value and profile look table support for more consistent image reproduction.

DaVinci Resolve 21 Public Beta 4 update is available now as a free download from https://bmd.link/WjEotc

10/05/2026

由於快閃記憶體元件與DRAM記憶體成本的進一步上漲，我們不得不上調部分產品價格。同時，我們也會盡力縮小受此次調價影響的型號範圍。所有在今日之前向我們提交的訂單仍將按調價前的價格交付，不受此價格上調影響。

此外，我們也推出了部分不含2TB記憶卡的ATEM Television Studio新型號，您可以透過連接高速USB外接隨身碟進行錄製，降低整體成本。或者，您也可以安裝手邊已有的快閃記憶體卡。請務必讓具備相關資格的經銷商或工程師進行安裝，以確保安全。此外，快閃記憶體設備必須具備足夠的錄影速度，並且需要配合正確的散熱組件安裝，以確保運作穩健可靠。

在目前ATEM Television Studio系列中，所有名稱中帶有「2TB」字樣的型號均已預先安裝儲存。新推出的不含預先安裝儲存的型號會繼續沿用原有型號名稱。

此價格上調涉及型號如下：

Blackmagic URSA Cine 12K LF Body：從HK$57,300上調至HK$61,400
Blackmagic URSA Cine 12K LF：從HK$86,700上調至HK$98,250
Blackmagic URSA Cine 12K LF + EVF：從HK$96,300上調至HK$110,550
Blackmagic URSA Cine 12K LF 100G：從HK$101,300上調至HK$106,450
Blackmagic URSA Cine 12K LF 100G + EVF：從HK$106,600上調至HK$110,550
Blackmagic URSA Broadcast G2：從HK$34,400上調至HK$35,850
Blackmagic Studio Camera 4K Pro G2：從HK$15,300上調至HK$15,550
Blackmagic 2110 IP UpDownCross 12G：從HK$4,500上調至HK$4,650
Blackmagic 2110 IP SDI to HDMI 12G：從HK$4,100上調至HK$4,250
Blackmagic Cloud Backup 8：從HK$12,250上調至HK$13,100
Blackmagic Cloud Store Mini 8TB：從HK$22,850上調至HK$26,850
Blackmagic Cloud Store Mini 16TB：從HK$43,650上調至HK$50,750
Blackmagic Cloud Store Max 24TB：從HK$74,600上調至HK$77,800
Blackmagic Cloud Store Max 48TB：從HK$134,150上調至HK$137,600
Blackmagic Cloud Store Ultra 24TB：從HK$72,400上調至HK$77,800
Blackmagic Cloud Store Ultra 48TB：從HK$128,550上調至HK$137,600
Blackmagic Cloud Store 20TB：從HK$71,400上調至HK$77,800
Blackmagic Cloud Store 80TB：從HK$242,350上調至HK$262,050
HyperDeck Shuttle 4K Pro 2TB：從HK$15,550上調至HK$16,350
ATEM 1 M/E Con​​stellation 4K：從HK$14,750上調至HK$15,550

以下為ATEM Television Studio系列車型的價格上調。更新後的型號名稱中新增了「2TB」字樣，以表示設備已預先安裝2TB儲存。

ATEM Television Studio HD8 2TB：從HK$26,450上調至HK$27,850
ATEM Television Studio HD8 ISO 2TB：從HK$32,850上調至HK$36,000
ATEM Television Studio 4K8 2TB：從HK$48,950上調至HK$51,600

以下為新推出的ATEM Television Studio型號。這些型號未預先安裝快閃存儲，因此型號名稱中不包含“2TB”字樣，整體成本也更低。具體請查看下方的價格調整。我們認為，移除內建快閃記憶體儲存可以進一步降低ATEM Television Studio的整體成本，因此對於需要功能強大的便攜式SDI現場製作切換台的用戶而言，將會是一個更具性價比的選擇。

ATEM Television Studio HD8：從HK$26,450下調至HK$22,100，節省HK$4,350
ATEM Television Studio HD8 ISO：從HK$32,850下調至HK$24,550，節省HK$8,300
ATEM Television Studio 4K8：從HK$48,950下調至HK$40,950，節省HK$8,000

詳情請瀏覽網址： www.blackmagicdesign.com/hk/products/atemtelevisionstudio

本貼文所載之資料僅供一般參考。榮廣國際有限公司雖努力確保資料準確，但並未明確或隱含保證該資料準確無誤。本榮廣國際有限公司不會對因使用本網站資料而引致的任何損失或損害承擔法律責任。
請造訪 https://www.blackmagicdesign.com/hk/ 以取得最新、最準確的資訊。

Blackmagic Design creates the world’s highest quality products for the feature film, post and broadcast industries including URSA cameras, DaVinci Resolve and ATEM switchers.

07/05/2026

大家又多隻A-cam 用！👍

Today we announced that Blackmagic PYXIS 12K has been added to the Netflix Approved Camera List. Officially titled “Cameras and Image Capture: Requirements and Best Practices”, the list highlights the capture requirements necessary to be qualified as an approved camera by the streamer, including dynamic range, resolution, codec, workflow compatibility and more. Netflix requires 90% of a program’s final total runtime to be captured on approved cameras.

The list already includes the Blackmagic URSA Cine 17K 65, Blackmagic URSA Cine 12K LF, Blackmagic URSA Mini Pro 12K OLPF and URSA Mini Pro 4.6K G2 amongst its approved systems.

Blackmagic PYXIS 12K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

Blackmagic PYXIS 12K features a large full frame sensor with a native resolution of 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 112 fps. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.

Learn more about Blackmagic PYXIS 12K at https://www.blackmagicdesign.com/products/blackmagicpyxis

07/05/2026

Today we announced that Blackmagic PYXIS 12K has been added to the Netflix Approved Camera List. Officially titled “Cameras and Image Capture: Requirements and Best Practices”, the list highlights the capture requirements necessary to be qualified as an approved camera by the streamer, including dynamic range, resolution, codec, workflow compatibility and more. Netflix requires 90% of a program’s final total runtime to be captured on approved cameras.

The list already includes the Blackmagic URSA Cine 17K 65, Blackmagic URSA Cine 12K LF, Blackmagic URSA Mini Pro 12K OLPF and URSA Mini Pro 4.6K G2 amongst its approved systems.

Blackmagic PYXIS 12K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 12K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!

Blackmagic PYXIS 12K features a large full frame sensor with a native resolution of 12288 x 8040! That's almost three times larger than a Super 35 sensor and lets you shoot with a shallow depth of field or use anamorphic lenses uncropped for a true cinematic look. Whether you’re shooting in bright light or in almost no light at all, the massive dynamic range with high performance sensor provides stunning low noise images in all lighting conditions. Plus, PYXIS lets you shoot up to 112 fps. This amazing sensor combined with Blackmagic color science gives you the same quality as the most expensive digital cinema cameras.

Learn more about Blackmagic PYXIS 12K at https://www.blackmagicdesign.com/products/blackmagicpyxis

06/05/2026

Introducing a free trial of Blackmagic Cloud Streaming!

With this trial, you can stream to multiple platforms at the same time and route live feeds from multiple cameras globally via Blackmagic Cloud. There is support for streaming from Blackmagic Streaming Encoder or Blackmagic Camera for iOS and Android. Streams can be received using Blackmagic Streaming Decoder and DaVinci Remote Monitor, as well as YouTube, Twitch and other streaming platforms.

The free trial router is included with personal accounts, so you can get started quickly and move between regions to find available capacity. With routers available in Los Angeles, New York, London, Tokyo, Singapore and Melbourne, you can take advantage of low latency workflows worldwide. Trial routers include 4 inputs, 3 outputs and a dedicated streaming output.

The free trial of Blackmagic Cloud Stream Router Beta is available now for Blackmagic Cloud customers and can be accessed at cloud.blackmagicdesign.com

06/05/2026

16/01/2026

Learn more about films shot using Blackmagic URSA Cine, a high end digital film camera with large format RGBW 36x24mm sensor, incredible dynamic range, generation 5 color science and interchangeable PL, LPL and EF lens mounts.