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A rather nice dram glass suitably filled. Just recently added to our 18th cen dram glass collection. We maintain approx ...
16/06/2026

A rather nice dram glass suitably filled. Just recently added to our 18th cen dram glass collection. We maintain approx 50 different examples from that period covering every form as a single collection. However we felt (or at least I did) that it was worthy of inclusion. An elongated waisted bell with a solid section at the base. Short plain stem above a good firing foot c1750. Can’t say I’ve seen another and a delight to drink from 🏴󠁧󠁢󠁳󠁣󠁴󠁿❤️

Glad to see the Scots having fun in Boston…a wonderful city. Unfortunately it was 1984 when I was last there but great memories …so a toast to Scotland and a toast to Boston for being such gracious hosts 🥳🏴󠁧󠁢󠁳󠁣󠁴󠁿 Alex

A Scottish "HODGE PODGE"...Not very often does one encounter an 18th-century Scottish Drinking Club glass with detailed ...
10/05/2026

A Scottish "HODGE PODGE"...

Not very often does one encounter an 18th-century Scottish Drinking Club glass with detailed surviving records preserved within the Glasgow City Archives and accessible through the Mitchell Library — The Hodge Podge Club is one of those rare exceptions.

An outstanding and historically important Scottish engraved glass from the Dr Rigby Collection, the piece offers not only exceptional rarity and craftsmanship, but also a direct and traceable connection to the social and mercantile drinking culture of 18th-century Glasgow.

It has a drawn trumpet bowl, finely engraved within a continuous laurel wreath enclosing two opposing cartouches. One is inscribed “HODGE PODGE”, the other “5th MAY 1752”. The lettering is confidently executed, with distinctive feathered strokes and polished detailing.

Historical Context

The inscription almost certainly relates to the convivial drinking society known as the Hodge Podge Club, active in Glasgow during the mid-18th century. Formed amongst the city’s mercantile community at a time of considerable commercial prosperity, the club reflects the informal yet structured culture of dining and drinking that characterised the period.

Surviving records of the club are held within the Glasgow City Archives, accessible through the Mitchell Library, where minute books and later historical accounts document its activities. These sources describe a society built around regular meetings, shared dining, and regulated conviviality, with a tone that was both disciplined and deliberately light-hearted.

The earliest surviving minutes of the club begin on 5th May 1752, the date engraved on the glass. This should be understood not as the precise moment of formation, but rather as the point at which formal record-keeping began. The club was almost certainly in existence prior to this date.

Of particular relevance is the recorded purchase, in 1761, of sixty Hodge Podge glasses ordered from London. Although no pictorial records of these glasses survive, this reference confirms that glasses associated with the club were being specifically commissioned during the period.

The present glass, both in its engraving and construction, sits comfortably within this documented phase of activity.

Alex Smillie

In mid-18th century Scotland, drinking and dining clubs formed a well-established part of social life. These ranged from structured societies in Edinburgh to more informal tavern-based groups in Glasgow.

Notable examples include the Cape Club and the Poker Club, alongside the more private and indulgent Beggar’s Benison. Alongside these were numerous smaller, largely unrecorded merchant clubs, particularly in Glasgow, where groups met regularly for dining, drinking, and fellowship.

The Hodge Podge Club belongs firmly within this latter tradition; informal, convivial, and rooted in the everyday social culture of the city’s mercantile community.

We cannot say if this glass is one of the original sixty ordered in 1761, but to our knowledge its the only surviving glass that references the club from that period.

You can find out more about the glass by using our web site link below -

https://www.exhibitantiques.com/item/6474/exhibitantiques/Rare-Georgian-Engraved-Scottish-Drinking-Club-Glass-c1760---Hodge-Podge-Club.html

🏚️🍷 A new milestone in our journey!🏺 We’re taking the concept of historical living beyond the traditional gallery venues...
02/05/2026

🏚️🍷 A new milestone in our journey!

🏺 We’re taking the concept of historical living beyond the traditional gallery venues and integrating these rare treasures into the heart of the modern, curated home.

✨ Exhibit is incredibly excited to announce our debut at the prestigious Ideal Home Show Scotland in Glasgow! We’ll be transforming space into a living gallery, showcasing how centuries-old antiques can become the most impactful and conversation-starting features in any contemporary space.

🏛️ Where history meets the home, and the story of the past meets the design of the future.

🎟️ Save On Tickets: Only £10 when you use the code: IHSS26EXHIB

📅 Mark Your Calendars ~ Meet us at the SEC, Glasgow, on May 22nd - 25th, 2026!

The Rigby Collection Now Unveiled 💎🍷The wait is over. We are proud to announce that Part I of The Dr Rigby Glass Collect...
12/04/2026

The Rigby Collection Now Unveiled 💎🍷

The wait is over. We are proud to announce that Part I of The Dr Rigby Glass Collection is now officially live and available for acquisition on ExhibitAntiques.com.

To mark the launch, we are spotlighting the "jewels" of the collection: a spectacular array of 18th-century English colour twist stems.

While the Georgian era is famed for its clear lead glass, the introduction of vibrant enamels - cobalt blues, emerald greens, and the legendary ruby reds - transformed these vessels into masterworks of technical precision.

A Symphony of Colour 🎨🍷

The Crimson Core ~ One of the most coveted hues in the glass world, showcasing the difficult-to-achieve ruby red twist.

The Cased Cobalt Core ~ Blue enamel masterfully encases an opaque white core, an innovative technique employed by the glassblower to give a more vivid finish.

The Emerald Outline ~ A delicate thread outlining the single opaque white corckscrew, beautifully highlighting the green. The inclusion of the air column is quite stunning, interesting and rare.

The Cobalt Corckscrew ~ Another vivid outline due to the thread being embedded against the opaque white corckscrew. The 12-ply spiral band is remarkably neat and well executed.

The Polychrome Masterpiece ~ A sophisticated, contrasting interplay of crimson red, deep green and opaque white - polychrome colour twists representing a peak of the glass-blower’s art c.1765. You may notice the slight lilac hue to some of the inner threads of the multi-ply corckscrew; it is perhaps accidentally induced, but once again draws interest and gives depth to each strand.

This is a rare opportunity to secure pieces from a substantial 100-glass legacy, curated over a decade with an uncompromising eye for detail.

📌 Explore Part I of the Dr Rigby Collection. Visit our website to view these and other masterpieces before they depart for new collections.

- Nicola

The ‘Jewelled’ Table: A Regency Renaissance 1795–1837 💎While the mid-18th century was the "Golden Age" of clear glass, t...
26/03/2026

The ‘Jewelled’ Table: A Regency Renaissance 1795–1837 💎

While the mid-18th century was the "Golden Age" of clear glass, the Regency era sparked a vibrant English renaissance. Spanning the reigns of George III, George IV, and William IV, this period saw a shift toward a ‘jewelled’ palette of saturated, sophisticated hues.

🧪 The Alchemy of Colour - Creating these was high-stakes chemistry. Success relied on the furnace atmosphere: an oxidising environment yielded blue and turquoise, while a reduced (low oxygen) melt shifted glass toward warm ambers and browns.

🔴 Regency Red: The rarest of all. Often requiring Gold, Iron, or Copper, true-tinted red had to be blown incredibly thin to stay translucent; otherwise, it appeared black. Birmingham’s George Bacchus & Sons finally mastered thick, vibrant red in the 1840s.

🟡 Amber & Yellow: A volatile mix of Silver, Iron, and Antimony. Notidiously difficult to stabilise - one wrong move and the batch turned smoky grey. Successful c.1820 amber wine glasses represent a high-risk manufacturing triumph.

💎 Peacock Blue: A vibrant ultramarine that appeared around 1810, possibly due to cobalt scarcities during the Napoleonic Wars.

🔵 Bristol Blue: Achieved via Cobalt and Copper. While popular for decanters, finding Regency wine glasses in this ‘deep navy’ Bristol blue is surprisingly rare.

💜 Amethyst: Created with Manganese and Nickel, ranging from pale lavender to a regal "black" purple. It offered a dramatic contrast to white linens but was rarely used for wine glasses. Later Victorian examples often shift toward a reddish plum hue.

🟢 Emerald Green: The most common Regency wine glass colour. While iron impurities naturally create green, glassmakers used copper and later Chromium for that crisp glow. It remains as popular today as it was 200 years ago!

🔍 Collector’s Tip: The "1800" Rule. To date transitional glass, look at the Basal Knop (the join between stem and foot). Before 1800, this was either absent or a full, rounded knop. By 1800, it became a flattened ‘cushion knop’. If your glass has this "pancake" join, it’s likely post-1800.

Note: This join disappeared again c.1880–1910 during the Georgian revival. Distinguish these later pieces by their perfectly even bowls and much thinner, lightweight walls.

I have a small private collection that includes at least one of each of these colours. The vibrant ultramarine blues are a personal favourite and are always hard to part with, but nothing beats an unusual form.

- Nicola.

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