13/02/2025
Framing artwork always feels like a big responsibility. And it’s one I take very seriously.
For the majority of people who use a bespoke framer, this is an investment in some form of artwork or an object that is special to them. It may have tangible value in itself, or emotional value by virtue of its significance to them, or both.
So, when Karina Digby-Jones, came to me to frame her show-piece linocut print, entitled Tsukubai, this was a real leap of faith for her, and I feel really honoured that she put her trust in me.
Few people take the bold step to change career track to pursue a latent creative talent, but Karina did. I need to ask her why she chose the linocut printing technique as an outlet for expressing her creativity, because it is an incredibly painstaking, brain-boggling, multi-step process to move from her vision represented in a drawing to the final artwork. You can see some of the stages below. No doubt you’ll agree that the result is stunning, and so strong in conveying the tranquillity of her Japanese garden. (Please do check out her Insta and FB pages at Karina_DJ_Art, to discover the range of her printmaking and artwork, the stories behind them, and more about the linocut process itself. I’m on the edge of my seat waiting to see the final versions of a few of the works in her pipeline that Karina gave me a sneak preview of, especially the privately commissioned MGB Roadster – I’ll say no more!)
When it came to choosing the frame and mountboard, I was reminded of what it feels like when you are house hunting – you just know when you find the right one for you. So, we took our time together to explore a range of shapes, sizes, colours and shades. In fact, Karina went away and reflected on what we’d provisionally selected, and came back a week or so later to look at different options which had been prompted by that first visit, because she hadn’t quite felt the right vibe. Waiting to hit that vibe really mattered. Karina was then able to feel completely comfortable and confident to move forward. Her choices, as you can see, of a simple black, wood-grained profile frame and a matching black mountboard allow the copper ink representation to quietly stand out with no distraction. I recommended raising the artwork above the mountboard (float mounting), to provide an extra dimension of separation from its surrounds, in keeping with the nature and simplicity of Japanese gardens.
So, I’d really like to thank Karina for placing her trust in me, and for the joy of putting two creative minds together for the best possible outcome.
Find Karina DJ Art on Facebook at https://www.facebook.com/profile.php?id=100090367056969 or on Instagram at https://www.instagram.com/karina_dj_art?igsh=Nmtwemd5Y3Ewcmph