Musikzimmer

Musikzimmer Record Store & Music Label

Im Rahmen der  stellt unser langjähriger Freund  im Musikzimmer aus. Wir freuen uns auf euren Besuch!
09/10/2025

Im Rahmen der stellt unser langjähriger Freund im Musikzimmer aus. Wir freuen uns auf euren Besuch!

Back In!
15/11/2024

Back In!

One of our most beloved blue note records ever!
15/11/2024

One of our most beloved blue note records ever!

NEW IN
16/11/2023

NEW IN



Wir möchten euch herzlich zu einem unvergesslichen Abend mit  &  einladen. Das Duo folgt einem Livekonzept aus Elektroni...
09/11/2023

Wir möchten euch herzlich zu einem unvergesslichen Abend mit & einladen. Das Duo folgt einem Livekonzept aus Elektronik und Jazz anhand von schweren Maschinen, wie modularen Synthesizern, allerhand analogen Keys und Effekten. Neue Räume zwischen Improvisation und Komposition bestimmt das Schaffen dieser beiden Ausnahmekünstler.
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Beginn: 21 Uhr // Eintritt: 10-12 Euro // Live im

Madlib - Sound AncestorsGil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Se...
14/10/2023

Madlib - Sound Ancestors

Gil Evans to Miles Davis…. Holger Czukay to the ensemble known as Can….Jean Claude Vannier to Serge Gainsbourg on Histoire de Melody Nelson. That’s the only way to explain the specificity of Four Tet and Madlib’s collaboration, in this special album that showcases a two-decade long friendship that has resulted in an album that follows Madlib’s classics like Quasimoto’s The Unseen, Madvillainy and his Pinata and Bandana albums with Freddie Gibbs.

“A few months ago I completed work on an album with my friend Madlib that we’d been making for the last few years. He is always making loads of music in all sorts of styles and I was listening to some of his new beats and studio sessions when I had the idea that it would be great to hear some of these ideas made into a Madlib solo album. Not made into beats for vocalists to use but instead arranged into tracks that could all flow together in an album designed to be listened to start to finish. I put this concept to him when we were hanging out eating some nice food one day and we decided to work on this together with him sending me tracks, loops, ideas and experiments that I would arrange, edit, manipulate and combine. I was sent hundreds of pieces of music over a couple of years stretch and during that time I put together this album with all the parts that fitted with my vision.” - Kieren Hebden AKA Four Tet.

The contributions of the late Detroit producer James DeWitt Yancey – better known to the world as J Dilla - to the world...
14/10/2023

The contributions of the late Detroit producer James DeWitt Yancey – better known to the world as J Dilla - to the world of hip-hop can't be overstated, and nowhere is his legacy more apparent than his work as a member of Slum Village. A founding member of the trio, (Alongside rappers T3 and Baatin) Dilla provided the group's distinctly esoteric, free-wheeling sound, built around winding basslines, quirky drumbeats, subtle low-end frequencies, and classic jazz & soul samples. Against the backdrop of Dilla's rich production, T3 and Baatin's free-flowing style of rhyming would also earn wide critical praise, leading to comparisons as the successors to A Tribe Called Quest. (A label they themselves have rejected.) After the success of Slum’s 1997 studio debut, Fan-Tas-Tic Vol. 1, the group went to work on their follow up. Though the project was completed in ’98, label turmoil kept the project on ice until 2000. By the time Fantastic Volume II hit Dilla was well on his way to his status as a hip hop legend having produced cuts for Common, Busta Rhymes, Erykah Badu, A Tribe Called Quest and many more. Later works from Slum Village may have had more of an impact sales-wise (in the immediate) but Fantastic Vol. 2 had fans and many critics saying that Slum Village, and Dilla in particular, may “single-handedly save rap music.” Perhaps that statement is hyperbole but many consider Fantastic Volume II to be Slum Village’s finest work ever to this day. Ne'Astra Media Group now presents the album reissued on vinyl, for the first time in several years. Every wobbling bass note of J Dilla's production has been preserved to maintain the legacy of this hip hop rap classic and maintain the legend of one of hip-hop's greatest beatsmiths.

Still one of the best beat records ever!
13/10/2023

Still one of the best beat records ever!


Kool Keith has long been hailed as hip-hop’s greatest eccentric. Over the course of a career stretching back to the mid-...
19/09/2023

Kool Keith has long been hailed as hip-hop’s greatest eccentric. Over the course of a career stretching back to the mid-’80s, he’s perfected a singular style of abstract yet deadly precise rhyming that often focuses on subjects such as science fiction, hardcore po*******hy, and a distrust for the music industry. His sprawling discography includes numerous collaborations and aliases, with some of the most acclaimed including Dr. Octagon and Dr. Dooom, Black Elvis & Tashan Dorrsett. He began his career as the mind and mouth behind the Bronx-based Ultramagnetic MC’s, whose influential debut, Critical Beatdown, was released in 1988. Following the release of the band’s third album in 1993, Keith headed for the outer reaches of the stratosphere with a variety of solo projects. His lyrical thematics remained as free-flowing as they ever were with the N.Y.C. trio, connecting up complex meters with fierce, layers-deep metaphors and veiled criticisms of those who “water down the sound that comes from the ghetto”.

Keith’s latest LP “Mr. Controller” entirely produced by Junkaz Lou is yet another work of art. No MC on the planet is so grimy and yet so polished — after years in the rap game, Kool Keith’s as unique as ever.

Sound described as an L*D experience gone horribly wrong!

Probably the best record 2023.  - Michael
15/09/2023

Probably the best record 2023.

- Michael

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