Books you must read

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Ending with the same book I started my year withđŸĨ€âœ¨
28/12/2025

Ending with the same book I started my year withđŸĨ€âœ¨

āĻ āĻŋāĻ• āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻ­āĻžāĻŦāĻŋ āφāϜ āĻ•āĻŋāϛ⧁ āϞāĻŋāĻ–āĻŦā§‹, āϤāĻžāϰāĻĒāϰ āφāϰ āϞ⧇āĻ–āĻž āĻšā§Ÿ āύāĻžāĨ¤ āĻāĻ­āĻžāĻŦ⧇āχ āϕ⧇āĻŸā§‡ āϝāĻžāĻšā§āϛ⧇ āĻĻāĻŋāύ⧇āϰ āĻĒāϰ āĻĻāĻŋāύ, āϏ⧇āϏāĻŦ āĻĻāĻŋāύ āĻ—ā§œāĻŋā§Ÿā§‡ āĻĒāĻžāϰ āĻšāĻšā§āϛ⧇ āĻŽāĻžāϏāĨ¤āφāϜ āĻļ...
16/11/2025

āĻ āĻŋāĻ• āĻĒā§āϰāϤāĻŋāĻĻāĻŋāύ āĻ­āĻžāĻŦāĻŋ āφāϜ āĻ•āĻŋāϛ⧁ āϞāĻŋāĻ–āĻŦā§‹, āϤāĻžāϰāĻĒāϰ āφāϰ āϞ⧇āĻ–āĻž āĻšā§Ÿ āύāĻžāĨ¤ āĻāĻ­āĻžāĻŦ⧇āχ āϕ⧇āĻŸā§‡ āϝāĻžāĻšā§āϛ⧇ āĻĻāĻŋāύ⧇āϰ āĻĒāϰ āĻĻāĻŋāύ, āϏ⧇āϏāĻŦ āĻĻāĻŋāύ āĻ—ā§œāĻŋā§Ÿā§‡ āĻĒāĻžāϰ āĻšāĻšā§āϛ⧇ āĻŽāĻžāϏāĨ¤
āφāϜ āĻļ⧇āώāĻŽā§‡āĻļ āĻ•āĻŋ āĻ•āϰ⧇ āϝ⧇āύ⧋ āϞ⧇āĻ–āĻž āĻļ⧁āϰ⧁ āĻ•āϰ⧇ āĻĻāĻŋāϞāĻžāĻŽāĨ¤ āĻŽā§‡āϟāĻž āĻĨ⧇āϕ⧇ āύāĻŋ⧟āĻŽāĻŋāϤ āύ⧋āϟāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āϝāĻžā§Ÿ, āϝāĻžāϰ āϏāĻžāϰāĻŽāĻ°ā§āĻŽ āĻāχ āϝ⧇- 'āĻĢāĻžāĻšāĻŽāĻŋāĻĻāĻž, āφāĻĒāύāĻžāϰ āĻŦ⧇āĻļ āĻŦ⧜ āĻĢāĻ˛ā§‹ā§ŸāĻžāϰ⧇āϰ āĻāĻ•āϟāĻŋ āĻĒ⧇āϜ āφāϛ⧇āĨ¤ āφāĻĒāύāĻŋ āύāĻŋ⧟āĻŽāĻŋāϤ āĻĒā§‹āĻ¸ā§āϟ āĻ•āϰ⧁āύ āĻ…āĻ¨ā§āϝāĻĨāĻž āĻĒ⧇āϜāϟāĻŋ āĻ…āĻĄāĻŋā§Ÿā§‡āĻ¨ā§āϏ āĻšāĻžāϰāĻžāĻŦ⧇āĨ¤'

āύ⧋āϟāĻŋāĻĢāĻŋāϕ⧇āĻļāύ āϝ⧇ āϖ⧁āĻŦ āĻāĻ•āϟāĻž āφāĻ˛ā§‹ā§œāύ āφāύāϤ⧇ āĻĒāĻžāϰ⧇ āϤāĻž āύ⧟, āϤāĻŦ⧁āĻ“ āĻŽāύ⧇ āĻšā§Ÿ āϕ⧇āύ⧋ āϞāĻŋāĻ–āĻŋ āύāĻž? āϚāĻžāχāϞ⧇āχ āĻ•āĻŋ āϞ⧇āĻ–āĻž āϝāĻžā§Ÿ āύāĻž?

āϏāĻ¤ā§āϝāĻŋāϟāĻž āĻšāϞ⧋ āϚāĻžāχāϞ⧇āχ āϞ⧇āĻ–āĻž āϝāĻžā§Ÿ āύāĻžāĨ¤ āĻ…āĻ¨ā§āϤāϤ āφāĻŽāĻžāϰ āĻŦ⧇āϞāĻžā§Ÿ āĻāϟāĻžāχ āĻšā§‚ā§œāĻžāĻ¨ā§āϤ āϰāĻžā§ŸāĨ¤ āφāĻŽāĻŋ āĻ•āĻ–āύ⧋āχ āϝāĻž āϚāĻžāχ āϤāĻž āϞāĻŋāĻ–āϤ⧇ āĻĒāĻžāϰāĻŋāύāĻŋ, āϝ⧇āĻ­āĻžāĻŦ⧇ āϚāĻžāχ āϏ⧇āĻ­āĻžāĻŦ⧇ āĻšā§ŸāύāĻŋāĨ¤ āĻŦāϰāĻ‚ āϝāĻž āϞāĻŋāĻ–āϤ⧇ āĻŦāϏ⧇āĻ›āĻŋ āϚāϤ⧁āϰ āĻ•āĻŋ-āĻŦā§‹āĻ°ā§āĻĄ āϤāĻžāϰ āĻĨ⧇āϕ⧇ āϏāϰ⧇ āĻ—āĻŋā§Ÿā§‡ āύāĻŋāĻœā§‡āϰ āĻŽāϤāύ āĻ•āĻŋāϛ⧁ āϞāĻŋāĻ–āĻŋā§Ÿā§‡ āύāĻŋā§Ÿā§‡āϛ⧇āĨ¤
āϝ⧇āϕ⧋āύ⧋ āϏ⧋āĻļā§āϝāĻžāϞ āĻĒā§āĻ˛ā§āϝāĻžāϟāĻĢāĻ°ā§āĻŽā§‡āϰ āĻāϟāĻžāχ āύāĻŋ⧟āĻŽ, āφāĻĒāύāĻŋ āϝāϤ⧋ āĻŦ⧇āĻļāĻŋ āĻĻā§‚āϰ⧇ āϏāϰ⧇ āϝāĻžāĻŦ⧇āύ āϏ⧋āĻļā§āϝāĻžāϞ āĻŽāĻŋāĻĄāĻŋ⧟āĻž āφāĻĒāύāĻžāϕ⧇ āφāϰāĻ“ āĻĻā§‚āϰ⧇ āύāĻŋā§Ÿā§‡ āϝāĻžāĻŦ⧇āĨ¤ āφāĻĒāύāĻŋ āĻ˜ā§‹āϞāĻžāĻŸā§‡ āĻšā§Ÿā§‡ āϝāĻžāĻ“ā§ŸāĻž āĻĒā§āĻ˛ā§āϝāĻžāϟāĻĢāĻ°ā§āĻŽā§‡ āĻĻāĻžāρ⧜āĻŋā§Ÿā§‡ āĻĨāĻžāĻ•āĻž āϞ⧋āĻ•āϟāĻŋāϰ āĻŽāϤ⧋ āφāϰāĻ“ āφāĻŦāĻ›āĻž āĻšā§Ÿā§‡ āϝāĻžāĻŦ⧇āύ, āϤ⧀āĻŦā§āϰāĻŦ⧇āϗ⧇ āĻĒ⧃āĻĨāĻŋāĻŦā§€ āĻāĻ—āĻŋā§Ÿā§‡ āϝāĻžāĻŦ⧇ āϏāĻžāĻŽāύ⧇āϰ āĻĻāĻŋāϕ⧇āĨ¤ āĻāχ āĻ•āĻĨāĻž āĻ…āĻŦāĻļā§āϝ āĻ…āĻĢāϞāĻžāχāύ⧇āϰ āĻœā§€āĻŦāύ⧇āĻ“ āĻ–āĻžāĻŸā§‡āĨ¤

āĻ—āϤāĻ•āĻžāϞ āĻāĻ• āĻĒā§‹āĻ¸ā§āϟ āϏāĻžāĻŽāύ⧇ āĻāϞ⧋, āĻŦāĻ•ā§āϤāĻŦā§āϝ āĻ…āύ⧇āĻ•āĻ–āĻžāύāĻŋ āĻāϰāĻ•āĻŽ āϝ⧇ āφāĻŽāĻžāĻĻ⧇āϰ āĻšāĻžāϰāĻžāύ⧋ āĻĻāĻŋāύāϗ⧁āϞ⧋ āĻĢāĻŋāϰ⧇ āĻĒ⧇āϞ⧇ āĻŦ⧇āĻļ āĻšāϤ⧋ āϝāĻ–āύ āφāĻŽāϰāĻž āĻĻāĻŋāύ⧇ āĻāĻ•āϟāĻž āĻ—ā§‹āϟāĻž āĻŦāχ āĻ—āϞāĻžāϧāσāĻ•āϰāĻŖ āĻ•āϰ⧇ āĻĢ⧇āϞāϤāĻžāĻŽāĨ¤ āφāĻŽāĻžāϰ āĻāĻŽāύāĻ“ āĻšā§Ÿā§‡āϛ⧇ āϝ⧇ āĻāĻ•āχ āĻĻāĻŋāύ⧇ āφāĻŽāĻŋ āĻĻ⧁āĻŸā§‹ āφāĻ¸ā§āϤ āĻŦāχ āĻļ⧇āώ āĻ•āϰ⧇āĻ›āĻŋāĨ¤
āφāϜāĻ•āĻžāϞ āϏ⧇āϏāĻŦ āĻĻāĻŋāύ āφāĻŽāĻžāϰ āĻ…āĻŦāĻžāĻ¸ā§āϤāĻŦ āĻŽāύ⧇ āĻšā§Ÿ, āĻ…āĻ¨ā§āϝ āĻ•āĻžāϰ⧋ āĻœā§€āĻŦāύ⧇āϰ āϘāϟāύāĻž āĻŦāϞ⧇ āĻ­ā§‚āϞ āĻšā§ŸāĨ¤
āφāĻŽāĻžāϰ āĻŽāĻžāĻĨāĻžāϰ āĻ•āĻžāϛ⧇ āĻĻāĻžā§œ āĻ•āϰāĻžāύ⧋ āĻŦāĻŋāĻļāĻžāϞ āĻŦ⧁āĻ•āĻļ⧇āϞāĻĢāϟāĻž āĻāĻ•āϏāĻŽā§Ÿ āϝ⧇ āφāϏāϤ⧋ āϤāĻžāϕ⧇āχ āĻĻ⧇āĻ–āĻŋā§Ÿā§‡ āĻŦāϞāϤāĻžāĻŽ 'āĻāĻ–āĻžāύ⧇āϰ āϏāĻŦ āĻŦāχ āφāĻŽāĻžāϰ āĻĒ⧜āĻž'āĨ¤
āĻŽāύ⧇ āφāϛ⧇ āĻāĻ•āĻŦāĻžāϰ āφāĻŽāĻžāϰ āϛ⧋āϟ āĻ–āĻžāϞāĻž āφāĻŽāĻžā§Ÿ āφāĻŽāĻžāϰāχ āĻŦāĻ‡ā§Ÿā§‡āϰ āϤāĻžāĻ• āĻĻ⧇āĻ–āĻŋā§Ÿā§‡ āĻŦāϞāϞ⧋, 'āϰāĻŋāύāĻŋ, āĻāϤ⧋ āϝ⧇ āĻŦāχ āϜāĻŽāĻŋā§Ÿā§‡āϛ⧋ āĻāϗ⧁āϞ⧋ āĻ•āĻŋ āĻĒā§œā§‡ āĻļ⧇āώ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŦāĻž? āĻāϟāĻžāĻ“ āϤ⧋ āĻ…āĻĒāϚ⧟'
āφāĻŽāĻŋ āĻŦ⧇āĻļ āĻ…āύāĻžā§ŸāĻžāϏ⧇ āĻŦāϞāϞāĻžāĻŽ, 'āĻāĻ–āĻžāύ⧇āϰ āϏāĻŦ āφāĻŽāĻžāϰ āĻĒā§œā§‡ āĻĢ⧇āϞāĻž āĻŦāχ'āĨ¤
āĻ…āύ⧇āϕ⧇āχ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇ āϚāĻžāχāϤ⧋ āύāĻž, āϤāĻžāϤ⧇ āĻ•āĻŋ āϝāĻžā§Ÿ āφāϝ⧇āĨ¤
āφāϜāĻ•āĻžāϞ āφāĻŽāĻžāϰ āύāĻŋāĻœā§‡āϰāĻ“ āĻŦāĻŋāĻļā§āĻŦāĻžāϏ āĻ•āϰāϤ⧇ āĻ•āĻˇā§āϟ āĻšā§Ÿ, āĻāχ āφāĻŽāĻŋ āĻŦāĻžāĻ•āĻŋ āĻœā§€āĻŦāύ⧇ āĻŦ⧁āĻ•āĻļ⧇āϞāĻĢ⧇āϰ āĻ…āĻ°ā§āϧ⧇āĻ• āĻŦāχāĻ“ āĻ•āĻŋ āĻĒ⧜āϤ⧇ āĻĒāĻžāϰāĻŦā§‹?

āĻ—āϤ āĻ•ā§Ÿā§‡āĻ•āĻŽāĻžāϏ āφāĻŽāĻŋ āĻāϕ⧇āϰ āĻĒāϰ āĻāĻ• āĻŦāχ āĻšāĻžāϤ⧇ āύāĻŋā§Ÿā§‡ āĻļ' āĻĻā§‡ā§œā§‡āĻ• āĻĒāĻžāϤāĻž āĻĒā§œā§‡ āĻ…āĻ¨ā§āϝ āĻŦāχ āĻšāĻžāϤ⧇ āύāĻŋā§Ÿā§‡āĻ›āĻŋ, āϕ⧋āύ⧋āϟāĻžāχ āĻļ⧇āώ āĻ•āϰāϤ⧇ āĻĒāĻžāϰāĻŋāύāĻŋāĨ¤
āĻ—ā§‹āĻ—ā§āϰāĻžāϏ⧇ āĻŦāχ āϗ⧇āϞāĻžāϰ āĻ…āĻ­ā§āϝ⧇āϏ āĻĨ⧇āϕ⧇ āφāĻŽāĻŋ āĻ…āύ⧇āĻ• āφāϗ⧇āχ āĻŦ⧇āϰāĻŋā§Ÿā§‡ āĻāϏ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻŽāĻžāύāϏāĻŽā§āĻŽāϤ āϞ⧇āĻ–āĻž āĻĒ⧜āĻŦāĻžāϰ āωāĻĻā§āĻĻ⧇āĻļā§āϝ⧇āĨ¤ āĻ…āĻ°ā§āĻĨāĻžā§Ž āĻŽāĻžāϏ āĻĻā§‡ā§œā§‡āĻ• āϏāĻŽā§Ÿ āύāĻŋā§Ÿā§‡ āĻāĻ•āĻ–āĻžāύāĻŋ āĻŽāύ⧇āϰ āĻŽāϤ⧋ āϞ⧇āĻ–āĻž āĻĒ⧜āĻžāϰ āϗ⧁āϰ⧁āĻ¤ā§āĻŦ āφāĻŽāĻžāϰ āĻ•āĻžāϛ⧇ āϏāĻĒā§āϤāĻžāĻšā§‡ āϚāĻžāϰāĻ–āĻžāύāĻŋ āĻŦāχ āĻĒ⧜āĻžāϰ āĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋ āĻšā§Ÿā§‡ āĻĻāĻžā§œāĻŋā§Ÿā§‡āĻ›āĻŋāϞ⧋āĨ¤ āϤāĻžāϤ⧇ āφāĻŽāĻžāϰ āφāĻĢāϏ⧋āϏ āύ⧇āχ, āĻāĻŽāύāĻ•āĻŋ āϕ⧇āω āĻĻāĻŋāύ⧇ āϚāĻžāϰāĻ–āĻžāύāĻž āĻŦāχ āĻĒ⧜āϞ⧇ āϏ⧇ āĻŦā§āϝāĻžāĻĒāĻžāϰ⧇āĻ“ āφāĻŽāĻžāϰ āφāĻĒāĻ¤ā§āϤāĻŋ āύ⧇āχ, āϜāĻžāϜāĻŽā§‡āĻ¨ā§āϟāĻ“ āύ⧇āχāĨ¤
āĻāĻ•āϏāĻŽā§Ÿā§‡ āĻšāĻžāϤ⧇āϰ āĻ•āĻžāϛ⧇ āϝāĻž āĻĒā§‡ā§Ÿā§‡āĻ›āĻŋ āϤāĻž āĻ—āĻŖāĻšāĻžāϰ⧇ āĻĒ⧜āĻŦāĻžāϰ āϏ⧁āĻŦāĻžāĻĻ⧇āχ āφāϜ āφāĻŽāĻžāϰ āĻ­āĻžāϞ⧋-āĻ–āĻžāϰāĻžāĻĒ āĻŦāĻžāĻ›āĻŦāĻŋāϚāĻžāϰ⧇āϰ āĻŦ⧁āĻĻā§āϧāĻŋ āĻšā§Ÿā§‡āϛ⧇āĨ¤

āĻĒāĻžāĻ āĻ• āĻšāĻŦāĻžāϰ āĻāĻ•āĻ–āĻžāύāĻŋ āĻļāĻ°ā§āϤ āφāĻŽāĻžāϰ āĻŽāύ⧇ āĻšā§Ÿ āĻ-āχ āĻšāĻ“ā§ŸāĻž āωāϚāĻŋāϤ āϝ⧇ āĻļ⧁āϰ⧁āϤ⧇ āϝāĻž āĻĒāĻžāĻŦ⧇ āϤāĻžāχ āĻĒā§œā§‹āĨ¤
āϤāĻŦ⧇ āφāĻŦāĻžāϰ āύāĻŋāĻœā§‡āϰāχ āĻŽāύ⧇ āĻšā§Ÿ, āĻĒāĻžāĻ āĻ• āĻšāĻŦāĻžāϰ āϕ⧋āύ⧋ āĻļāĻ°ā§āϤ āĻšā§Ÿ āύāĻžāĨ¤

āφāĻŽāĻŋ āϝāĻ–āύ āĻ¸ā§āϕ⧁āϞ⧇ āĻ›āĻŋāϞāĻžāĻŽ āϤāĻ–āύ āφāĻŽāĻžāϰ āĻšāĻžāϤ⧇āϰ āύāĻžāĻ—āĻžāϞ⧇ āĻĨāĻžāĻ•āĻž āϕ⧋āύ⧋ āύāĻŋāωāϜāĻĒ⧇āĻĒāĻžāϰ⧇ āĻ›āĻžāĻĒāĻž āĻāĻŽāύ āϕ⧋āύ⧋ āĻ—āĻ˛ā§āĻĒ, āφāĻ°ā§āϟāĻŋāϕ⧇āϞ āύ⧇āχ āϝāĻž āφāĻŽāĻžāϰ āĻšāĻžāϤ āĻĨ⧇āϕ⧇ āϰāĻ•ā§āώāĻž āĻĒā§‡ā§Ÿā§‡āϛ⧇āĨ¤ āĻāĻŽāύāĻ•āĻŋ āϏ⧇āϏāĻŽā§Ÿā§‡ āύāĻŋāωāϜāĻĒ⧇āĻĒāĻžāϰ āϜāĻŽāĻžāύ⧋āϰ āĻāĻ• āĻ…āĻĻā§āϭ⧁āϤ āĻ¸ā§āĻŦāĻ­āĻžāĻŦ āφāĻŽāĻžāϰ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧋āĨ¤
āϝ⧇ āĻĒ⧇āĻĒāĻžāϰ⧇āχ āφāĻŽāĻžāϰ āĻĒāĻ›āĻ¨ā§āĻĻ⧇āϰ āĻ•āĻŋāϛ⧁ āĻ›āĻžāĻĒāĻž āĻšāϤ⧋ āϤāĻž-āχ āφāĻŽāĻŋ āϜāĻŽāĻŋā§Ÿā§‡ āϰāĻžāĻ–āϤāĻžāĻŽāĨ¤

āφāϜāĻ•āĻžāϞ āϞ⧇āĻ–āĻžāϰ āĻĻāĻŋāϕ⧇ āĻĻā§€āĻ°ā§āϘāϏāĻŽā§Ÿ āĻŽāύ⧋āϝ⧋āĻ— āĻĻāĻŋāϤ⧇ āĻ…āϏ⧁āĻŦāĻŋāϧāĻž āĻšāĻŦāĻžāϰ āĻŦ⧜ āĻ•āĻžāϰāĻŖ āĻšāĻšā§āϛ⧇ āĻŽāĻŋāύāĻŋāϟ āĻĒāĻžāĻšā§‡āĻ• āĻĒāϰāĻĒāϰāχ āĻĢā§‹āύ āĻšāĻžāϤ⧇ āύāĻŋāϤ⧇ āĻšā§ŸāĨ¤
āφāϰ āϤāĻžāχ āĻŽāύ⧋āϝ⧋āĻ—āϟāĻž āĻšāĻžāϰāĻžāύ⧋ āϧāϰ⧇ āϰāĻžāĻ–āĻŦāĻžāϰ āĻšā§‡ā§Ÿā§‡ āϏāĻšāϜāĨ¤

āĻĒāϰāĻļ⧁ āφāĻŽāĻŋ āĻĒ⧜āĻ›āĻŋāϞāĻžāĻŽ 'āϚ⧌āϰāĻ™ā§āĻ—ā§€'āĨ¤ āĻāχ āϚ⧌āϰāĻ™ā§āĻ—ā§€ āĻĒ⧜āĻŦā§‹ āĻŦāϞ⧇ āĻ•āĻŋāύ⧇ āφāύāĻžāϰ āĻĒāϰ āĻœā§‡āύ⧇āĻ›āĻŋāϞāĻžāĻŽ āĻāϰ āĻāĻ•āĻ–āĻžāύāĻž āĻĒā§‚āĻ°ā§āĻŦ āĻ–āĻŖā§āĻĄ āφāϛ⧇, āϏ⧇āχ āĻ–āĻŖā§āĻĄ āĻ•āĻŋāύāϞāĻžāĻŽ, āĻĒā§œā§‡āĻ“ āĻĢ⧇āϞāϞāĻžāĻŽāĨ¤
'āĻ•āϤ āĻ…āϜāĻžāύāĻžāϰ⧇' āύāĻžāĻŽā§‡āϰ āϏ⧇āχ āĻŦāχ āφāĻŽāĻžāϰ āĻ­ā§€āώāĻŖ āĻĒāĻ›āĻ¨ā§āĻĻ⧇āϰāĨ¤ āϏ⧇ āĻŦāχ āĻāϰ āύāĻžāύāĻž āĻ…āĻ‚āĻļ āύāĻŋā§Ÿā§‡ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āϏāĻŽā§Ÿā§‡ āφāĻŽāĻŋ āϰāϚāύāĻžāĻŽā§‚āϞāĻ• āĻ…āύ⧇āĻ• āϞ⧇āĻ–āĻž āϞāĻŋāϖ⧇āĻ›āĻŋ āĻāχ āĻĒ⧇āĻœā§‡āχāĨ¤

āφāϰ āĻāĻ–āύ āϚ⧌āϰāĻ™ā§āĻ—ā§€ āύāĻŋā§Ÿā§‡ āφāĻŽāĻŋ āĻŽā§āϝāĻžāϞāĻž āĻŦāĻŋāĻĒāĻžāϕ⧇, āĻ—āϤ āĻĻāĻŋāύ āĻāĻ•āĻŦāϏāĻžā§Ÿ āĻĒā§āϰāĻžā§Ÿ āĻļ'āĻ–āĻžāύ⧇āĻ• āĻĒāĻžāϤāĻž āĻĒā§œā§‡ āĻĢ⧇āϞ⧇ āĻŦ⧇āĻļ āφāύāĻ¨ā§āĻĻāĻŋāϤ āĻŦā§‹āϧ āĻ•āϰāĻ›āĻŋāĨ¤ āĻāϰ āφāϗ⧇āĻ“ āĻāĻ•āĻŦāĻžāϰ āĻāχ āĻŦāχ āĻĒ⧜āĻž āĻļ⧁āϰ⧁ āĻ•āϰ⧇āĻ›āĻŋāϞāĻžāĻŽ āϤāĻŦ⧇ āĻ•āϤ⧋āĻĻā§‚āϰ āĻĒā§œā§‡āĻ›āĻŋ āϭ⧁āϞ⧇ āϝāĻžāĻ“ā§ŸāĻžā§Ÿ āφāĻŦāĻžāϰ āĻļ⧁āϰ⧁ āĻĨ⧇āϕ⧇ āĻļ⧁āϰ⧁ āĻ•āϰāϤ⧇ āĻšāϞ⧋ āĻāĻŦāĻžāϰāĨ¤
āϤāĻŦ⧇ āφāϜ āφāĻŦāĻžāϰ āĻĒ⧜āϤ⧇ āύāĻŋā§Ÿā§‡āĻ›āĻŋ George Orwell āĻāϰ 1984.
āĻāĻ­āĻžāĻŦ⧇āχ āϜāĻ—āĻžāĻ–āĻŋāϚ⧁⧜āĻŋāϰ āĻŽāϤ⧋ āϝāĻžāĻšā§āϛ⧇ āĻĻāĻŋāύāĻ•āĻžāϞāĨ¤

āĻŦāχ āĻĒ⧜āĻŋāύāĻž āĻ•āϤāĻĻāĻŋāύ?āĻŦāχ āύāĻŋā§Ÿā§‡ āϞāĻŋāĻ–āĻŋāύāĻž āϤāĻžāϰāĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋāĻĻāĻŋāύ āĻšāĻŦ⧇āĨ¤āφāϜāĻ•āĻžāϞ āĻĒ⧇āĻœā§‡ āϞāĻŋāĻ–āϤ⧇ āĻŦāϏāϞ⧇ āĻŸā§‡āϰ āĻĒāĻžāχ āφāĻŽāĻŋ āϞ⧇āĻ–āĻžāϰ āĻŽāϤ⧋ āĻ•āĻŋāϛ⧁ āϖ⧁āĻœā§‡ āĻĒāĻžāĻšā§āĻ›āĻŋ āύāĻžāĨ¤ āϤāĻžāϰāĻ“ ...
07/10/2025

āĻŦāχ āĻĒ⧜āĻŋāύāĻž āĻ•āϤāĻĻāĻŋāύ?
āĻŦāχ āύāĻŋā§Ÿā§‡ āϞāĻŋāĻ–āĻŋāύāĻž āϤāĻžāϰāĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋāĻĻāĻŋāύ āĻšāĻŦ⧇āĨ¤

āφāϜāĻ•āĻžāϞ āĻĒ⧇āĻœā§‡ āϞāĻŋāĻ–āϤ⧇ āĻŦāϏāϞ⧇ āĻŸā§‡āϰ āĻĒāĻžāχ āφāĻŽāĻŋ āϞ⧇āĻ–āĻžāϰ āĻŽāϤ⧋ āĻ•āĻŋāϛ⧁ āϖ⧁āĻœā§‡ āĻĒāĻžāĻšā§āĻ›āĻŋ āύāĻžāĨ¤ āϤāĻžāϰāĻ“ āĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋ āĻŽāύ⧇ āĻšā§Ÿ āϝāĻž āϞāĻŋāĻ–āϤ⧇ āϚāĻžāχ āϤāĻž āϕ⧇ āĻĒ⧜āĻŦ⧇?

āϏāĻŽā§Ÿ āĻŦāĻĻāϞāĻžā§Ÿ āĻāĻŦāĻ‚ āĻŽāĻžāύ⧁āώāϕ⧇ āĻŦāĻĻāϞāĻžā§Ÿ āϜāĻžāύāĻž āĻ›āĻŋāϞ⧋ āϤāĻŦ⧇ āϤāĻž āϕ⧇āĻŽāύ āĻšāĻŦ⧇ āĻ āϜāĻžāύāĻž āĻ›āĻŋāϞ⧋ āύāĻžāĨ¤ āϛ⧋āϟ āĻĨāĻžāĻ•āϤ⧇ āϝāĻžāĻĻ⧇āϰ āĻĻ⧇āϖ⧇ āĻ­āĻžāĻŦāϤāĻžāĻŽ 'āĻ•āĻŋāϏ⧇āϰ āĻāϤ⧋ āĻŦā§āϝāĻ¸ā§āϤāϤāĻž āĻŦ⧜āĻĻ⧇āϰ?' āĻŦ⧜ āĻšāϤ⧇ āĻ¯ā§‡ā§Ÿā§‡ āĻāĻ•āĻĻāĻŋāύ āϤāĻžāĻĻ⧇āϰ āĻŽāϤ⧋āχ āϝ⧇ āĻšā§Ÿā§‡ āϝ⧇āϤ⧇ āĻšāĻŦ⧇ āϤāĻž āϜāĻžāύāϤāĻžāĻŽ āύāĻžāĨ¤
āĻāĻŦāĻ›āϰ⧇āϰ āĻļ⧁āϰ⧁āϤ⧇ āφāĻŽāĻŋ āϟāĻŋāωāĻļāύ āĻ›ā§‡ā§œā§‡ āĻĒ⧁āϰ⧋āĻĻāĻ¸ā§āϤ⧁āϰ āϚāĻžāĻ•āϰāĻŋāϤ⧇ āĻĸ⧁āĻ•āĻŋāĨ¤ āĻĢāϞāĻ¸ā§āĻŦāϰ⧂āĻĒ āĻĒ⧜āĻžāϞ⧇āĻ–āĻž āϚāϞāϛ⧇ āĻŦāĻŋāϧāĻžā§Ÿ āĻļ⧁āϰ⧁āϤ⧇ āĻŦ⧇āĻļāĻ•āĻŋāϛ⧁ āϏ⧁āĻŦāĻŋāϧāĻž āĻĒ⧇āϤāĻžāĻŽ, āϝ⧇āĻŽāύ āĻĻāϰāĻ•āĻžāϰ⧀ āĻ•ā§āϞāĻžāϏ āĻĨāĻžāĻ•āϞ⧇ āϛ⧁āϟāĻŋāĻ›āĻžāϟāĻž āĻāĻŽāύāĻ•āĻŋ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϏāĻŽā§Ÿāϗ⧁āϞ⧋āϤ⧇ āϛ⧁āϟāĻŋ āĻĒ⧇āϞ⧇ āĻāĻĻāĻŋāĻ•-āĻ“āĻĻāĻŋāĻ• āϘ⧁āϰāϤ⧇ āϝāĻžāĻ“ā§ŸāĻž, āύāϤ⧁āύ āĻŦāχ āϕ⧇āύāĻž āφāϰāĻ“ āĻ•āϤāĻ•āĻŋāĨ¤

āĻŽāύ⧇ āĻšāϤ⧇ āĻĒāĻžāϰ⧇ āĻĒāϰ⧀āĻ•ā§āώāĻžāϰ āϛ⧁āϟāĻŋāϤ⧇ āφāĻŦāĻžāϰ āĻ•āĻŋāϏ⧇āϰ āĻŦāχ āφāϰ āĻ•āĻŋāϏ⧇āϰ āϘ⧁āϰāĻžāϘ⧁āϰāĻŋāĨ¤ āϤāĻŦ⧇ āĻāϟāĻžāχ āĻ•āϰ⧇ āĻāϏ⧇āĻ›āĻŋ āφāĻŽāĻŋ āĻŦ⧇āĻļāĻŋāϰāĻ­āĻžāĻ— āϏāĻŽā§ŸāĨ¤
āĻĻ⧁'āĻŽāĻžāϏ āφāϗ⧇ āĻ…āύ⧇āĻ•āĻĻāĻŋāύ āĻĒāϰ āĻĻ⧁'āĻŸā§‹ āĻŦāχ āĻ…āĻ°ā§āĻĄāĻžāϰ āĻ•āϰāϞāĻžāĻŽāĨ¤ āχāĻšā§āϛ⧇ āĻ›āĻŋāϞ⧋ āϤāĻž āύāĻŋā§Ÿā§‡ āϞāĻŋāĻ–āĻŦāĻžāϰāĨ¤ āϏ⧁āϝ⧋āĻ— āĻšā§Ÿā§‡ āĻ“āϠ⧇āύāĻŋāĨ¤
āφāϜāĻ•āĻžāϞ āĻŦ⧇āĻļ āĻ…āύ⧇āĻ•āĻ•āĻŋāϛ⧁āϰāχ āϏ⧁āϝ⧋āĻ— āĻšāĻšā§āϛ⧇ āύāĻž, āĻŦāĻ¨ā§āϧ⧁āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āĻĻā§‚āϰāĻ¤ā§āĻŦ āĻŦāĻžā§œāϛ⧇ āĻļ⧁āϧ⧁āĻŽāĻžāĻ¤ā§āϰ āĻĻ⧇āĻ–āĻž āĻšāĻŦāĻžāϰ āĻ…āĻ­āĻžāĻŦ⧇āĨ¤
āϏāĻžāϰāĻž āϏāĻĒā§āϤāĻžāĻš āĻļ⧇āώ⧇ āϛ⧁āϟāĻŋāĻ–āĻžāύāĻŋ āĻĒ⧇āϞ⧇ āĻŽāύ⧇ āĻšā§Ÿ āĻ•āĻŋ āĻĢ⧇āϞ⧇ āĻ•āĻŋ āĻ•āϰāĻŋ? āĻāϞ⧋āĻŽā§‡āϞ⧋ āĻ“ā§ŸāĻžāϰāĻĄā§āϰāĻŦ⧇āϰ āĻĄā§āϰ⧟āĻžāϰ āϗ⧁āĻ›āĻžāĻŦā§‹? āĻŦāĻŋāϕ⧇āϞ⧇ āĻŦāĻ¨ā§āϧ⧁āĻĻ⧇āϰ āϏāĻžāĻĨ⧇ āφāĻĄā§āĻĄāĻž? āύāĻžāĻ•āĻŋ āĻŦāĻžāϏāĻžāϰ āϜāĻ¨ā§āϝ⧇ āϟ⧁āĻ•āϟāĻžāĻ• āύāĻžāĻ¸ā§āϤāĻžāϰ āĻ†ā§Ÿā§‹āϜāύ?

āĻ•āĻ–āύ⧋ āĻ•āĻŋāϛ⧁āχ āĻšā§Ÿ āύāĻž, āϏāĻžāϰāĻžāĻĻāĻŋāύ āĻļā§ā§Ÿā§‡āĻŦāϏ⧇āχ āĻĒ⧇āϰāĻŋā§Ÿā§‡ āϝāĻžā§ŸāĨ¤ āĻ•āĻ–āύ⧋ āϏāĻĒā§āϤāĻžāĻš āĻļ⧇āώ⧇āϰ āϛ⧁āϟāĻŋāϤ⧇ āĻ†ā§Ÿā§‡āĻļ āϤ⧋ āĻ…āύ⧇āĻ•āĻĻā§‚āϰ āφāϰāĻ“ āĻāĻ•āĻ—āĻžāĻĻāĻž āĻ•āĻžāϜ āύāĻŋā§Ÿā§‡ āϏāĻĒā§āϤāĻžāĻšā§‡āϰ āĻ…āĻ¨ā§āϝāĻĻāĻŋāύāϗ⧁āϞ⧋āϰ āĻšā§‡ā§Ÿā§‡ āĻŦ⧇āĻļāĻŋ āϛ⧋āϟāĻžāϛ⧁āϟāĻŋ āĻ•āϰāϤ⧇ āĻšā§ŸāĨ¤
āĻāϰāχ āĻŽāĻžāĻā§‡ āĻĒ⧁āϰ⧋āύ⧋ āĻ…āĻ­ā§āϝ⧇āϏ⧇ āĻŦāĻ‡ā§Ÿā§‡āϰ āĻĒāĻžāϤāĻžā§Ÿ āĻšā§‹āĻ– āĻŦ⧁āϞ⧋āϤ⧇ āϝāĻžāχ, āĻ•āĻŋāĻšā§āϛ⧁ āĻĒ⧜āĻž āĻšā§Ÿ āύāĻžāĨ¤

Passive meeting or passive connection is something I find really interesting. It's actually when multiple people shares ...
31/08/2025

Passive meeting or passive connection is something I find really interesting.
It's actually when multiple people shares something without meeting each other in person or shares similar thought or idea or even sitting at the same bench without knowing each others existence.
& I feel this passive connection through books more than any other thing. Second hand books, I mean.
Bought this few days back from a local book store who sells vintage books. I literally had dig the whole shop to find something that's different from being usual.
Last night when I opened it there was written 'Shahriar Kabir'.
I'm not supposed to know who is this Shahriar Kabir. I might never know, again I may someday cross ways with this person & none of us will know the same book got touched by both of us.

Sometimes even there's dates or bigger notes written on books.
Specially the dates I find exciting. Someone on 1995 signed in a copy which is in my shelf in this 2025.
Decades apart, stories wrapped in a page.

How can this not be exciting?

I've always been a huge admirer of Humayun Ahmed. Last February I found a book literally was signed by Humayun Ahmed himself!
Maybe that was a copy from '93 according to the autograph.
How amazing it is to find the autograph of my beloved author in this date when he & I never even met for once.
When he left the world when I just started discovering myself as a reader.

Life is interesting when you look at small things.

31.08.25
Fahmida Rini

'You know what's funny?''What?''The funniest existing thing is to see a woman in Love & not receiving it back.'[I kept a...
08/08/2025

'You know what's funny?'

'What?'

'The funniest existing thing is to see a woman in Love & not receiving it back.'

[I kept as silent as ever, as if a single word would have shattered something fragile, like a porcelain teacup. & after an awkward but needed silence, she started talking again]

'You see a woman loving someone so dearly, specially loving a man, mostly an emotionally unavailable insecure man, She's over for good. She puts all of her to fix something & that something absorbs all of her energy, affection, ability to love, to live, to heal & leaves her empty, useless, like a burned out lightbulb.'

'Why would she fall for an emotionally unavailable, insecure man in the first place?'

[She laughed] 'Cause you can't see when you're in love. You think you can fix, you can change, you think you're a goddess with supernatural power which is bu****it'

'Ahh..that's pathetic!' [I murmured, not knowing what to say. Cause I believe Love exists, Love heals & love does fix & change. I believe all of it.]

'Oh no, My girl! You know what's pathetic? Moving with that broken heart & broken leftover pieces of you like nothing ever happened, like you never loved, like everything's just fine & pretending to be all Okay. That's what tragedy is'

Photo: Pinterest

07/08/2025

Suddenly you realise, No amount of diary writing is enough to lighten your burden, clear your mind.

āĻ—āϤāĻŦāĻ›āϰ 'Rumi's Secret' āĻļ⧁āϰ⧁ āĻ•āϰāĻžāϰ āĻĒāϰ āύāĻžāύāĻž āĻ•āĻžāϰāĻŖāĻŦāϏāϤ āĻŦāχāϟāĻž āĻĒ⧜āĻž āĻŦ⧇āĻļāĻŋāĻĻā§‚āϰ āĻāĻ—ā§‹ā§ŸāύāĻŋāĨ¤ āϤāĻžāχ āĻĒā§āϰāϚ⧁āϰ āĻĒā§āϰāĻļā§āύ⧇āϰ āĻĒāϰāĻ“ āĻŦāχ āύāĻŋā§Ÿā§‡ āϕ⧋āύ⧋ āϏāĻ™ā§āĻ—āϤ āĻŽāĻ¨ā§āϤ...
01/08/2025

āĻ—āϤāĻŦāĻ›āϰ 'Rumi's Secret' āĻļ⧁āϰ⧁ āĻ•āϰāĻžāϰ āĻĒāϰ āύāĻžāύāĻž āĻ•āĻžāϰāĻŖāĻŦāϏāϤ āĻŦāχāϟāĻž āĻĒ⧜āĻž āĻŦ⧇āĻļāĻŋāĻĻā§‚āϰ āĻāĻ—ā§‹ā§ŸāύāĻŋāĨ¤ āϤāĻžāχ āĻĒā§āϰāϚ⧁āϰ āĻĒā§āϰāĻļā§āύ⧇āϰ āĻĒāϰāĻ“ āĻŦāχ āύāĻŋā§Ÿā§‡ āϕ⧋āύ⧋ āϏāĻ™ā§āĻ—āϤ āĻŽāĻ¨ā§āϤāĻŦā§āϝ āφāĻŽāĻŋ āϰāĻžāĻ–āϤ⧇ āĻĒāĻžāϰāĻŋāύāĻŋāĨ¤
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āĻšāĻ āĻžā§Ž āϰ⧁āĻŽāĻŋāϏ āϏāĻŋāĻ•ā§āϰ⧇āϟ āĻāϰ āĻāĻ•āϟāĻž āϞāĻžāχāύ āϏ⧇āϏāĻŽā§Ÿ āĻŦ⧇āĻļ āĻ­āĻžāϞ⧋ āϞāĻžāĻ—āϞ⧋, āĻ āϞāĻžāχāύ āĻŦāĻŋāĻ­āĻŋāĻ¨ā§āύ āĻ­āĻžāώāĻžā§Ÿ āĻāϰ āφāϗ⧇ āĻŦāĻšā§āĻŦāĻžāϰ āφāĻŽāĻŋ āϏ⧋āĻļā§āϝāĻžāϞ āĻŽāĻŋāĻĄāĻŋ⧟āĻžāϰ āĻĒā§‹āĻ¸ā§āϟ āĻ•āĻŋāĻ‚āĻŦāĻž āϰ⧀āϞ⧇ āĻĻ⧇āϖ⧇āĻ›āĻŋāĨ¤

'...Out beyond ideas of wrongdoing and rightdoing/ there is a field. I'll meet you there'
In 'Rockstar(2011)'- The film directed by Imtiaz Ali, which was heavily influenced by Sufism, particularly in its exploration of love, suffering, and spiritual awakening.
The film's director, Imtiaz Ali, has acknowledged using Sufi concepts and poetry, especially from Rumi, to convey the protagonist's journey.
There was this exact quote,

'Yahaan se bahut door, ghalat aur sahi ke paar, ek maidan hai, main wahaan milunga tujhe'

Picture: Pinterest

āφāĻŽāĻžāϰ āĻ•āϞ⧇āϜ-āĻœā§€āĻŦāύ āĻĨ⧇āϕ⧇ āύ⧀āϞāĻ•ā§āώ⧇āϤ⧇ āĻŦāχ āϕ⧇āύāĻžāϰ āĻļ⧁āϰ⧁, āϤāĻ–āύ āĻĨ⧇āϕ⧇āχ ⧍ā§ĻāϟāĻžāĻ•āĻžā§Ÿ āĻĒ⧁āϰ⧋āύ⧋ āĻŦāχ āĻ–ā§‹āρāϜāĻžāϰ āĻ…āĻ­ā§āϝ⧇āϏāĨ¤ āϏ⧇ āĻ…āĻ­ā§āϝ⧇āϏ āĻĒāϰāĻŦāĻ°ā§āϤ⧀āϤ⧇ āĻ…āύ⧇āĻ•āĻŦāĻ›āϰ āĻŦāϜāĻžā§Ÿ...
29/07/2025

āφāĻŽāĻžāϰ āĻ•āϞ⧇āϜ-āĻœā§€āĻŦāύ āĻĨ⧇āϕ⧇ āύ⧀āϞāĻ•ā§āώ⧇āϤ⧇ āĻŦāχ āϕ⧇āύāĻžāϰ āĻļ⧁āϰ⧁, āϤāĻ–āύ āĻĨ⧇āϕ⧇āχ ⧍ā§ĻāϟāĻžāĻ•āĻžā§Ÿ āĻĒ⧁āϰ⧋āύ⧋ āĻŦāχ āĻ–ā§‹āρāϜāĻžāϰ āĻ…āĻ­ā§āϝ⧇āϏāĨ¤ āϏ⧇ āĻ…āĻ­ā§āϝ⧇āϏ āĻĒāϰāĻŦāĻ°ā§āϤ⧀āϤ⧇ āĻ…āύ⧇āĻ•āĻŦāĻ›āϰ āĻŦāϜāĻžā§Ÿ āĻ›āĻŋāϞ⧋āĨ¤
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āĻ-āϤ⧋ āϗ⧇āϞ⧋ āĻāĻ•āϜāύ āϞ⧇āĻ–āϕ⧇āϰ āĻ•āĻĨāĻž, āĻāϰāĻĒāϰ āφāϏāĻž āϝāĻžāĻ• āφāϰāĻ“ āĻāĻ•āϜāύ āϏāĻŽāĻ•āĻžāϞ⧀āύ āϞ⧇āĻ–āϕ⧇āϰ āĻ•āĻĨāĻžā§ŸāĨ¤ āϤāĻžāϰāĻ“ āύāĻžāĻŽ āύāĻŋāϤ⧇ āϚāĻžāχ āύāĻžāĨ¤
āϤāĻŦ⧇ āϤāĻŋāύāĻŋ āφāϞ⧋āϚāύāĻžā§Ÿ āĻĨāĻžāĻ•āϤ⧇ āĻŦ⧇āĻļ āĻĒāĻ›āĻ¨ā§āĻĻ āĻ•āϰ⧇āύ āĻāĻŦāĻ‚ āĻŦ⧇āĻļ āφāϞ⧋āϚāύāĻž āϤāĻžāϕ⧇ āύāĻŋā§Ÿā§‡ āύāĻžāύāĻž āĻ•āĻžāϰāϪ⧇ āĻĒā§āϰāĻžā§ŸāϏāĻŽā§Ÿāχ āĻšā§ŸāĨ¤
āϤāĻžāϰ āĻāĻ• āĻŦāχ āĻĒ⧜āϞāĻžāĻŽ āĻĒāϰāĻŋāϚāĻŋāϤ āĻšāĻŦāĻžāϰ āϏ⧁āĻŦāĻžāĻĻ⧇āĨ¤
āφāĻŽāĻŋ āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ—āϤ āĻĒāϰāĻŋāĻšā§Ÿā§‡āϰ āϏ⧁āϤ⧋ āϧāϰ⧇ āĻ•āĻžāϰ⧋ āϞ⧇āĻ–āĻž āĻĒ⧜āϤ⧇ āϖ⧁āĻŦ āĻāĻ•āϟāĻž āĻ¸ā§āĻŦāĻžāĻšā§āĻ›āĻ¨ā§āĻĻā§āϝ āĻŦā§‹āϧ āĻ•āĻ–āύ⧋āχ āĻ•āϰāĻŋ āύāĻžāĨ¤ āĻāϰ āĻ•āĻžāϰāĻŖ āĻŦ⧇āĻļ āϞāĻŽā§āĻŦāĻž, āϤāĻžāχ āϏ⧇ āφāϞ⧋āϚāύāĻžā§Ÿ āϝāĻžāĻšā§āĻ›āĻŋ āύāĻžāĨ¤
āĻāĻŦāĻ‚ āĻŦāĻŋāύāĻžāĻŽā§‚āĻ˛ā§āϝ⧇ āϞ⧇āĻ–āĻ•/āĻĒā§āϰāĻ•āĻžāĻļāĻ• āϏāĻŽāĻžāϜ āĻšāϤ⧇ āωāĻĒāĻšāĻžāϰāĻ¸ā§āĻŦāϰ⧂āĻĒ āĻŦāχ āĻ—ā§āϰāĻšāϪ⧇āĻ“ āφāĻŽāĻžāϰ āφāĻĒāĻ¤ā§āϤāĻŋ āĻ°ā§Ÿā§‡āϛ⧇ āϕ⧇āύāύāĻž āϤāĻžāϤ⧇ āĻāĻ•āĻĒā§āϰāĻ•āĻžāϰ āĻĻāĻžā§ŸāĻŦāĻĻā§āϧāϤāĻž āϚāϞ⧇ āφāϏ⧇ āĻŦāχ āύāĻŋā§Ÿā§‡ āĻĻ⧁'āĻŸā§‹ āĻ­āĻžāϞ⧋ āĻ•āĻĨāĻž āĻŦāϞāĻžāϰāĨ¤ āϝ⧇āĻ–āĻžāύ⧇ āĻŦāχ āύāĻŋā§Ÿā§‡ āĻ­āĻžāϞ⧋ āĻŦāĻž āĻŽāĻ¨ā§āĻĻ āĻĻ⧁'āĻŸā§‹ āφāϞ⧋āϚāύāĻžāχ āĻšāĻ“ā§ŸāĻž āωāϚāĻŋāϤ āϏāĻžāĻŦāϞ⧀āϞāĻ­āĻžāĻŦ⧇,āϕ⧋āύ⧋ āĻĒā§āϰāĻ•āĻžāϰ āĻ•ā§ƒāϤāĻœā§āĻžāϤāĻž āĻŦāĻž āĻĻāĻžā§ŸāĻŦāĻĻā§āϧāϤāĻž āĻĨ⧇āϕ⧇ āύ⧟āĨ¤
āϤ⧋ āϏ⧇ āϞ⧇āĻ–āϕ⧇āϰ āĻŦāχ āĻāϞ⧋ āĻŦāχāĻŽā§‡āϞāĻžā§Ÿ, āωāĻĒāĻšāĻžāϰ āύāĻŋāϤ⧇ āύāĻž āϚāĻžāĻ“ā§ŸāĻžā§Ÿ āύāĻŋāϜ āĻĨ⧇āϕ⧇ āĻ•āĻŋāύ⧇ āĻāύ⧇ āĻĒ⧜āϞāĻžāĻŽāĨ¤
āĻŦāχāĻ–āĻžāύāĻŋ āĻ–āĻžāϰāĻžāĻĒ āύāĻž āϞāĻžāĻ—āϞ⧇āĻ“ āϤāĻž āύāĻŋā§Ÿā§‡ āĻĻ⧁'-āϚāĻžāϰāĻŦāĻžāĻ•ā§āϝ āϏāĻŽāĻžāϞ⧋āϚāύāĻž āφāĻŽāĻžāϰ āĻ•āϰāĻž āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧋āĨ¤ āϝāĻžāϤ⧇ āĻŦāχ āύāĻŋā§Ÿā§‡ āϏāϰāĻžāϏāϰāĻŋ āϕ⧋āύ⧋ āĻ‹āĻŖāĻžāĻ¤ā§āĻŽāĻ• āĻŽāĻ¨ā§āϤāĻŦā§āϝ āĻ›āĻŋāϞ⧋ āύāĻžāĨ¤
āĻŦāϰāĻ‚ āύāĻŋāϰ⧇āϟ āϏāĻŽāĻžāϞ⧋āϚāύāĻžāχ āĻ›āĻŋāϞ⧋, āϝāĻž āĻ­āĻžāϞ⧋ āϞ⧇āϗ⧇āϛ⧇ āĻāĻŦāĻ‚ āϏ⧇āĻ–āĻžāύ⧇ āĻŽāύ⧇ āĻšā§Ÿā§‡āϛ⧇ āφāϰāĻ“ āĻ­āĻžāϞ⧋ āĻ•āϰāĻž āϝ⧇āϤ⧋ āϤāĻž-āχ āϞāĻŋāĻ–āĻ›āĻŋāϞāĻžāĻŽāĨ¤
āĻāχ āϜāĻžā§ŸāĻ—āĻžā§Ÿ āĻŦāϞ⧇ āϰāĻžāĻ–āĻž āωāϚāĻŋāϤ, āφāĻŽāĻŋ āϕ⧋āύ⧋ āĻŦāĻŋāĻļ⧇āώ āϏāĻžāĻšāĻŋāĻ¤ā§āϝ āϏāĻŽāĻžāϞ⧋āϚāĻ• āύāχ āĻ•āĻŋāĻ‚āĻŦāĻž āĻŦāĻŋāϰāĻžāϟ āϕ⧋āύ⧋ āϏāĻŽāĻāĻĻāĻžāϰāĻ“ āύāχāĨ¤
āϤāĻžāχ āφāĻŽāĻžāϰ āĻŽāϤāĻžāĻŽāϤ āĻāϰ āĻ“āĻĒāϰ āĻ…āύ⧇āĻ•āĻ•āĻŋāϛ⧁ āύāĻŋāĻ°ā§āĻ­āϰ āϝ⧇ āĻ•āϰ⧇ āϤāĻž-āĻ“ āύāĻžāĨ¤ āϤāĻŦ⧇ āφāĻŽāĻŋ āϤ⧋ āϤāĻž-āχ āϞāĻŋāĻ–āĻŦā§‹ āϝāĻž āφāĻŽāĻžāϰ āĻŽāύ⧇ āĻšā§Ÿā§‡āϛ⧇āĨ¤
āϤāĻŦ⧇ āϏ⧇ āĻŦāχ āύāĻŋā§Ÿā§‡ āφāĻŽāĻžāϰ āĻĒā§āϰāϤāĻŋāĻ•ā§āϰāĻŋ⧟āĻž āϞ⧇āĻ–āĻžāϰ āĻĒāϰ āϞ⧇āĻ–āĻ• āφāĻŽāĻžā§Ÿ āĻŦāĻŋāϰāĻžāϟ āϰāϚāύāĻž āĻĒāĻžāĻ āĻžāύ āχāύāĻŦāĻ•ā§āϏ⧇āĨ¤
āϤāĻžāϰ āϏāĻžāϰāĻŽāĻ°ā§āĻŽ āĻāχ āϝ⧇ āϤāĻžāϰ āĻŦāχ āĻŦā§‹āĻāĻžāϰ āĻœā§āĻžāĻžāύ āφāĻŽāĻžāϰ āĻšā§ŸāύāĻŋ, āĻāĻŦāĻ‚ āĻ āĻŦāχ āϝ⧇āχ āĻ…āĻĄāĻŋā§Ÿā§‡āĻ¨ā§āϏ⧇āϰ āϜāĻ¨ā§āϝ āϞ⧇āĻ–āĻž āϤāĻžāϰāĻž āĻ āĻŋāĻ•āχ āĻŦ⧁āĻāĻŦ⧇ āĻāĻŦāĻ‚ āφāϰāĻ“ āĻ•āĻŋāϛ⧁ āĻāĻŽāύ āĻ•āĻĨāĻžāĻŦāĻžāĻ°ā§āϤāĻžāĨ¤
āϏ⧇āĻŦāĻžāϰ⧇āĻ“ āĻŦ⧇āĻļ āĻ•āĻˇā§āϟ āĻĒ⧇āϞāĻžāĻŽ, āĻāĻŦāĻ‚ āĻŽāύ⧇ āĻšāϞ⧋ āϏāĻŽāĻ—ā§āϰ āĻĻ⧇āĻļ⧇āϰ āϏāĻžāĻŽāύ⧇ āĻāĻ•āĻ–āĻžāύāĻž āϞ⧇āĻ–āĻž āωāĻĒāĻ¸ā§āĻĨāĻžāĻĒāύ āĻ•āϰāĻžāϰ āϏāĻžāĻšāϏ āϝāĻžāϰ āφāϛ⧇ āϤāĻžāϰ āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ• āĻ•āĻŋāϛ⧁ āĻĒā§āϰāϤāĻŋāĻ•ā§āϰāĻŋ⧟āĻž āĻ¨ā§‡ā§ŸāĻžāϰ āĻŽāϤ⧋ āĻŽāύ⧋āĻŦāϞ āĻĨāĻžāĻ•āĻŦ⧇ āύāĻž āĻ āĻ•āĻŋ āĻ•āϰ⧇ āĻšā§Ÿ?
āĻ—ā§‹āϟāĻžāĻ•ā§Ÿā§‡āĻ• āĻĢāĻ˛ā§‹ā§ŸāĻžāϰāϝ⧁āĻ•ā§āϤ āϞ⧇āĻ–āĻ•āĻŽāĻžāĻ¤ā§āϰāχ āĻ•āĻŋ āφāĻļāĻž āĻ•āϰ⧇ āĻ—āĻŖāĻšāĻžāϰ⧇ āϝāĻžāϰāĻžāχ āϤāĻžāϰ āĻŦāχ āĻĒ⧜āĻŦ⧇ āĻ­āĻžāϞ⧋ āĻ­āĻžāϞ⧋ āφāϞ⧋āϚāύāĻž āĻ•āϰāϤ⧇ āĻŦāĻžāĻ§ā§āϝ āĻĨāĻžāĻ•āĻŦ⧇ āφāϰ āĻ­āĻžāϞ⧋ āφāϞ⧋āϚāύāĻž āύāĻž āĻ•āϰāϞ⧇ āϤāĻžāϰāĻž āĻŦāχ āĻŦ⧁āĻāĻŦāĻžāϰ āϝ⧋āĻ—ā§āϝāχ āύāύ?

āϕ⧇ āϜāĻžāύ⧇, āĻĻ⧁'āĻŸā§‹ āϘāϟāύāĻžāχ āĻŦ⧇āĻļ āĻĒ⧁āϰ⧋āύ⧋āĨ¤ āĻāϤ⧋āϗ⧁āϞ⧋ āĻĻāĻŋāύāĻĒāϰ⧇ āĻāϘāϟāύāĻž āωāĻ˛ā§āϞ⧇āĻ– āĻ•āϰāĻžāϰ āĻ•āĻžāϰāĻŖ āĻāĻ•āϟāĻžāχ āϝ⧇ āĻŦāĻŋāώ⧟āϗ⧁āϞ⧋ āϤ⧁āϞ⧇ āϧāϰāĻžāϰ āχāĻšā§āĻ›āĻž āĻļ⧁āϰ⧁ āĻĨ⧇āϕ⧇āχ āĻ›āĻŋāϞ⧋ āϤāĻŦ⧇ āĻ¤ā§ŽāĻ•ā§āώāύāĻžā§Ž āϞāĻŋāĻ–āϤ⧇ āϗ⧇āϞ⧇ āϞ⧇āĻ–āĻžāϤ⧇ āĻŦāĻŋāĻĻā§āĻŦ⧇āώ āĻ•āĻŋāϛ⧁āϟāĻž āĻŦ⧇āĻļāĻŋ āωāϠ⧇ āφāϏ⧇, āĻŦā§āϝāĻ•ā§āϤāĻŋāĻ—āϤ āϰāĻžāĻ—-āĻ•ā§āώ⧋āĻ­ āĻāĻ•āĻĒāĻžāĻļ⧇ āϰ⧇āϖ⧇ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻž āϞ⧇āĻ–āĻžāϟāĻž āĻ•āĻ āĻŋāύ āĻšā§Ÿā§‡ āϝāĻžā§ŸāĨ¤ āϤāĻž āĻŦāϰāĻ‚ āĻ…āĻ­āĻŋāĻœā§āĻžāϤāĻžāϰ āĻšā§‡ā§Ÿā§‡ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻŽāύ⧇ āĻšā§Ÿ āĻŦ⧇āĻļāĻŋāĨ¤

āϞ⧇āĻ–āĻžāϞ⧇āĻ–āĻŋ āĻšā§‹āĻ• āĻ•āĻŋāĻ‚āĻŦāĻž āĻļāĻŋāĻ˛ā§āĻĒ⧇āϰ āϝ⧇āϕ⧋āύ⧋ āĻ•ā§āώ⧇āĻ¤ā§āϰ⧇ āĻāĻ•āϜāύ āĻŦā§āϝāĻ•ā§āϤāĻŋāϰ āϭ⧇āϤāϰ āύāĻŋāĻœā§‡āϰ āĻļāĻŋāĻ˛ā§āĻĒ āύāĻŋā§Ÿā§‡ āφāϞ⧋āϚāύāĻž āĻāĻŦāĻ‚ āϏāĻŽāĻžāϞ⧋āϚāύāĻž āĻĻ⧁āχ-āχ āĻ—ā§āϰāĻšāĻŖ āĻ•āϰāĻŦāĻžāϰ āĻ…āĻ¨ā§āϤāϤāĻĒāĻ•ā§āώ⧇ āĻļ⧁āύāĻŦāĻžāϰ āĻŽāĻžāύāϏāĻŋāĻ•āϤāĻžāϟ⧁āϕ⧁ āĻĨāĻžāĻ•āĻž āϜāϰ⧁āϰāĻŋāĨ¤ āĻĻāĻļāϜāύ⧇āϰ āϏāĻžāĻŽāύ⧇ āϝ⧇ āϜāĻŋāύāĻŋāϏ āφāϏāĻŦ⧇ āϤāĻž āĻĻāĻļāϜāύ⧇āϰāχ āĻāĻ•āϰāĻ•āĻŽ āϞāĻžāĻ—āĻŦ⧇ āϝ⧇ āύāĻž āĻāϟāĻžāχ āĻ¸ā§āĻŦāĻžāĻ­āĻžāĻŦāĻŋāĻ•āĨ¤

"...All I wanted is to live, the life I was gifted by the nature. I wanted to feel it, embrace it, wanted to breath all ...
23/07/2025

"...All I wanted is to live, the life I was gifted by the nature. I wanted to feel it, embrace it, wanted to breath all the fresh air around me. But I can't.
Living,
Living seems the hardest thing to do. I feel like leaving everything behind & the life as well, but I can't.
Crawling through the days like a turtle. Only like the oldest one.
When I was young I promised myself, I'll never be like the man who had a bakery right in the alley next to our house. He was so unnoticeable, so slow that one might not even realise from outside that he was right there, inside the widely open shop, sitting in that only chair. He used to sit so similarly everyday that he seemed like a mannequin, the ordinary one, with no special feature. Infact not a mannequin, he turned into a furniture of that creepy old shop. As if nothing in the world could bother him no matter what. His eyes had no life in it. Even when he used to look at something it seemed so dead.
All I remember him doing is taking out the bread from the glass shelves, place them in the brown paper packet & taking the money in return from the customers...
I knew however my life go I will never be like him. & now it seems maybe a 5th grade kid looks at me & thinks I look like a furniture or a mannequin & has no life & he's never gonna be like me when he grows up.
Just one thing that sometimes crosses my mind is maybe no fifth grader ever looked at me, maybe I'm even more unnoticeable.
What left in me in the name of life can't be life atleast, it's just the ability of breathing & moving like a remote controlled toy train, which always follows It's regular track.
Something in me has changed forever, as if a very essential part of mine has left my body. Left me as a whole different person. I sometimes can't recognise myself at all, as if there's two different persons inside me, both are looking at each other. Both are so different in every possible way. & I can't decide which one is me."

Emma couldn’t understand why someone would write something like this about themself. She pressed the notebook inside her bag & left the cafe after waiting hours in hope of seeing that guy again who she thought the notebook belongs to.

Photo: Collected

21/07/2025

āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āφāϏāϞ⧇ āĻāĻ•āϟāĻž āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻ…āĻžā§āϚāϞāĨ¤
āϏāĻŽā§āĻĒā§‚āĻ°ā§āĻŖ āĻĻ⧇āĻļāϟāĻžāχ āϖ⧁āĻŦ āĻ­āĻžāϞ⧋ āĻŦā§āϝāĻŦāϏāĻž āĻŦ⧁āĻā§‡, āϕ⧋āύ āϏāĻŽā§Ÿā§‡ āĻ•āĻŋāĻ­āĻžāĻŦ⧇ āĻŦā§āϝāĻŦāϏāĻž āĻ•āϰāϤ⧇ āĻšāĻŦ⧇ āĻāĻĻ⧇āϰāĻšā§‡ āĻ­āĻžāϞ⧋ āϕ⧇āω āϜāĻžāύ⧇ āύāĻžāĨ¤
āϤāĻžāϰāĻĒāϰāĻ“ āϕ⧇āύ⧋ āĻāϰāĻž āϜāĻžāϤāĻŋāĻ—āϤāĻ­āĻžāĻŦ⧇ āĻĒāĻŋāĻ›āĻŋā§Ÿā§‡ āφāϛ⧇ āĻāϟāĻž āϖ⧁āĻŦ āĻāĻ•āϟāĻž āϰāĻšāĻ¸ā§āϝāĻŽā§Ÿ āĻŦā§āϝāĻžāĻĒāĻžāϰ āύāĻžāĨ¤
āĻ•āϰ⧋āύāĻžāϰ āϏāĻŽā§Ÿ āĻļ⧁āϰ⧁āϤ⧇āχ āĻŽāĻžāĻ¸ā§āϕ⧇āϰ āĻĻāĻžāĻŽ āĻŦā§‡ā§œā§‡ āĻšā§Ÿā§‡ āϗ⧇āϞ⧋ āφāĻ•āĻžāĻļāϚ⧁āĻŽā§āĻŦā§€āĨ¤ āĻāχ āϗ⧁āϰ⧁āϤāϰ āĻ­āĻžāχāϰāĻžāϏ⧇ āϝ⧇āύ⧋ āĻ•āĻžāϰ⧋ āĻ•āĻŋāϛ⧁ āϝāĻžā§Ÿ-āφāϏ⧇āχ āύāĻžāĨ¤ āĻ•āĻžāϰāĻŖ āĻŦā§āϝāĻŦāϏāĻž āĻ•āϰāĻž āϞāĻžāĻ—āĻŦ⧇āĨ¤
āφāϜāϕ⧇āϰ āĻāχ āϭ⧟āĻžāĻŦāĻš āϘāϟāύāĻžāϰ āĻŽā§āĻšā§āĻ°ā§āϤ⧇ āĻ•āĻžāϰ⧋ āĻŽāĻžāĻĨāĻž āĻ•āĻžāϜ āĻ•āϰāĻž āϝāĻĻāĻŋ āĻŦāĻ¨ā§āϧ āĻ•āϰ⧇ āĻĻā§‡ā§Ÿ āϤāĻžāϤ⧇ āĻ…āĻŦāĻžāĻ• āĻšāĻ“ā§ŸāĻžāϰ āĻ•āĻŋāϛ⧁ āύāĻžāχāĨ¤ āĻ…āĻĨāϚ āĻ“āχ āĻŽā§āĻšā§āĻ°ā§āϤ⧇, āĻ…āĻŽāύ āĻāĻ•āϟāĻž āĻĒāϰāĻŋāĻ¸ā§āĻĨāĻŋāϤāĻŋāϤ⧇ āϝāĻ–āύ āĻĒāĻžāύāĻŋ, āϝāĻžāϤāĻžā§ŸāĻžāϤ āĻŦā§āϝāĻŦāĻ¸ā§āĻĨāĻž āĻšāĻ“ā§ŸāĻžāϰ āĻ•āĻĨāĻž āĻ›āĻŋāϞ⧋ āĻĢā§āϰāĻŋ āϤāĻ–āύ ā§Šā§ĻāϟāĻžāĻ•āĻžāϰ āϰāĻŋāĻ•āĻļāĻž āĻ­āĻžā§œāĻž āĻšāχāϞ⧋ ā§§ā§Ļā§Ļ/-
āϏāĻŋāĻāύāϜāĻŋ āĻ­āĻžā§œāĻž ā§§ā§Ļā§Ļā§Ļ/-
āĻĒāĻžāύāĻŋ āĻĢā§āϰāĻŋ āϤ⧇ āĻĻā§‡ā§ŸāĻž āϞāĻžāĻ—āĻŦ⧇ āϤāĻžāχ āύāĻžāĻ•āĻŋ āĻ•ā§āϝāĻžāĻ¨ā§āϟāĻŋāύāχ āĻ…āĻĢ āĻ•āϰ⧇ āĻĻāĻŋāϏāĻŋāϞ⧋āĨ¤
āĻĒā§‹ā§œāĻž āϚāĻžāĻŽā§œāĻžā§Ÿ āχāύāĻĢ⧇āĻ•āĻļāύ āĻšā§Ÿ āĻ…āύ⧇āĻ• āĻŦ⧇āĻļāĻŋ, āϤāĻžāχ āĻĒā§ā§œā§‡ āϝāĻžāĻ“ā§ŸāĻž āĻŦā§āϝāĻ•ā§āϤāĻŋāĻĻ⧇āϰ āϏāĻ‚āĻ¸ā§āĻĒāĻ°ā§āĻļ⧇ āĻŦāĻžāχāϰ⧇āϰ āĻ•āĻžāωāϰ⧇ āĻĒā§āϰāĻŦ⧇āĻļ āĻ•āϰāϤ⧇ āύāĻž āĻĻā§‡ā§ŸāĻžāϟāĻžāχ āĻŽāĻŋāύāĻŋāĻŽāĻžāĻŽ āφāĻ•ā§āϕ⧇āϞ⧇āϰ āĻŦā§āϝāĻžāĻĒāĻžāϰ, āϏ⧇āĻ–āĻžāύ⧇ āϏāĻĻāϞāĻŦāϞ⧇ āĻĒ⧌āĻ›āĻžā§Ÿ āϗ⧇āϞ⧇āύ āϰāĻžāϜāύ⧈āϤāĻŋāĻ• āĻŦā§āϝāĻ•ā§āϤāĻŋāϰāĻž, āϕ⧇āύāύāĻž āĻāϟāĻžāχ āϏāĻŽā§Ÿ āĻŽāĻŋāĻĄāĻŋ⧟āĻžāϰ āϏāĻžāĻŽāύ⧇ āύāĻŋāĻœā§‡āϰ⧇ āϜāĻžāĻšāĻŋāϰ āĻ•āϰāĻžāϰāĨ¤ āĻ•ā§Ÿā§‡āĻ•āϟāĻž āφāϧāĻĒā§‹ā§œāĻž, āĻŽā§ƒāĻ¤ā§āϝ⧁āĻĒāĻĨāϝāĻžāĻ¤ā§āϰ⧀ āĻŦāĻžāĻšā§āϚāĻž-āĻ•āĻžāĻšā§āϚāĻžāϰ⧇ āφāĻļā§āĻŦāĻžāϏāĻŦāĻžāĻŖā§€ āĻļ⧁āύāĻžā§Ÿ āφāϏāϤ⧇ āĻĒāĻžāϰāϞ⧇ āĻĒāϰ⧇ āύāĻŋāĻ°ā§āĻŦāĻžāϚāύ āĻĒā§āϰāϚāĻžāϰāĻŖāĻžā§Ÿ āĻ•āĻžāĻœā§‡ āĻĻāĻŋāĻŦ⧇ āĻāχāϏāĻŦ āĻĢ⧁āĻŸā§‡āϜāĨ¤
āϏāĻŦāχ āĻŦā§āϝāĻžāĻŦāϏāĻžāĨ¤
āφāϏāϞ⧇ āĻŦāĻžāĻ‚āϞāĻžāĻĻ⧇āĻļ āĻāĻ•āϟāĻŋ āĻŦāĻžāĻŖāĻŋāĻœā§āϝāĻŋāĻ• āĻ…āĻžā§āϚāϞāĨ¤

Happily Ever After āϜāĻžāĻ¤ā§€ā§Ÿ āĻ•āĻŋāϛ⧁ āĻ•āĻŋ āφāϏāϞ⧇āĻ“ āĻšā§Ÿ?āĻĢāϰāĻāĻ­āĻžāϰ āϧāϰāύ⧇āϰ āĻ•āĻŋāϛ⧁ āĻ•āĻŋ āϏāĻ¤ā§āϝāĻŋāχ āφāϛ⧇ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϤ⧇? āĻ…āύāĻ¨ā§āϤāĻ•āĻžāϞ āĻāĻ•āχāĻ­āĻžāĻŦ⧇ āϚāϞ⧇ āĻāĻŽāύ āĻ•āĻŋāϛ⧁... āϝ⧇āĻŽ...
14/06/2025

Happily Ever After āϜāĻžāĻ¤ā§€ā§Ÿ āĻ•āĻŋāϛ⧁ āĻ•āĻŋ āφāϏāϞ⧇āĻ“ āĻšā§Ÿ?
āĻĢāϰāĻāĻ­āĻžāϰ āϧāϰāύ⧇āϰ āĻ•āĻŋāϛ⧁ āĻ•āĻŋ āϏāĻ¤ā§āϝāĻŋāχ āφāϛ⧇ āĻĒ⧃āĻĨāĻŋāĻŦā§€āϤ⧇? āĻ…āύāĻ¨ā§āϤāĻ•āĻžāϞ āĻāĻ•āχāĻ­āĻžāĻŦ⧇ āϚāϞ⧇ āĻāĻŽāύ āĻ•āĻŋāϛ⧁... āϝ⧇āĻŽāύ āĻĻ⧇āĻ–āĻŋ āϜāĻ¨ā§āĻŽ āĻĨ⧇āϕ⧇ āϏ⧂āĻ°ā§āϝ⧇āϰ āĻ“āĻ āĻž,āĻ…āĻ¸ā§āϤ āϝāĻžāĻ“ā§ŸāĻžāĨ¤
āφāĻŽāĻžāϰ āϖ⧁āĻŦ āϜāĻžāύāϤ⧇ āχāĻšā§āϛ⧇ āĻ•āϰ⧇ āĻĻā§€āĻĒāĻžāĻŦāϞāĻŋāϰ āĻœā§€āĻŦāύāϟāĻž āĻļ⧇āώ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āϕ⧇āĻŽāύ āĻ•āĻžāϟāϞ⧋ āύāĻžāĻ•āĻŋ āϏ⧇-āĻ“ āĻŦāĻĻāϞ⧇ āϗ⧇āĻ›āĻŋāϞ⧋ āϰāĻŽāϞāĻžāϰ āĻŽāϤ⧋āύ āĻ•āϰ⧇āĨ¤ āĻĒāĻžāϰ⧁āϰ āĻ•āĻŋ āĻšā§Ÿā§‡āĻ›āĻŋāϞ⧋? āĻĻā§‚āϰāĻŦā§€āύ⧇āϰ āĻ§ā§āϰ⧁āĻŦ āφāϜāĻ“ āĻ•āĻŋ āĻŦāĻžāωāĻŖā§āĻĄā§āϞ⧇? āφāϰ āχāĻŖā§āĻĻā§āϰāĻžāύ⧀āϰ āĻŽā§‡ā§Ÿā§‡ āϤāĻŋāϤāϞ⧀- āϤāĻžāϰ āĻŽāĻžāϕ⧇ āύāĻŋā§Ÿā§‡ āϝāϤ⧋ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻ›āĻŋāϞ⧋āĨ¤ āύāĻŋāĻœā§‡ āĻŽāĻž āĻšā§Ÿā§‡ āϏ⧇āϏāĻŦ āĻ…āĻ­āĻŋāϝ⧋āĻ— āĻĨ⧇āϕ⧇ āĻŦāĻžāϚāϤ⧇ āĻĒ⧇āϰ⧇āϛ⧇ āϤ⧋ āϏ⧇?
āĻšāĻŋāĻŽā§ āĻ•āĻŋ āĻĒ⧇āϰ⧇āϛ⧇ āĻšā§‡āĻŸā§‡ āϝ⧇āϤ⧇? āĻāχ āĻ…āĻ¸ā§āĻĨāĻŋāϤāĻŋāĻļā§€āϞ āĻŦāĻžāϜāĻžāϰ,āĻāχ āĻŽā§‹āĻŦāĻžāχāϞ āĻĢā§‹āύ āφāϰ āχāĻ¨ā§āϟāĻžāϰāύ⧇āĻŸā§‡āϰ āϝ⧁āϗ⧇ āϏ⧇ āĻ•āĻŋ āĻšāĻŋāĻŽāĻļāĻŋāĻŽ āĻ–āĻžā§ŸāύāĻŋ āĻāĻ•āϟ⧁āϕ⧁āĻ“? āĻ–āĻžāĻŽā§‡ āĻ•āϰ⧇ āϤāĻžāϰ āύāĻžāĻŽā§‡ āφāϰ āϚāĻŋāĻ āĻŋ āφāϏ⧇? āĻ•āĻŋ āĻ•āϰ⧇ āφāϏāĻŦ⧇! āĻĄāĻžāĻ•āĻŦāĻžāĻ•āĻļā§‹ āĻšāĻžāϰāĻŋā§Ÿā§‡ āϗ⧇āϛ⧇ āĻ āĻļāĻšāϰ āĻĨ⧇āϕ⧇āĨ¤
āϚāĻŋāĻ āĻŋāϰ āĻŽā§āĻ– āύāĻž āϖ⧁āϞ⧇ āĻšāĻžāϰāĻŋā§Ÿā§‡ āĻĢ⧇āϞāĻžāϰ āĻŽāϤ⧋āύ āĻ•āϰ⧇ āϤāĻžāϰ āϏ⧇āχ āϏāĻŽā§Ÿāϗ⧁āϞ⧋āĻ“ āĻ•āĻŋ āĻšāĻžāϰāĻŋā§Ÿā§‡ āϝāĻžā§ŸāύāĻŋ?
āϕ⧋āĻĨāĻžā§Ÿ āĻšāĻžāϰāĻŋā§Ÿā§‡ āϝāĻžā§Ÿ āϏ⧇āχ āĻŦāĻ°ā§āϤāĻŽāĻžāύ āĻ…āϤ⧀āϤ⧇āϰ āĻŦ⧇āĻļ⧇... āĻŽāĻžāĻā§‡āĻŽāĻ§ā§āϝ⧇ āĻ-āĻ“ āϜāĻžāύāϤ⧇ āχāĻšā§āϛ⧇ āĻšā§Ÿ āϏāĻŋāĻŽāϰāĻžāύ āĻ•āĻŋāĻ‚āĻŦāĻž āφāĻžā§āϜāĻŋāϞāĻŋ āĻāϤ⧋ āĻāĻžā§āĻāĻžāĻŸā§‡āϰ āĻĒāϰ āĻĒā§āϰāĻŋ⧟ āĻŽāĻžāύ⧁āώ⧇āϰ āĻšāĻžāϤ āϧāϰ⧇ āĻ•āĻŋ āĻļ⧇āώ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ­āĻžāϞ⧋ āĻ›āĻŋāϞ⧋?
āĻļ⧇āώ āĻĒāĻ°ā§āϝāĻ¨ā§āϤ āĻ•āĻŋ āĻ­āĻžāϞ⧋ āĻĨāĻžāĻ•āĻž āϝāĻžā§Ÿ?

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