19/03/2025
Atul Joshi reviews
"Second Place" by Rachel Cusk
Cusk's writing seems to elicit polarised opinions. Her recent Outlines Trilogy was acclaimed as moving the format of the novel in a new direction - a kind of observational narrative form where the protagonist appears to passively extend enough rope to those she meets on her journeys to hang themselves, blurring lines between fiction and non fiction. What was undisputed was her searing use of language - beautifully constructed sentences that cut to the bone and had you scrabbling for your notebook to copy extracts out. I stood in the 'against' Cusk camp and so was unsure about her latest novel. But the premise of the work - a woman asks a painter to come stay on her property and paint its landscapes, triggering a series of events and encounters that have a dramatic affect on everyone staying there - and the promise it held to be unlike the previous trilogy, as well as its Booker Longlisting, intrigued me enough to read the book. I am glad I did, because upon finishing it, I wanted to immediately read it again. Here once more you find Cusk's amazing way with words - reflections on art, life, love, that sear into your brain. But the narrative is more active - to me it reads like a series of concentric circles depicting gendered power struggles and attempts at relationship making between men and women; some that work, some that fail, some that do both. And overlaying it all is a meditation on the meaning of art and its ability to mediate experience, or its failure to do so. If that all sounds a bit highbrow and high stakes, don't be put off. Read the book as a series of miscalculations, sometimes hilarious, sometimes heartbreaking, between couples, and the price of finding and maintaining self-esteem and connection. You will be amply rewarded with a rich reading experience and the knowledge that Cusk is a likely front runner for this year's Booker. No longer polarised, count me a Cusk fan.