Aboriginal Bush Traders

Aboriginal Bush Traders ABT gallery and cafe offers ethically sourced and sustainable products supporting Indigenous artists

The retail space and gallery showcases everything from paintings, carvings, weavings, homewares, fashion, bush medicine and bush foods. When you shop with ABT you are directly supporting local Indigenous artists and remote community Art Centres. ABT fairly pays its artists and true ensures true provenance of all products.

ABT's Community Lens Project is full steam ahead, with over half of the disposable cameras now returned to the gallery. ...
03/06/2026

ABT's Community Lens Project is full steam ahead, with over half of the disposable cameras now returned to the gallery.

Community Lens is a photographic project placing disposable cameras in the hands of artists and arts workers in remote communities. Participants are asked to explore their day-to-day remote lives to celebrate perspectives and experiences that are rarely seen, while giving artists and arts workers the opportunity to tell their own stories.

Image: Ngaruwanajirri , Tiwi Islands, Senior arts worker Gordon Pupagamirri is stripping mintawunga stringy bark in preparation for it to be flattened on the fire. These barks were then made into tunga - bark baskets.

Photographer: Senior artist, Marie Yvonee Tipumantumirri.

A full suite of photos will be on display at ABT during this year's Darwin Aboriginal Art Fair.

Congratulations to the 2026 NATSIA Award Finalists. Can you spot any of your family or friends?
03/06/2026

Congratulations to the 2026 NATSIA Award Finalists. Can you spot any of your family or friends?

REPOST Arnhem Northern & Kimberley Artists Aboriginal Corporation - ANKAThe ANKA Arts Worker Extension Program (AWEP) is...
03/06/2026

REPOST Arnhem Northern & Kimberley Artists Aboriginal Corporation - ANKA

The ANKA Arts Worker Extension Program (AWEP) is a premier vocational and professional development program for Aboriginal arts workers from remote communities across Northern Australia. Operating out of Darwin, it provides career pathways, strengthens workforce participation, and builds leadership skills for First Nations arts and culture centres.

This year’s group are currently on their intensive interstate trip, and in these images can be seen at the Chau Chak Wing Museum, University of Sydney. Participants were hosted by Marika Duczynski, Senior Curator, First Nations, and Maggie Hall, Curatorial Assistant, Indigenous Heritage, who introduced them to the museum’s significant First Nations collection.

Many of the AWEP arts workers, who are also practising artists, were delighted to encounter works by family members and artists from their own communities.

Images:
1: Walter Brooks examining works in the collection
2: Theresa (Tara) Munkanome examining works in the collection

Malarndirri Senator Malarndirri McCarthy - Northern Territory, couldn't make it to our opening last week for our latest ...
03/06/2026

Malarndirri Senator Malarndirri McCarthy - Northern Territory, couldn't make it to our opening last week for our latest exhibition: Beyond Everlastings - Ugudungu, so she called in for a personal tour by the artists.

L-R: Celina Lloyd, Jessica Lloyd, Senator Malarndirri McCathy and Natasha Lloyd.

To view the works online: https://aboriginalbushtraders.com/pages/current-exhibitions

CONGRATULATIONS DJAMBAWA MARAWILI AM!This week, Djambawa Marawili AM was celebrated for his powerful work speaking up fo...
29/05/2026

CONGRATULATIONS DJAMBAWA MARAWILI AM!

This week, Djambawa Marawili AM was celebrated for his powerful work speaking up for remote Aboriginal artists and cultural leaders across northern Australia. His 40 years of hard work and big vision have been honoured with the Red Ochre Award for Lifetime Achievement in Cultural Advocacy and Leadership.

Djambawa has been a Director of Arnhem Northern and Kimberley Artists since 1995 and its Chairperson since 2000. As a leader, he speaks strongly for:
- the power of art to speak up for Aboriginal and Torres Strait Islander culture, Country and intellectual property
- Aboriginal leadership of Aboriginal art
- homelands as the heart of remote Aboriginal culture
- passing on Indigenous knowledge for future generations of Indigenous leaders
- sharing Indigenous knowledge for the benefit of all Australians
- art as a powerful weapon for Aboriginal rights.

Thank you Creative Australia for acknowledging the power of Djambawa’s artistic and political work.

ANKA was incredibly proud to have nominated Djambawa for this award. Thanks also go to Djambawa's long-standing collaborator, Buku-Larrnggay Mulka, as co-nominee.

Our ABT Manager Belinda spent ten years working alongside Djambawa during her time at ANKA. She is pictured with him here during his recent visit.

Text C/o Arnhem Northern & Kimberley Artists Aboriginal Corporation - ANKA

Come to ABT this evening to meet the artists behind our current exhibition, Beyond Everlastings - Ugudungu.  A collectio...
29/05/2026

Come to ABT this evening to meet the artists behind our current exhibition, Beyond Everlastings - Ugudungu. A collection of work from three generations of women and the journeys they paint together.

Visit our new space, have a yarn and enjoy some refreshments from 6 pm, Shops 4-5, Smith Street Mall, Darwin City.

Image: Natasha Lloyd, Carnot Bay (Nudagun), Natasha Lloyd, acrylic on canvas.

OPENING EVENT – MEET THE ARTISTSFRIDAY 29 MAY 6PMABORIGINAL BUSH TRADERS – SHOPS 4-5 SMITH STREET MALL, DARWIN.Currently...
27/05/2026

OPENING EVENT – MEET THE ARTISTS
FRIDAY 29 MAY 6PM
ABORIGINAL BUSH TRADERS – SHOPS 4-5 SMITH STREET MALL, DARWIN.

Currently showing at Aboriginal Bush Traders, ‘Beyond Everlastings – Ugudungu’ brings together the works of five Aboriginal artists across three generations of one family: Faye Parriman, her daughter Natasha Lloyd, and granddaughters Celina Lloyd, Leticia Lloyd and Jessica Lloyd. The exhibition celebrates the continuation of cultural knowledge, storytelling and artistic practice through family connections and shared experiences on Country.

Join us at ABT this Friday, 29 May, to view the works and meet the artists.

To view the works online: https://aboriginalbushtraders.com/pages/current-exhibitions

Butterfly Springs, Leticia Lloyd, acrylic on canvas.
Nudagun is where we sleep far way from the butterfly springs. When someone or something disturbs the springs, the butterflies fly past the paperbark trees all the way Nudagun. When we see the butterflies lost at Nudagun, we know someone is coming.

Faye Parriman, Story for Yalibirri Warla (Emu Eggs), acrylic on canvas. This work forms part of ABT's current exhibition...
27/05/2026

Faye Parriman, Story for Yalibirri Warla (Emu Eggs), acrylic on canvas.

This work forms part of ABT's current exhibition, ‘Beyond Everlastings – Ugudungu’, which brings together the works of five Aboriginal artists across three generations of one family: Faye Parriman, her daughter Natasha Lloyd, and granddaughters Celina Lloyd, Leticia Lloyd and Jessica Lloyd. The exhibition celebrates the continuation of cultural knowledge, storytelling and artistic practice through family connections and shared experiences on Country.

Join us at ABT this Friday, 29 May, to view the works and meet the artists.

To view the works online: https://aboriginalbushtraders.com/pages/current-exhibitions

When I was around 12 years old, I went with my sister (cousin) searching for emu eggs in the bush. So off we went on the bikes, she was taking the lead.

We stopped far away in the bush and walked slowly through the bush, looking around, then we spotted a big emu nest full of emu eggs.

My sister told me to crawl to the nest and grab 2 emu eggs, while she kept a lookout for me.

I crawled to the nest, checking as I went for the Emu. Once I got near the nest, I reached through the sticks and grabbed 2 of them.

I crawled back, and we both jumped on our bikes and rode very fast back home.

Unknown to us, Aunty had all the men on motorbikes out searching for us because it was around evening time when we got home.

We were told to go and blow the emu egg yolk into the eggs.
This was very painful, as we had aching jaws from blowing them into a bowl through tiny holes on each side of the egg.

Tracks Home - Wildflowers, Celina Lloyd, acrylic on canvas. 'Beyond Everlastings – Ugudungu' ABT's current exhibition is...
27/05/2026

Tracks Home - Wildflowers, Celina Lloyd, acrylic on canvas.
'Beyond Everlastings – Ugudungu' ABT's current exhibition is holding a 'Meet the Artists' event this Friday, 29 May, 6PM.
Aboriginal Bush Traders, shops 4-5 Smith Street Mall

Faye Parriman, Celina’s grandmother, spent her childhood away from her family at the Tardun Mission. As we celebrate Sorry Day this week, it is a time to reflect on the strength of the Stolen Generation survivors and their families. This is Fayes’ story, passed on to her granddaughter to paint:

At Tardun Mission, some days, Nan would find herself in trouble for incidents like laughing or running late to class, normal things kids do. When she would get into trouble, she was often punished or beaten.

One particular incident occurred when Nan was around 8 or 9 years old, when she got into trouble and was punished by being forbidden to go to the cinema. She soon discovered that other girls had also been punished and made plans with them to run away while the others were gone. Nan was both excited and nervous about the adventure because she had hoped to see family but risked being caught by the missionaries.

When everyone had gone, Nan and the other girls stuck to their escape plan and left quietly from the dormitories. They snuck through the shrubs and past the first dirt road track; went around the quandong tree, and ended up on another dirt road track. They walked along the track, but in the distance they saw car lights approaching; it was the bus.

They panicked and ran as fast as they could and found themselves in an off-limits area, the boys’ area. Suddenly, they all tripped and fell into a fence. After the fall, Nan’s leg felt painful and stung. She looked down and saw it bleeding; she still has the scar today. Nan rested on the ground in pain and hid from the bus; she did not want to get caught.

When the bus drove past, they ran down the field, crossed another dirt road and reached a bush track. The girls followed the bush track and survived on seasonal bush foods like mushrooms and gum; this was enough to stop their hunger. They travelled through the day and night with very little rest.

The girls got excited when they stumbled upon the train track; they knew that if they followed it, it would lead them home to Mullewa. They placed their heads on the train track to listen and feel the vibrations of which way the train was coming from. This helped them decide which way they would go. They agreed to walk along the left side of the train track until they reached Mullewa. They later found out that they had gone the wrong way.
Nan was weak, tired, and dehydrated and didn’t want to move anymore. She found a tree and lay down under it, trying to regain her energy. This break wasn’t long, as the other girls were anxious to keep moving, and Nan didn’t want to be left behind.

After hours of walking, they arrived at a highway and saw a farm and smoke in the distance. They decided they would head towards it.

The girls were hungry and thirsty and started to give up. Nan felt numb, like she would almost die. They took shortcuts through farms and found a little shrubby tree and sat for a while. The girls then saw a white ute drive towards them in the distance and waved the driver down. It was an old white man, and they asked him for a ride. The old man helped the girls and dropped them off at the river near Mullewa.

Nan and the girls walked from the river to their families. Their families hid the children away but knew that soon they were going to be caught by welfare. The girls were home for a couple of days before they were found, and taken away again, marched back to Mullewa train station, putting them on the train back to the mission.

As they got closer, they saw the bus waiting for them. When they returned to Tardun they had to walk down a long dirt road straight to the mission dormitories.

The other mission kids laughed, yelled and teased them because they had been caught.

Nan was locked in a dormitory room for hours with two other girls who escaped with her. She could hear Margaret Mary, one of the nuns, say, "You aren’t going to be laughing soon’.

She unlocked the door and entered the room with another nun. They locked the door behind them, grabbed each girl and held them down, pulled their dresses up and whipped them with a big bamboo cane. The cane stung, leaving Nan with a burning sensation. They had lashes from the top of their backsides that went down to their legs. The Nuns left the room and returned with a pair of scissors, they sat the girls down on the chairs and cut off their hair.

Nan could hardly walk or sit, and her legs were so swollen and red that she could feel the heat coming off them for days.

This was only one of the many times Nan tried to run away from Tardun Mission.

This work forms part of ABT's current exhibition, Beyond Everlastings – Ugudungu. Three generations of women, painting the journeys they travel together. To view other works: https://aboriginalbushtraders.com/pages/current-exhibitions

OPENING EVENT – MEET THE ARTISTSFRIDAY 29 MAY 6PMABORIGINAL BUSH TRADERS – SHOPS 4-5 SMITH STREET MALL, DARWIN.Currently...
26/05/2026

OPENING EVENT – MEET THE ARTISTS
FRIDAY 29 MAY 6PM
ABORIGINAL BUSH TRADERS – SHOPS 4-5 SMITH STREET MALL, DARWIN.

Currently showing at Aboriginal Bush Traders, ‘Beyond Everlastings – Ugudungu’ brings together the works of five Aboriginal artists across three generations of one family: Faye Parriman, her daughter Natasha Lloyd, and granddaughters Celina Lloyd, Leticia Lloyd and Jessica Lloyd. The exhibition celebrates the continuation of cultural knowledge, storytelling and artistic practice through family connections and shared experiences on Country.

At the centre of the exhibition is the major collaborative work Ugudungu, created collectively by all five artists. Alongside this piece, each artist presents individual works that reflect personal memories, cultural inheritance, and lived experiences shaped by both desert and saltwater Country.

Join us at ABT this Friday, 29 May, to view the works and meet the artists.

To view the works online: https://aboriginalbushtraders.com/pages/current-exhibitions

Address

Shops 4-5 Smith Street Mall
Darwin, NT
0800

Opening Hours

Monday 9am - 3pm
Tuesday 9am - 3pm
Wednesday 9am - 3pm
Thursday 9am - 3pm
Friday 9am - 3pm

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