25/05/2026
Last month the Bellingen Story Circle was packed to the rafters. Every seat taken, people crowded up against the walls, the bookshop holding everything it could.
The story was Iron John. First recorded by the Brothers Grimm, it is the tale of a wild man found lurking at the bottom of a forest pond. Ancient, rusted, feral. He is hauled up, caged, and locked away. And then a young prince, by accident or fate, sets him free.
What follows is an initiation. The boy must leave the safety of the palace and enter the wild man’s world. He must work, fail, disguise himself, descend into the dark. Robert Bly, in his landmark reading of the tale, saw Iron John as a map of masculine development: the journey every young man must take away from the mother’s protection and the father’s approval, down into the deep masculine, the instinctual, the undomesticated. The wild man is not the enemy. He is the guide. But the road is not comfortable, and it is not short.
Nathan Meola’s telling carried us through every descent, and together we crossed every threshold. Elijah Kindred moved between instruments, shaping the story’s wildness and its tenderness in equal measure, the music rising and falling with the old tale’s pulse. This was one to remember.
The next Bellingen Story Circle is this Thursday 28 May. Nathan turns now to one of the oldest love stories in the ancient world — the Greek myth of Cupid and Psyche.
We have been hitting capacity. Book ahead to secure your spot. Tickets via the link in our bio.
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