NJ Sekela, Historic Clothiers

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NJ Sekela, Historic Clothiers We are an small production traditional apparel shop located in Gettysburg,PA.

Regarding our products, I encourage anyone with questions to speak with the independent retailers who carry and sell our goods. These companies purchase, inspect, and stand behind the items they stock:

• The Depot – Erwin, TN — thedepothistoric.com
• Carter & Jasper – Joe and Alicia Blunt — https://www.etsy.com/shop/CarterandJasperMerc

12/06/2026

Looking for WWII service records for Frank Benjamin Manning, born 1914 Jacksonville Florida, died 2009 New York City...drafted into the US Army in 1942, discharged in 1946. Served in the pacific, and was at Papau New Guinea

Fashion Closet Fridays1840’s Dress CoatNJ Sekela collection
12/06/2026

Fashion Closet Fridays

1840’s Dress Coat

NJ Sekela collection

20th Century Tuesday: Men’s Silk Dress Shirt, c. 1920sFrom the N.J. Sekela Collection, this week’s feature is a handsome...
12/06/2026

20th Century Tuesday: Men’s Silk Dress Shirt, c. 1920s

From the N.J. Sekela Collection, this week’s feature is a handsome silk dress shirt dating to the 1920s and recently acquired at a show in Baltimore.

The shirt was retailed by Woolf & Reynolds of Johnstown, Pennsylvania, a prominent men’s clothier whose slogan proudly proclaimed it the “Home of Good Clothes.” Their impressive 1908 building still stands today in downtown Johnstown, a reminder of the city’s once-thriving retail district.

Constructed of lightweight silk, the shirt retains several features rarely encountered in modern menswear, including a band designed for a detachable collar and elegant French cuffs intended for cufflinks. Sized to fit our 38-inch tailoring mannequin almost perfectly, it provides an excellent example of the proportions and styling of a well-dressed gentleman during the Jazz Age.

Perhaps the most intriguing feature is its unusual front placket construction. While modern dress shirts have largely become standardized, early twentieth-century shirts often displayed a variety of construction methods that can appear unfamiliar to contemporary eyes. Details such as these remind us that men’s clothing was once far more diverse in its design and manufacture.

A surviving 1928 Woolf & Reynolds advertisement confirms that the firm was actively marketing men’s clothing during the period this shirt was sold, creating a direct connection between the garment and one of Johnstown’s historic businesses.

The survival of any silk garment from this era is noteworthy. Combined with its documented retail provenance, detachable-collar construction, and French cuffs, this shirt offers a fascinating glimpse into American menswear during the first quarter of the twentieth century.

20th Century Tuesday: Men’s Silk Dress Shirt, c. 1920sN.J. Sekela CollectionFor this week’s 20th Century Tuesday, we are...
09/06/2026

20th Century Tuesday: Men’s Silk Dress Shirt, c. 1920s

N.J. Sekela Collection

For this week’s 20th Century Tuesday, we are examining a fine men’s silk dress shirt dating to the 1920s, recently acquired at a show in Baltimore. The shirt was retailed by Woolf & Reynolds of Johnstown, Pennsylvania, one of the city’s prominent men’s clothing establishments during the early twentieth century.

Constructed of lightweight silk, the shirt represents a level of luxury seldom encountered in modern menswear. While silk shirts were not uncommon during the 1920s, they were generally considered a premium garment, offering a combination of comfort, refinement, and status. The soft drape and smooth hand of the fabric would have made it particularly desirable for business, evening wear, or other occasions where appearance mattered.

The shirt retains several features that immediately identify it as a product of the early twentieth century. Most notable is the presence of a collar band designed to accept a detachable collar. Prior to the widespread adoption of attached collars, men frequently owned multiple detachable collars that could be laundered, starched, and replaced independently of the shirt itself. This system allowed a gentleman to maintain a crisp appearance while extending the life of his wardrobe.

The cuffs are finished as French cuffs, requiring the use of cufflinks rather than buttons. Such details further reinforce the shirt’s intended role as a dress garment and reflect the greater formality expected of men’s clothing during the period.

Sized to fit our 38-inch tailoring mannequin almost perfectly, the shirt offers an excellent illustration of period proportions. Unlike modern dress shirts, which are generally designed to be worn without extensive tailoring, early twentieth-century shirts were often cut generously through the body and gathered into high-waisted trousers, creating a silhouette that differs markedly from contemporary fashions.

Perhaps the most striking feature to modern eyes is the front placket construction. Today’s dress shirts have conditioned us to expect a relatively standardized front opening, but earlier shirts often employed a variety of placket treatments that can appear unusual to contemporary observers. This example retains a distinctly period approach to shirt construction, reminding us that many details we take for granted today had not yet become standardized throughout the clothing industry.

Research into the retailer reveals that Woolf & Reynolds occupied an impressive commercial building erected in 1908 at 526 Main Street in downtown Johnstown. The structure features a molded metal façade with Classical Revival decorative elements and large Chicago-style windows. Prominently displayed on the building was the company’s slogan, “Home of Good Clothes.” The building still stands today and remains one of the notable commercial structures of historic downtown Johnstown. Contemporary advertisements and promotional material demonstrate that Woolf & Reynolds remained in business at least through 1952, indicating a long and successful presence in the city’s retail trade. Although the firm’s exact founding and closing dates remain unknown, surviving photographs, advertisements, and the building itself attest to its importance as a destination for quality men’s clothing during the first half of the twentieth century. (Heritage Johnstown)

The survival of any silk garment from this era is noteworthy. Silk is susceptible to damage from wear, laundering, and environmental conditions, making examples that remain intact increasingly difficult to locate. The combination of luxurious material, detachable-collar construction, French cuffs, unusual placket treatment, and documented retail provenance makes this shirt a particularly appealing example of American menswear from the Jazz Age.

Conclusion

This 1920s silk dress shirt illustrates a period in American menswear when detachable collars, French cuffs, and luxurious fabrics remained hallmarks of a well-dressed gentleman. Combined with its association with Woolf & Reynolds—Johnstown’s celebrated “Home of Good Clothes”—it provides a fascinating glimpse into the retail and fashion culture of a thriving Pennsylvania industrial city. Its unusual placket construction, excellent state of preservation, and connection to a documented historic retailer remind us that men’s clothing was once far less standardized than it is today. As surviving examples become increasingly scarce, garments such as this preserve important evidence of the materials, tailoring practices, and social expectations that shaped American dress during the first quarter of the twentieth century.

05/06/2026

It’s been a little while since I’ve posted much about our button projects.

Some people probably assume that’s because of all the discussion they generated. Not really.

The truth is that we’ve been busy making them.

Looking back over the last couple of years, it’s remarkable how much conversation a few pieces of brass, iron, and tin managed to create. What started as an effort to reproduce some long-overlooked original buttons turned into a discussion that spread much farther through the hobby than I ever expected.

In the meantime, we’ve sold through three full production lots, introduced additional patterns, and continued expanding the line. The funny thing is that the people who wanted them bought them, the people who were curious bought them, and the people who didn’t like them still aren’t buying them. Everybody seems to have ended up exactly where they wanted to be.

Years ago, Joe Hofmann of the Jersey SkilletLicker made an observation that has stuck with me ever since. He said that hardcores hate being outdone, hate being second best, and hate being behind the curve. These buttons definitely put them behind.

Quite frankly, I think there is a great deal of truth in that statement, and I believe it explains much of the reaction these projects have generated. When established assumptions are challenged, when new research is introduced, or when somebody approaches an old problem from a different direction, it can make people uncomfortable. Sometimes the resistance has less to do with the object itself and more to do with the fact that someone else got there first.

That said, the work continues. We continue to research original examples, compare construction methods, and refine our reproductions. The goal has always been the same: to make better, more historically accurate products available to the hobby.

They’re not just buttons; they have ruffled the pecking order of reenacting. Well, they may not like it, it makes the hobby better.

— NJ Sekela

05/06/2026

For over a year, I have kept my counsel about what was happening with The Depot because I genuinely believed the situation would be resolved.

As the situation continued to drag on, my SCORE advisor saw that there was no way around getting an attorney involved. His opinion was that the matter had gone beyond what could reasonably be resolved through patience alone. At the time, I disagreed, believing that they were decent people who were going through a difficult time, and I felt that given enough patience and understanding, things would work themselves out.

I was wrong.

Instead of addressing the situation, over a year has passed with approximately $16,000 worth of merchandise remaining unresolved. In addition, they continue to possess my custom event tent, furniture, fixtures, and equipment representing tens of thousands of dollars in assets.

I remained silent because I wanted to give them time. I gave them space. I gave them every opportunity to do the right thing.

I also want to thank the many people who reached out privately with messages of support and encouragement throughout this process. Unfortunately, there were also those who saw the situation as an opportunity to take cheap shots and place the blame on me. Somehow, I became the target of criticism for circumstances that were entirely outside of my control.

The Depot made a number of decisions that were difficult to understand. One example was shutting down their website for nearly three weeks because they could not get things organized after events. Even my SCORE advisor’s reaction was, “Who does that?”

For a long time, I assumed they must have had some sort of plan behind the scenes or a strategy that would eventually make sense. I gave them the benefit of the doubt and believed there was a reason for the delays and confusion. As time went on, however, it became increasingly clear that there was no brilliant plan. The reality was much simpler: they did not seem to know what they were doing, and each new iteration only reinforced that conclusion. From the failed ladies’ dress line they developed without even referencing original designs, it became apparent that basic mistakes were being repeated. I could offer my own opinions, but the most telling response came from others whose immediate reaction was that the garments had been made incorrectly.

What is most disappointing is not the money or the property. It is that after all of that patience and restraint, I now find myself being publicly criticized and attacked by the very people I was trying to help.

At this point, I can no longer pretend that this is simply a misunderstanding that will resolve itself. After waiting more than a year, I have no choice but to pursue the recovery of my property and the obligations that remain outstanding.

I did not want it to come to this, but I also cannot continue to ignore it.

Fashion Closet Fridays!This week’s feature is another piece from the remarkable 1840s wedding suit in the NJ Sekela Coll...
05/06/2026

Fashion Closet Fridays!

This week’s feature is another piece from the remarkable 1840s wedding suit in the NJ Sekela Collection. Purchased in 1988 from the late Mike Stiles at the Brimfield Antique Exhibition, the ensemble was reportedly discovered in a trunk in New York State.

Featured Item: Silk Satin Cravat (c. 1840s)

Constructed of black silk satin with a linen lining, this cravat remains in exceptional condition. The satin face retains its elegant appearance, while the linen lining provides structure and support.

A particularly interesting detail is the rear buckle adjustment, reinforced with a leather wear strip to reduce wear from repeated use. The cravat measures approximately 4” high at the front and 3½” at the rear, giving it a substantial profile consistent with formal dress of the period.

As part of a complete wedding ensemble—including the frock coat, waistcoat, trousers, and shirt “front”—this piece helps illustrate the importance of neckwear in creating the fashionable silhouette of the 1840s.

Although often overlooked today, accessories such as this were essential components of a gentleman’s wardrobe and played a significant role in formal appearance.

More photographs of the complete wedding suit are forthcoming. We are currently attending the Reading Air Show and will be there through Monday.

Fashion Closet Fridays!Featured Item: Silk Satin Cravat (c. 1840s)NJ Sekela CollectionThis week’s feature is another com...
05/06/2026

Fashion Closet Fridays!

Featured Item: Silk Satin Cravat (c. 1840s)
NJ Sekela Collection

This week’s feature is another component of the remarkable 1840s wedding suit previously featured on Fashion Closet Fridays. The ensemble was purchased in 1988 from the late Mike Stiles at the Brimfield Antique Exhibition in Massachusetts and was reportedly discovered in a trunk in New York State.

Materials & Construction:
Constructed of black silk satin with a linen lining, this cravat survives in exceptional condition. The visible satin surface retains its rich appearance, while the linen lining provides the structure necessary to support the garment.

The cravat incorporates a buckle adjustment at the rear, a feature allowing the fit to be adjusted to the wearer. The buckle area is reinforced with a leather wear strip to reduce wear from repeated use. Unlike later examples, the rear section is relatively tall, measuring approximately 3½” in height, while the front rises to approximately 4”.

Design Features:
• Black silk satin exterior
• Linen lining
• Rear buckle adjustment
• Leather wear strip reinforcement
• Shaped front form
• Hand-finished construction

Measurements:
Front Height: Approximately 4”
Rear Height: Approximately 3½”

Context & Dating:
As part of a complete 1840s wedding ensemble, this cravat reflects the importance of neckwear in formal men’s dress. The carefully shaped front, luxurious silk satin, and adjustable construction demonstrate the attention paid to appearance for significant occasions.

Together with the frock coat, waistcoat, trousers, “front,” and other accessories from the ensemble, it provides a rare opportunity to study a nearly complete formal outfit from the period.

Conclusion:
Although often overlooked today, neckwear was an essential component of a gentleman’s appearance. This cravat illustrates the combination of practicality and elegance that characterized formal dress during the 1840s and serves as an important surviving element of an exceptional wedding suit.

Additional photographs and study of the complete ensemble will follow. We are currently attending the Reading Air Show and will be there through Monday.

I had an inkling this was happening when I saw these other flags being offered for sale.Looking at the details, there ar...
03/06/2026

I had an inkling this was happening when I saw these other flags being offered for sale.

Looking at the details, there are several significant differences. The silk used is not the same quality or type as the original material. In our reproduction, we used the correct blue and black taffeta, carefully selected to match the period example. Additionally, the artwork is not rendered in the proper proportions and appears unfinished in several areas.

At $375, their flag is priced in line with the level of workmanship and materials used. Our goal has always been to produce the most accurate reproduction possible, using the correct fabrics, proportions, and construction methods rather than simply creating a visual approximation.

I also tried to support their efforts by producing business cards and flyers and introducing them to SCORE for business ...
03/06/2026

I also tried to support their efforts by producing business cards and flyers and introducing them to SCORE for business guidance, but they chose not to follow the advice that was offered.

This post comes as a complete surprise to me, as I was not informed of this decision beforehand.

Over the past year, I was repeatedly told that The Depot was planning to go out of business and was asked to keep that information confidential. Based on those conversations, I attempted to help move some inventory through another retailer, Maryland Sutler. That suggestion was not well received.

At present, The Depot has more than $16,000 worth of merchandise that was specifically ordered but never taken. In an effort to help resolve the situation, I even offered to sell much of that inventory to them at my cost, but I received no response.

In addition, The Depot still has my tent and several other fixtures, and my attempts to discuss their return have also gone unanswered.

Needless to say, I am disappointed that this announcement was made publicly without any prior discussion. Regardless of what happens moving forward, I would appreciate the courtesy of communication and the return of the property that remains in their possession.

NOTICE ***
We will NOT be re-stocked with any Sekela products, this includes but not limited to, Uniforms, Brogans, Shirts, Trousers, Boots, Flags and etc.
Most remaining items are already sale priced and when those are gone there will be no more.
We will have some "used" items, most of which has never been worn, just in storage in our home as soon as we can photograph all of it.
www.thedepothistoric.com

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PA

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