16/07/2026
展覽作品回顧 03
/ 手捏蠟雕塑 /
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《陪伴》
這作品對我來說別具意義。
本來是希望兩作品對視，卻因忽略了小鳥尾巴與牆身的距離，而變成了牠們向著同一方向飛翔。
（圖1-2 是刻意把照片鏡像了，讓牠們對視的）
因為場地限制而產生的「美麗誤會」，反而賦予了作品新的生命，這完全就是《當下之間》的最佳註腳——
藝術品的靈魂，有一半是創作者給予的，另一半則是與觀者在當下共同完成的。
這件作品的最初靈感，是來自我的女兒。
雕塑所表達的，是身為母親的我，想送給女兒的一場自由之夢，乘著小鳥，穿梭在雲霧與星光之間。
兩個雕塑應本應是面對面的——兩隻小鳥彷彿在空中相遇，而鳥上的女兒正張開雙臂，迫不及待地想飛進我的懷抱。
然而，因為展覽現場空間的限制，最後牠們被設置成了朝著「同一個方向」飛翔。
本以為是一點小遺憾，卻沒想到在「當下之間」衍生出了更動人的故事。
前來觀展並帶走他們的客人，
給了這畫面一個全新的、美麗的詮釋 —
「在我的角度看，我覺得是一個小時候的我，乘着小鳥在空中自由飛翔，在追逐著星光；旁邊的也是我，但那是成長後的我。
長大成人的我並沒有忘記初衷，即使已得到了星光，仍渴望自由飛翔，繼續自己的旅程。」 他們說。
藝術的神奇之處就在於此。當作品離開了工作室，他們就在與觀者相遇的當下，生長出了自己全新的靈魂。
衷心感謝這位藏家願意把感覺與我分享🥹
願我們都能在各自的航道上，承載著愛與自由，並肩飛翔。
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This artwork holds a truly special meaning for me.
The two sculptures were meant to stand face-to-face—two birds crossing paths in mid-air, with my daughter on one of them, stretching her arms out, eager to fly back into my embrace.
But because of the physical limits of the exhibition space, they were ultimately displayed flying in the exact same direction.
What I initially thought was a slight pity unexpectedly unfolded into an even more touching story.
The collector who visited the exhibition and purchased these pieces offered a brand-new, beautiful interpretation of this scene:
“From my perspective, I see the younger version of myself riding a bird, flying freely in the sky to chase after starlight. Next to her is also me, but the grown-up version.
The adult me has never forgotten her original aspirations; even though she has already reached the starlight, she still longs to fly free and continue her own journey.”
This “beautiful mistake” brought about by the constraints of the venue ended up breathing new life into the artwork. It serves as the most perfect footnote for “In Between Moments” (當下之間)—
Half of an artwork’s soul is given by the creator, while the other half is co-created with the viewer in the present moment.
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兩個手捏蠟雕塑已在《當下之間》展覽中售出 ｜SOLD
感謝帶它回家的您 ♥︎
