20/07/2026
MONDAY MOOD: Aphrodite emerging from her shell. Is the emergence reluctant? Was it grand? Was she startled? The beauty of myth is that truly, we’ll never know, and we can interpret however we wish. 🐚
I’ve always felt draw to imagery of “Venus” (Roman) and/or Aphrodite, and her interpretation through the ages remains a muse. Boticelli’s Renaissance era “The Birth of Venus” remains a favorite, one we reinterpreted for our 2019 Koufonisi retreat tote.
Pre historic art is having a moment - see Jeff Koons at the Cycladic museum, as well as the narrative of embracing the divine feminine. Lately I’ve been thinking about how many folks paint a cultural narrative that there was matriarchy, or at least some worship of the feminine, pre recorded history. I don’t doubt this to be possible, sometimes I even feel it in my bones, BUT I think our pre historic ancestors had a more animistic relationship with reality. I’m not sure we can even draw the traditional masculine/feminine binary as a point of comparison. Their experience of being human was likely something we can hardly imagine, perhaps only through certain ceremonies, deep subconscious work, and/or psychedelic experiences.
Not all private pursuits are shared here, but I have been on my own journey with the feminine and interest in more ancient ways. As the “divine feminine” has become a HUGE trend in wellbeing and spiritual places, I hesitate to speak to it for fear of misinterpretation. There’s the feminine through the male gaze, and then there is so much more. It’s a huge conversation, one to continue another day. As I settle into mothering my concept of the feminine is not just on the softening seen in much of the discoure, but also on how FIERCE and able to contain multitudes women /femmes are. Whatever your gender, we can all benefit from softening like sea foam - maybe even start right now by softening your jaw, your tongue, and breathing a bit deeper. Voila.
Image 1: James Pradier, 1790-1852 and Salvator Marchi, active Paris 19th Century Vénus à la coquille, 1844, plâtre patiné, 23.5x15.5x16 cm Musée d’Art et d’Histoire, Ville de Genève, Inv. 1910-0227
Polychrome terracotta statuette of Aphrodite, Tar