Dellasposa

Dellasposa Dellasposa is dedicated to exhibiting modern and contemporary artists united by their conceptual rigo Art is to be discovered, inspired, and appreciated.

Dellasposa is a unique gallery founded on the principle that art inspires and engages all. We specialise in curated exhibitions, commissions, art advisory services. Whether you are invested in the art scene or beginning your journey, we create exclusive relationships by connecting you with artists and the story of art. We offer independent, in-depth expertise to guide you through collecting art in

today’s international, and often complex art market. With scholarship at the heart of our work, we are guided by each individual collector to understand their own aesthetic interests and objectives. We curate satellite art exhibitions and events, presenting established and rising artists united by their conceptual rigour and ambitious, timeless works of art. We bring the world of art to you.

Mornington Terrace, a fragment of Camden, is rendered anew through Auerbach’s fevered, unsparing line. In his hands, the...
03/06/2026

Mornington Terrace, a fragment of Camden, is rendered anew through Auerbach’s fevered, unsparing line. In his hands, the everyday street becomes a charged, living atlas of London feeling.

Artwork: Mornington Terrace, 2024 © Frank Auerbach.

All the Nightmares Came Today was produced during a period when Cecily Brown’s approach to the figure attained its most ...
01/06/2026

All the Nightmares Came Today was produced during a period when Cecily Brown’s approach to the figure attained its most psychologically charged and painterly complex form of figurative abstraction. In this work, flesh is rendered both legible and dissolved, making the act of painting itself the central subject. The composition features increasingly compressed figures, with bodies that emerge and retreat within dense surfaces and gestural abstraction. This development signifies a deepening of Brown’s ongoing engagement with the Flemish Baroque tradition of Rubens and Bruegel, as well as the gestural freedoms characteristic of American Abstract Expressionism, above all de Kooning. The title, taken from David Bowie’s Oh! You Pretty Things (1971), references the music Brown listened to in her studio during the painting’s creation and serves to amplify the work’s atmosphere rather than provide a direct explanation.

This signed limited edition offers collectors access to one of the most significant painters of our generation — Cecily Brown’s exhibition Picture Making continues at Serpentine South, London, on view until 6 September 2026. Enquire with Dellasposa to discuss acquisition.

Artwork: All the Nightmares Came Today, 2012/2019. © Cecily Brown

Serpentine Galleries

'I’d say I’m a painter who writes' — Harland Miller.Miller’s ### turns three familiar letters into something charged and...
22/05/2026

'I’d say I’m a painter who writes' — Harland Miller.

Miller’s ### turns three familiar letters into something charged and cinematic, speaking at once of desire and something slightly illicit. The overlaid, ghosted letters suggest several moments captured as after‑images, while the graphic act of crossing‑out—a redaction—feels half‑remembered, hinting at censorship, erasure and the lingering pull of memory.

Artwork: ###, 2023 © Harland Miller

'I want viewers to physically approach the canvas. And even without sight, the texture is there to be felt.'Artwork: Sli...
11/05/2026

'I want viewers to physically approach the canvas. And even without sight, the texture is there to be felt.'

Artwork: Slippery When Wet, 2025 © Werner Bronkhorst

Enquire for more details.

'I like to think that rather than being pictures of the world, they are pictures about it' - Albert IrivinArtwork: Angel...
06/05/2026

'I like to think that rather than being pictures of the world, they are pictures about it' - Albert Irivin

Artwork: Angel, 2003 © Albert Irvin

Enquire for more information.

'I sometimes think about a shadow', says Julian Opie. 'If you look at someone's shadow, you can see their character or w...
01/05/2026

'I sometimes think about a shadow', says Julian Opie. 'If you look at someone's shadow, you can see their character or what mood they're in.'

Keyush depicts a figure mid-stride: bold, minimal, and alive. The artwork captures movement in its most dynamic form.

Artwork: Keyush, 2025 © Julian Opie

'To me, art — colour in art — is wonderfully indulging. I don't see why you shouldn't be filling yourself up, making you...
24/04/2026

'To me, art — colour in art — is wonderfully indulging. I don't see why you shouldn't be filling yourself up, making yourself happy. Enjoying yourself. Feasting on beauty.' — Gillian Ayres

Explore works by Gillian Ayres, Patrick Heron, Howard Hodgkin, John Hoyland, and Albert Irvin the in the online viewing room, Through Colour Alone, at Dellasposa

Picture Making is a homecoming. Cecily Brown returns to London with her first major UK solo exhibition in over two decad...
22/04/2026

Picture Making is a homecoming. Cecily Brown returns to London with her first major UK solo exhibition in over two decades.

On view at Serpentine South until 6 September 2026.

Artwork: Terry & Julie, 2026 © Cecily Brown

Serpentine Galleries

'When I made these works of people walking, I recall when I watched the end result, that it kind of made me laugh. Just ...
16/04/2026

'When I made these works of people walking, I recall when I watched the end result, that it kind of made me laugh. Just the fact that the presence of the person is now there. A bit like when you see somebody’s shadow. If you look at your partner’s shadow on the floor it’s not just an image of them it is actually them in a sense. Your shadow is part of you.' - Julian Opie

Artwork: Esther, 2025 © Julian Opie

Leopard (Blue) belongs to Vasarely’s lifelong dialogue with animal form, relating to his landmark Zebra (1937) — widely ...
31/03/2026

Leopard (Blue) belongs to Vasarely’s lifelong dialogue with animal form, relating to his landmark Zebra (1937) — widely considered the first Op Art work ever made.

Here, the leopard’s stance recalls medieval heraldry, featuring oval spots that create a rhythmic pattern, while the golden eye is an accent —a deliberate chromatic rupture— on a cerulean ground. One of the artist’s most sought-after themes, this work is a summation of five decades of Vasarely’s distinctive Op Art style, synthesising mythic and modern qualities.

Enquire with Dellasposa to arrange a private viewing.

Artwork: Leopard (Blue), 1988 © Victor Vasarely

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Tuesday 10am - 6pm
Wednesday 10am - 6pm
Thursday 10am - 6pm
Friday 10am - 6pm
Saturday 11am - 5pm

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+442032864633

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