30/07/2026
A famous painting, transformed into a jewel.
This remarkable pendant reproduces La Communion d’Atala by Pierre-Jérôme Lordon, first exhibited at the Paris Salon of 1808 and now held in the Musée du Louvre.
Inspired by Chateaubriand’s tragic novel Atala, the painting shows the dying heroine receiving communion while Chactas, the man she loves, grieves beside her. Its themes of forbidden love, faith and sacrifice made it one of the defining stories of early Romantic Europe.
But the history of this pendant begins with a collector who did not want great art to remain confined to gallery walls.
The painting belonged to Giovanni Battista Sommariva, a major patron of the Napoleonic and Neoclassical period. From his villa on Lake Como, he assembled a celebrated collection of contemporary European art, then searched for ways to make those works portable.
Between around 1810 and 1825, Sommariva commissioned miniature enamel versions of 99 paintings from his collection, creating what he called a portable picture gallery. He also asked the renowned gem engraver Giovanni Beltrami to translate selected works into intaglios.
Made circa 1810–1815, this pâte-de-verre impression reduces Lordon’s dramatic canvas to an object small enough to hold, examine and wear.
The mottled red glass was designed to resemble carved agate. Its recessed image could also be pressed into warm sealing wax, causing the scene to appear again in relief as a tiny sculptural impression.
Mounted in an 18K gold frame bearing the crossed keys and papal umbrella linking it to the vatican workshops, the pendant brings together painting, literature, gem engraving, devotion and jewellery in one extraordinary object.
A painting that could leave the gallery, travel through Europe and be carried close to the body.
Available on our website.