Ravensbury Antiques

Ravensbury Antiques Jewels That Have Stood the Test of Time...

A Rare and Unique Collection of Antique Jewellery ✨

An unusual French enamel necklace, signed by ‘Thoumieux’ of Limoges, early 20th century.Crafted in 18K gold, the necklac...
20/08/2026

An unusual French enamel necklace, signed by ‘Thoumieux’ of Limoges, early 20th century.

Crafted in 18K gold, the necklace is set with two vivid enamel plaques, with flashes of blue and earthy colours above foil.

Available on our website.

An antique natural sapphire ring dating to circa 1890.The ring is set with an approximately 1ct sapphire, with a deep ro...
19/08/2026

An antique natural sapphire ring dating to circa 1890.

The ring is set with an approximately 1ct sapphire, with a deep royal-blue face and natural colour zoning that reveals brighter flashes of blue as it moves in the light.

The 14K gold mount has split openwork shoulders and bears the French scallop-shell hallmark for 14K gold, suggesting a Continental origin, possibly German or Austrian, and later assay or retail in France.

Size: J (UK) / 4.75 (US)

Available on our website.

Snake rings have been worn for more than 2,000 years.The serpent appeared in jewellery across several ancient civilisati...
18/08/2026

Snake rings have been worn for more than 2,000 years.

The serpent appeared in jewellery across several ancient civilisations, from Western Asia to Greece and Egypt. Surviving Greek snake rings date to around 330–300 BC, while serpent jewellery became widespread across the Roman world by the 1st century AD.

Across cultures and centuries, the snake has carried different associations, from healing and renewal to eternity and devotion. Queen Victoria famously received a serpent engagement ring from Prince Albert in 1839, helping to revive the motif in Victorian jewellery.

Snake jewellery remains popular today, continuing a design tradition with roots stretching back thousands of years.

Here are a few snake rings from the Ravensbury collection.

Explore more at RavensburyAntiques.com

A playful vintage 18K gold fish pendant. The body is made from a series of moving gold sections, allowing the fish to fl...
17/08/2026

A playful vintage 18K gold fish pendant. The body is made from a series of moving gold sections, allowing the fish to flex naturally when worn, much like a small swimming form. The surface is engraved with scale-like detail, giving texture and light to the articulated body.

The fish holds a cultured pearl in its mouth, with small red spinel eyes adding a discreet flash of colour.

Which antique bracelet would you choose? Comment 1️⃣, 2️⃣, 3️⃣, 4️⃣, 5️⃣ or 6️⃣ below 👀1️⃣ A Viennese Victorian emerald ...
09/08/2026

Which antique bracelet would you choose? Comment 1️⃣, 2️⃣, 3️⃣, 4️⃣, 5️⃣ or 6️⃣ below 👀

1️⃣ A Viennese Victorian emerald and diamond bangle, circa 1880, crafted in 14K gold and set with a graduated line of emeralds and old European-cut diamonds.

2️⃣ A Dutch Victorian diamond bangle from Gouda, circa 1870, set with 33 rose-cut diamonds in closed-back foiled settings.

3️⃣ A French pink topaz and diamond bracelet, circa 1880, crafted in 18K gold and centred by a soft lilac-pink topaz. Now sold.

4️⃣ A Victorian seed pearl bangle, circa 1870, handcrafted in 15K gold with two rows of closely set seed pearls.

5️⃣ An Edwardian gem-set gold bangle, circa 1910, crafted in 14K gold and star-set with diamonds, a ruby and a sapphire.

6️⃣ A French snake bangle, circa 1880, crafted in rosy 18K gold with seed pearls and a pale blue spinel.

Find out more on our website.

MEMENTO MORI: A TUDOR RING OVER 400 YEARS OLDFor more than four centuries, the words engraved around this ring have carr...
06/08/2026

MEMENTO MORI: A TUDOR RING OVER 400 YEARS OLD

For more than four centuries, the words engraved around this ring have carried the same message: Memento Mori, “remember that you must die”.

Made in England during the second half of the 16th century, the high-karat gold ring is centred by a skull figure outline, which would have originally been enamelled.

Such rings transformed a deeply Christian meditation on mortality into something intimate and wearable: a stark reminder of death, but also of the importance of living fully.

Death’s-head rings are documented among the Tudor elite, including one listed in Catherine Parr’s jewel inventory of 1549.

This example was discovered near Canterbury, Kent, in 2022. It was recorded with the Portable Antiquities Scheme, assessed by the British Museum and declared Treasure under PAS ID KENT-9D54D6 and Treasure case number 2022T1206.

Ring size: UK N, US 6.5.

A rare object carrying one of history’s most enduring messages.

A charming 19th-century carnelian intaglio ring, circa 1860. The stone is finely carved with the laureate profile of a R...
05/08/2026

A charming 19th-century carnelian intaglio ring, circa 1860. The stone is finely carved with the laureate profile of a Roman emperor.

The gold mount, testing as 14K, is decorated with delicate wirework and granulation in the Etruscan Revival style, with a twisted border framing the warm carnelian.

UK size O, US size 7.25.

04/08/2026

Memento Mori — Remember You Must Die

For centuries, memento mori jewellery served as a powerful reminder of mortality, combining extraordinary craftsmanship with symbols of death, faith and the fleeting nature of life.

Its message was simple but profound: “Remember you must die” — and therefore, remember to live well.

Scroll through a selection of my favourite pieces, drawn from museum collections including the British Museum, Rijks Museum, and the Victoria and Albert Museum.

A famous painting, transformed into a jewel.This remarkable pendant reproduces La Communion d’Atala by Pierre-Jérôme Lor...
30/07/2026

A famous painting, transformed into a jewel.

This remarkable pendant reproduces La Communion d’Atala by Pierre-Jérôme Lordon, first exhibited at the Paris Salon of 1808 and now held in the Musée du Louvre.

Inspired by Chateaubriand’s tragic novel Atala, the painting shows the dying heroine receiving communion while Chactas, the man she loves, grieves beside her. Its themes of forbidden love, faith and sacrifice made it one of the defining stories of early Romantic Europe.

But the history of this pendant begins with a collector who did not want great art to remain confined to gallery walls.

The painting belonged to Giovanni Battista Sommariva, a major patron of the Napoleonic and Neoclassical period. From his villa on Lake Como, he assembled a celebrated collection of contemporary European art, then searched for ways to make those works portable.

Between around 1810 and 1825, Sommariva commissioned miniature enamel versions of 99 paintings from his collection, creating what he called a portable picture gallery. He also asked the renowned gem engraver Giovanni Beltrami to translate selected works into intaglios.

Made circa 1810–1815, this pâte-de-verre impression reduces Lordon’s dramatic canvas to an object small enough to hold, examine and wear.

The mottled red glass was designed to resemble carved agate. Its recessed image could also be pressed into warm sealing wax, causing the scene to appear again in relief as a tiny sculptural impression.

Mounted in an 18K gold frame bearing the crossed keys and papal umbrella linking it to the vatican workshops, the pendant brings together painting, literature, gem engraving, devotion and jewellery in one extraordinary object.

A painting that could leave the gallery, travel through Europe and be carried close to the body.

Available on our website.

Address

London

Alerts

Be the first to know and let us send you an email when Ravensbury Antiques posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Shortcuts

Share

Category